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With c.op/ph Carmen Cabana - © Michael Coate |
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Born: 4 September 1945, Briey, Meurthe-et-Moselle, Lorraine, France.
Education: École de Vaugirard, Paris, France [1964-66].
Career: Worked as loader and 1st c.asst for doph Néstor Almendros, a.o.
Directed 'The Serpent's Kiss/Le baiser du serpent' [1996; ph: Jean-François Robin].
Awards: As doph: 'César' Award [1982] & NSFC Award [1983] for 'Diva'; BAFTA Film Award nom [1986] for 'The Emerald Forest'; 'César' Award [1987] for 'Thérèse'; BSC Award [1987], 'Oscar' AA nom [1988], BAFTA Film Award nom [1988] & NSFC Award [1988] for 'Hope and Glory'; ASC Award nom [1989] & BSC Award nom [1989] for 'Dangerous Liaisons'; 'César' Award nom [1989], BAFTA Film Award nom [1990] & ASC Award nom [1990] for 'L'ours'; 'César' Award nom [1990] for 'Trop belle pour toi!'; 'Oscar' AA nom [1991] for 'Henry & June'; 'Oscar' AA [1993] & ASC Award nom [1993] for 'A River Runs Through It'; BSC Award [1994] & BAFTA Film Award [1995] for 'Interview with the Vampire'; 'César' Award [1995] for 'La reine Margot'; 5th Annual 'Hamilton Behind the Camera Award' [2007] for 'The Brave One', 'Lions for Lambs' & 'The Great Debaters'.
As dir: Cannes FF 'Palme d'or' [1997] for 'The Serpent's Kiss';
Philippe Rousselot: 'My earliest influences occurred long before I picked up a movie camera. I was 11 years old when I first saw the films of Jean Cocteau and they were so moving, emotionally, visually, and intellectually. They were complete magic to me. Of course later, when I began working, I was influenced by the people I worked with: I was a loader for Nestor Almendros and that had a huge influence. Also a woman named Sara Moon, who I worked with in commercials and is a superb still photographer. I don't know if it's typical, but I saw a lot of great films at an early age - Bergman, Fellini, the German expressionists - they all contributed to my education.' [From interview with David Geffner in 'MovieMaker', issue #29.]
FILMS |
1969 |
She Flies [John Edwards] c; comm doc/13m; cph: Jean-François Robin, Bernard Gonner, a.o.; about the first flight of the supersonic Concorde |
1969 |
Le clair de terre/Earth Light [Guy Gilles] c; cph: Guy Gilles |
1970 |
Un couple d'artistes [Bruno Gantillon] c; short/13m; cph: Jean Monsigny & Jean-François Robin |
1971 |
Côté cour, côté champs [Guy Gilles] c; short/13m |
1972 |
Le lapin chasseur [Thomas Lehestre] c; short/16m; cph: Ch. Bachman & M. Ferrand |
1972 |
Absences répétées [Guy Gilles] c |
1972 |
Pour Clémence [Charles Belmont] c |
1972 |
La raison du plus fou [Raymond Devos & François Reichenbach] c; cph: Daniel Cardot, Christian Odasso & Gérard Taverna |
1973 |
Histoires d'A [Charles Belmont & Marielle Issartel] 16mm-35bu/b&w; doc/85m |
1973 |
Il pleut toujours où c'est mouillé [Jean-Daniel Simon] c |
1975 |
Cyrus le violoncelliste [Fabrice Cazeneuve] c; short/16m |
1975 |
Le couple témoin/The Guinea Pig Couple [William Klein] c; cph: William Klein |
1976 |
L'affiche rouge/The Red Poster [Frank Cassenti] c |
1976 |
Paradiso [Christian Bricout] c |
1976 |
Pauline et l'ordinateur [Francis Fehr] 16mm/c; cph: Pierre Dupouey |
1976 |
Adom, ou Le sang d'Abel [Gérard Myriam Benhamou] c |
1976 |
Je veux mourir dans la patrie de Jean-Paul Sartre [Mosco Boucault] 16mm/b&w; short/26m |
1977 |
Diabolo menthe/Peppermint Soda [Diane Kurys] c |
1978 |
Vu de l'extérieur [Patrice Noïa] b&w; short/13m |
1978 |
Les chemins de l'exil, ou Les dernières années de Jean-Jacques Rousseau/The Roads of Exile [Claude Goretta] c |
1978 |
La drôlesse/The Hussy [Jacques Doillon] c |
1979 |
Cocktail Molotov [Diane Kurys] c |
1979 |
Bonheur toi-même [Claude Goretta] c |
1980 |
Diva [Jean-Jacques Beineix] c |
1980 |
La provinciale/The Girl from Lorraine [Claude Goretta] c; cph: Dominique Brenguier |
1980 |
Vive la mariée [Patrice Noïa] 16mm/c; short/23m |
1981 |
La gueule du loup [Michel Léviant] c |
1981 |
Guy de Maupassant [Michel Drach] c |
1982 |
Thieves After Dark/Les voleurs de la nuit [Samuel Fuller] c |
1982 |
La lune dans le caniveau/The Moon in the Gutter [Jean-Jacques Beineix] p/c |
1983 |
Dream One/Nemo [Arnaud Sélignac] p/b&w-c |
1983 |
Des terroristes à la retraite [Mosco Boucault] 16mm/b&w-c; doc/83m; cph: Jean Orjollet, Eduardo Serra, Carlo Varini, François Catonné, a.o.; originally planned as a tv-doc (1985) |
1984 |
End of the Rainbow [Laszlo Papas] c; short/14m; cph: Marino Colmano |
1984 |
The Emerald Forest [John Boorman] p/c; 2uc: Lucio Kodato |
1984 |
Night Magic [Lewis Furey] p/c |
1985 |
Thérèse [Alain Cavalier] c |
1986 |
L'ours/The Bear [Jean-Jacques Annaud] p (35mm & 70bu)/c; 2uc: Arnaud Duboisberanger |
1987 |
Hope and Glory [John Boorman] c; addph: John Harris |
1988 |
Trop belle pour toi!/Too Beautiful for You [Bertrand Blier] p/c |
1988 |
Dangerous Liaisons [Stephen Frears] c |
1989 |
We're No Angels [Neil Jordan] p/c; 2uc: Jim Devis; uwph: Arthur Wooster & Pete Romano |
1989 |
Henry & June [Philip Kaufman] c |
1990 |
The Miracle [Neil Jordan] c; addph: James Devis |
1990 |
Merci la vie [Bertrand Blier] b&w-c |
1991 |
A River Runs Through It [Robert Redford] c; addph: Peter Pilafian; 2uc: Paul Ryan |
1992 |
Sommersby [Jon Amiel] p/c |
1992 |
Flesh and Bone [Steve Kloves] c |
1993 |
La reine Margot/Queen Margot [Patrice Chéreau] c |
1993 |
Interview with the Vampire [: The Vampire Chronicles] [Neil Jordan] c; 2uc: James Devis; vfx ph: Rob Legato |
1994 |
Mary Reilly [Stephen Frears] c |
[Right] with dir Milos Forman "The People vs. Larry Flynt" |
1996 |
The People vs. Larry Flynt [Milos Forman] p/c |
1998 |
Instinct [Jon Turteltaub] p/c; aph: David B. Nowell |
1998 |
In and Out of Fashion [William Klein] b&w-c; doc/88m; cph: Jean Boffety, Pierre Lhomme, Gérard de Battista & Jean-Noël Delamare |
1998 |
Random Hearts [Sydney Pollack] c; 2uc: David M. Dunlap |
1999 |
Remember the Titans [Boaz Yakin] p/c; 2uc: Alexander Witt |
2000 |
The Tailor of Panama [John Boorman] p/c; aph: John Trapman |
2000 |
Planet of the Apes [Tim Burton] p/c; addph: Paul Hughen; 2uc: Jonathan Taylor |
2001 |
Antwone Fisher [Denzel Washington] p/c |
2003 |
Big Fish [Tim Burton] c |
[Right] with dir Francis Lawrence - "Constantine" |
2003 |
Constantine [Francis Lawrence] s35/c; 2uc: Neal Norton; addph: Jeff Cutter; aph: Hans Bjerno; vfx ph: Christopher Warren |
2004 |
Charlie and the Chocolate Factory [Tim Burton] s35-to-35mm/c; 2uc: Jonathan Taylor; Atlanta ph: Neal Norton; model unit ph: Nigel Stone; also IMAX 70mm version |
2005 |
X-Men: The Last Stand/X-Men 3 [Brett Ratner] left prod and was replaced by Dante Spinotti |
2006 |
The Brave One [Neil Jordan] p/c; aph: Phil Pastuhov |
2007 |
Lions for Lambs [Robert Redford] p/c; addph: Dan Mindel & Phil Méheux |
2007 |
The Great Debaters [Denzel Washington] p/c; aph: Gary Tolbert |
2008 |
Peacock [Michael Lander] s35-to-35mm/c; 2nd doph: Anthony Arendt |
2008 |
Sherlock Holmes [Guy Ritchie] s35+HD+Silicon Imaging-to-35mm/c; 2uc: Alan Stewart; 2uc New York: Neal Norton; aph UK: Adam Dale |
2009 |
The Loop [Margaret Whitton] c |
2010 |
Larry Crowne [Tom Hanks] c; 2uc: Anthony Arendt |
2010 |
Untitled Sherlock Holmes Sequel [Guy Ritchie] c; 2uc + vfx ph: Alan Stewart; aph: Adam Dale |
TELEVISION |
Ph ep from the series 'Zoom', '16 millions de jeunes' & 'Dim, dam, dom'. |
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1978 |
Il était un musicien [ep #6 'Monsieur Ravel' dir by Guy Gilles & #8 'Monsieur Albeniz' dir by Claude Lallemand] 13-part series, 1978-79 |
FILMS AS CAMERA ASSISTANT/OPERATOR |
1967 |
Marie pour mémoire [Philippe Garrel] ?; ph: Michel Fournier |
1968 |
Le révélateur [Philippe Garrel] c.op; ph: Michel Fournier |
1969 |
Ma nuit chez Maud/My Night at Maud's [Eric Rohmer] c.asst; ph: Néstor Almendros |
1970 |
Le genou de Claire/Claire's Knee [Eric Rohmer] co-c.asst; ph: Néstor Almendros |
1972 |
L'amour l'après-midi/Chloé in the Afternoon/Love in the Afternoon [Eric Rohmer] co-c.asst; ph: Néstor Almendros |
1972 |
What a Flash! [Jean-Michel Barjol] co-c.op; ph: Renan Pollès |
1973 |
Femmes au soleil [Liliane Dreyfus] co-c.asst; ph: Néstor Almendros |
1974 |
Les naufragés de l'île de la Tortue [Jacques Rozier] co-c.op; ph: Colin Mounier |