IEC
#1: Photo by William Kallay
#3: "Deathcheaters" [1976]
Born: 5 October 1942, Warwick, Queensland, Australia, as John Clement Seale.
Education: High School, Sydney.
Career: John Seale started work in 1963 at the ABC-tv at Gore Hill, New South Wales [the location of the ABC's Sydney television studios which were established in 1956 and which operated until 2002] - in the stationary department, dispensing biros and pestering Chief Cameraman Bert Nicholas for a 'driver assistant' position. Nicholas got Seale off his back by giving him the job, and by good fortune cameraman Bill Grimmond took him under his wing. In the early 1960s ABC-tv produced some of Australia's first drama series with Grimmond and Bob Feeney as doph's and Seale assisting. In 1965 Grimmond persuaded the reluctant ABC heavies to give Seale a chance as camera operator. Seale and Grimmond then worked on the children's series 'Wandjina!' [1965] and they continued working together on drama productions, mostly in 35mm. In 1970 Seale moved to Fauna Productions as operator on the 'Barrier Reef' series and when Fauna produced the film 'Nickel Queen', Seale operated on his first feature with doph John Williams. From there on he was working regularly as camera operator with Australia's leading cinematographers. Seale recalls that at first he hadn't paid a great deal of attention to lighting and after his first attempt in the role of doph on 'Deathcheaters' [1976], was happy to return to operating. Director Maurice Murphy lured him into being doph on the low budget feature 'Fatty Finn' [1980] and Seale gained confidence. He then took the position of operator on 'Gallipoli' with ph Russell Boyd. After 'Gallipoli' he established himself as a doph and in 1983 was awarded the ACS 'Milli' Award as 'Cinematographer of the Year' for 'Goodbye Paradise'. In 1985 Peter Weir invited him to go to the USA to shoot 'Witness'. This was the beginning of his international career.
Directed the feature 'Till There Was You' [1989; ph: Robert Primes & Geoffrey Simpson].
Member of the ASC since January 1997.
In 1998 he received an Honorary Doctorate at Griffith University, Queensland, Australia.
His son Derin is a dir; his daughter Brianna is a former set dresser.
Retired in 2010 [came out of retirement for 'Mad Max: Fury Road'].
Appeared in the doc's 'Run Nickel Run/The Nickel Queen: The Making of a Movie' [1970, Syd Donovan; ph: Bill Meacham], 'Visions of Light: The Art of Cinematography' [1991], an ep of the doc series 'ACS Video Series', 'The Hitcher - How Do These Movies Get Made?' [2002, Jörg Bauer; ph: Robert Jaye; 38m], 'Climbing 'Cold Mountain'' [2003, Tim Bricknell & Laura Luccetti; 74m] & 'Cinematographer Style' [2005, Jon Fauer; ph: J. Fauer, Jeff Laszlo, Brian Heller & David Morgan].
Awards [selection]: AFI [Aus] Award nom [1981] for 'The Survivor'; AFI [Aus] Award [1983] for 'Careful, He Might Hear You'; ACS 'Milli' Award 'Australian Cinematographer of the Year' [1983] for 'Goodbye Paradise'; AFI [Aus] Award nom [1984] for 'Silver City'; ACS 'Milli' Award 'Australian Cinematographer of the Year' [1985]; 'Oscar' AA nom [1986] & BAFTA Film Award nom [1986] for 'Witness'; 'Oscar' AA nom [1989] & ASC Award nom [1989] for 'Rain Man'; BAFTA Film Award nom [1990; shared] for 'Gorillas in the Mist'; BSFC Award [1996], ASC Film Award [1996], 'Oscar' AA [1997], BAFTA Film Award [1997], BSC Award nom [1997], CFCA Award [1997] & European Film Award [1997] for 'The English Patient'; ACS 'Hall of Fame' Award [1997]; Kodak Vision Award [1997]; BAFTA Film Award nom [2000] & CFCA Award nom [2000] for 'The Talented Mr. Ripley'; Member of the Order of Australia [AM] [2002] for 'Service to the Arts as an Australian and internationally acclaimed cinematographer'; 'Oscar' AA nom [2003], ASC Film Award nom [2003] & BAFTA Film Award nom [2004] for 'Cold Mountain'; ASC International Achievement Award [2010]; Plus Camerimage 'Lifetime Achievement Award' [2011]; ASC Film Award nom [2015] & 'Oscar' AA nom [2015] for 'Mad Max: Fury Road'.
FILMS | |
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1973 |
West Head [Chris Noonan] 16mm/c; doc/19m; cph: Bill Constable; prod AFTRS |
1976 |
Deathcheaters/Death Cheaters [Brian Trenchard-Smith] 35bu/c |
1978 |
Cries from a Cold Aquarium [Howard Rubie] c; short/45m |
1979 |
Heart, Head & Hand [: Peter Rushford, Potter] [Peter Weir] 16mm/b&w-c; doc/25m |
1978 |
Stunt Rock/Crash/Sorcery [Brian Trenchard-Smith] 16mm (stunt footage)+35mm-to-tao35/c; co-2uc Australia; ph: Bob Carras (= Robert Primes) |
1980 |
Fatty Finn [Maurice Murphy] c; 2uc: Tony Wilson |
1980 |
The Dangerous Summer [Brian Trenchard-Smith] c; doc/23m |
1980 |
The Survivor [David Hemmings] p/c; addph: David Foreman, Louis Irving, Kevan Lind, Paul Onorato, Peter Rogers & Geoffrey Simpson |
1980 |
The Law [ep 'Lesley' (12m), 'Weedy Plot' (10m), 'Accident' (16m) & 'Buying Blues' (12m) dir by Keith Gow] 4-part educational series/16mm |
1981 |
Goodbye Paradise [Carl Schultz] c |
1981 |
Horror Movie/Goose Flesh [Maurice Murphy] unfinished because the funding fell through |
1981 |
Doctors and Nurses [Maurice Murphy] c |
1982 |
The Year of Living Dangerously [Peter Weir] p/c; 2uc; ph: Russell Boyd |
1982 |
Ginger Meggs [Jonathan Dawson] c |
1982 |
Fighting Back/Death Vengeance/Fighting Free [Michael Caulfield] c |
1983 |
Careful, He Might Hear You [Carl Schultz] p/c |
1983 |
BMX Bandits/Short Wave [Brian Trenchard-Smith] p/c; addph: Louis Irving & Ross Berryman |
1984 |
Silver City [Sophia Turkiewicz] p/c; 2nd ph: Judy Rymer |
1984 |
The Empty Beach [Chris Thomson] c |
1984 |
Witness [Peter Weir] c; 2uc: Chuck Clifton |
1985 |
The Hitcher [Robert Harmon] p/c; 2uc: Charles Minsky; aph: Jack Cooperman |
1985 |
Children of a Lesser God [Randa Haines] c; 2uc: Fred Guthe |
1986 |
The Mosquito Coast [Peter Weir] c; 2uc: David Burr |
1987 |
Stakeout [John Badham] c; 2uc: Peter McLennan |
"Gorillas in the Mist"
1987 |
Gorillas in the Mist [: The Story of Dian Fossey] [Michael Apted] c; 2uc: Simon Trevor; sfx ph: Robin Browne; spph: Bob Campbell; special gorilla ph Zaire: Alan Root |
1988 |
Rain Man [Barry Levinson] c; uncred 2uc: Walt Lloyd |
1988 |
Dead Poets Society [Peter Weir] c |
1990 |
Flirting [John Duigan] scheduled as doph, but film was ph by Geoff Burton |
1990 |
The Doctor [Randa Haines] c; uncred 2uc: Walt Lloyd; filmed 1990-91 |
1991 |
Lorenzo's Oil [George Miller] c |
[Right] with dir Sydney Pollack - "The Firm"
Photo Thys Ockersen Archive
1992 |
The Firm [Sydney Pollack] c; uwph: Pete Romano |
1993 |
The Paper [Ron Howard] c |
1994 |
Beyond Rangoon [John Boorman] p/c; 2uc: David Burr |
1995 |
The American President [Rob Reiner] p/c |
1995 |
The English Patient [Anthony Minghella] c; 2uc: Remi Adefarasin |
1996 |
Ghosts of Mississippi/Ghosts from the Past [Rob Reiner] c |
1997 |
City of Angels [Brad Silberling] p/c; addph: Kenneth Zunder; remake of 'Der Himmel über Berlin/Les ailes du désir/Wings of Desire' (1986-87, Wim Wenders; ph: Henri Alekan) |
1998 |
At First Sight [Irwin Winkler] c |
1998 |
The Talented Mr. Ripley [Anthony Minghella] c; New York ph: Benoît Delhomme |
1998 |
Static [Derin Seale] c; short/12m |
1999 |
The Perfect Storm [Wolfgang Petersen] p/c; 2uc: Walt Lloyd; uwph: Gary Capo |
2000 |
Harry Potter and the Sorcerer's [Philosopher's] Stone [Chris Columbus] s35/c; 2uc: Gavin Finney; model unit ph: Nigel Stone |
2001 |
Harry Potter and the Chamber of Secrets [Chris Columbus] scheduled as doph, but film was ph by Roger Pratt |
2002 |
Dreamcatcher [Lawrence Kasdan] s35/c; 2uc: Roger Vernon; vfx ph: Patrick Sweeney |
[Hat] with dir Anthony Minghella - "Cold Mountain"
2002 |
Cold Mountain [Anthony Minghella] s35/c; 2uc: Tim Wooster |
2003 |
Spanglish [James L. Brooks] c; 2uc: Walt Lloyd; aph: Phil Pastuhov |
[Right] with dir Wolfgang Petersen - "Poseidon"
2005 |
Poseidon [Wolfgang Petersen] s35 (+ IMAX-70bu & D-Cinema)/c; 2uc: Mark Vargo; model unit ph: Martin Rosenberg & Patrick Sweeney |
2008 |
Prince of Persia: The Sands of Time [Mike Newell] s35 (+ IMAX-70bu & D-Cinema)/c; 2uc: Alexander Witt; aph: Adam Dale; vfx ph: Peter Talbot & James D. Kelly; elements ph (add efx unit UK): Nigel Stone |
2009 |
The Rum Diary [Bruce Robinson] s16-35bu (+ D-Cinema)/c; addph; ph: Dariusz Wolski |
2010 |
The Tourist [Florian Henckel von Donnersmarck] p (+ D-Cinema)/c; aph: John Marzano; vfx ph: Mark Weingartner; remake of 'Anthony Zimmer' (2004, Jérôme Salle; ph: Denis Rouden) |
2010 |
Trevi [Christian Keller] in development; status unknown (2011) |
2012 |
Mad Max: Fury Road [George Miller] HD (ARRI ALEXA Plus/p & M/p + Canon EOS 5D + Olympus OM-D E-M5 + Blackmagic Cinema Camera)-to-35mm scope (+ D-Cinema [also 3-D version])/c; 2uc: David Burr; addph: Sven Vosloo & Brooks P. Guyer; edge arm ph: Daniel Nichols; see David Eggby (2003) & Dean Semler (2010); this was the first digital shoot for John Seale, who was plucked from retirement for the project; filmed 2012 & 2013; released in 2015 |
TELEVISION |
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"Boney"
1971 |
Boney/Bonaparte [ep #12 'Boney Buys a Woman' dir by Peter Maxwell] 26-part series/16mm, 1972-73; 1st season, 1972 (13 ep); other ph: John J. Williams |
1972 |
Boney/Bonaparte [ep #14 'Boney Tells a Fortune' dir by Ron Way] 2nd season, 1973 (13 ep); see 1971 |
1979 |
New South Wales Images [Russell Boyd] doc/55m/16mm; cph: Russell Boyd |
1985 |
Winners [ep (48m) 'Top Kid' dir by Carl Schultz] 8-part series/16mm, 1986 |
FILMS & TELEVISION AS CAMERA OPERATOR | |
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1965 |
Wandjina! [Ken Hannam] 7-part tv-series/b&w, 1966 (ABC-tv); co-c.op |
1967 |
Contrabandits [Eric Taylor, a.o.] 30-part tv-series/video+film/b&w, 1967-68 (ABC-tv); ph: ? |
1969 |
Delta [David Goddard, a.o.] 23-part tv-series/b&w, 1969-70 (ABC-tv); ph: ? |
1969 |
Pastures of the Blue Crane [Tom Jeffrey] 6-part tv-miniseries/b&w (ABC-tv); ph: ?; first Australian drama series to be shot entirely on film |
1969 |
Barrier Reef/Minus Five [Peter Maxwell, a.o.] 39-part tv-series, 1971-72 (Network 10); ph: John J. Williams |
1970 |
Nickel Queen [John McCallum] ph: John J. Williams |
1972 |
The Hands of Cormac Joyce [Fielder Cook; tvm] ?; ph: John McLean |
1972 |
Boney/Bonaparte [ep #19 'Boney and the Kelly Gang' dir by Ron Way] ph: John J. Williams; 2nd season, 1973; see Television (1971) |
1973 |
Alvin Purple [Tim Burstall] ph: Robin Copping |
1974 |
Shannon's Mob [various; tv-series] ?; ph: John J. Williams |
1974 |
Sunday Too Far Away [Ken Hannam] ?; ph: Geoffrey Burton |
1974 |
The Man from Hong Kong/The Dragon Flies [Brian Trenchard-Smith] c.asst; ph: Russell Boyd |
1975 |
Picnic at Hanging Rock [Peter Weir] ph: Russell Boyd |
1975 |
Born to Run/Harness Fever [Don Chaffey; tvm] ph: Geoffrey Burton |
1975 |
Armchair Cinema [ep #6 'Tully' dir by James Gatward; tv-series] co-c.op; ph: Geoffrey Burton & Brian Probyn |
1975 |
Caddie [Donald Crombie] ph: Peter James |
1975 |
Mad Dog Morgan [Philippe Mora] ph: Mike Molloy |
1976 |
Break of Day [Ken Hannam] ph: Russell Boyd |
1977 |
The Last Wave/Black Rain [Peter Weir] ph: Russell Boyd |
1977 |
The Irishman [Donald Crombie] ph: Peter James |
1977 |
Weekend of Shadows [Tom Jeffrey] ph: Richard Wallace |
1977 |
Dawn! [Ken Hannam] ph: Russell Boyd |
1978 |
Money Movers [Bruce Beresford] ph: Don McAlpine |
1978 |
Blue Fin [Carl Schultz] ph: Geoffrey Burton |
1978 |
The Odd Angry Shot [Tom Jeffrey] ph: Don McAlpine |
1979 |
The Earthling [Peter Collinson] ph: Don McAlpine |
1980 |
Gallipoli [Peter Weir] ph: Russell Boyd |
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|
1977 |
Dreamspeaker [Claude Jutra] tvm |
1980 |
By Design/Sur mesure [Claude Jutra] c; 2uc; ph: Jean Boffety |
1983 |
The Mind of a Murderer [Michael Barnes] 2-part ('The Case of the Hillside Strangler' [60m] & 'The Mask of Madness' [65m]) doc; cph: Peter Chapman, Rick Robertson, David Myers, a.o.; ep BBC2-tv doc series 'Horizon' (1984); in USA 2-part ep PBS-tv series 'Frontline' (1984) |
1986 |
A Sense of Sound/J'entends tout [Don White] c; exp anim/6m; for NFB of Canada |
1986 |
Speaking Object-ly/Le langage des choses [Don White] c; exp anim/6m; for NFB of Canada |