IEC
#2: 2001
#3: "The Soul of a Man" [2002]
Born: 30 November 1955, ?, New Jersey, USA.
Education: Pratt Institute, Brooklyn, N.Y. [Painting]; New York University's Tisch School of the Arts [graduated in 1978].
Career: Ph music videos.
Also active as still ph [e.g. photos for the book 'The Lives They Left Behind: Suitcases from a State Hospital Attic', 2008, followed by the exhibition 'The Grass Is Green' in Santa Monica, 2010].
She is one of 30 women discussed in the book 'Great Women of Film' [2002, Helena Lumme & Mika Manninen], and was subject of the accompanying photography exhibition in February 2002.
Appeared in the doc's 'Visions of Light: The Art of Cinematography' [1991] & 'Women Behind the Camera' [2001-06, Alexis Krasilovsky; Rinzler's interview seg ph by Jendra Jarnagin].
Awards: Independent Spirit Award [1994] for 'Menace II Society'; Sundance FF Cinematography Award [1999] & Independent Spirit Award [2000] for 'Three Seasons'; Women in Film 'Kodak Vision Award' [2000]; Camerimage 'Golden Frog' nom [2000] for 'Pollock'; 'Emmy' Award [2004] for 'Martin Scorsese Presents The Blues' [ep 'The Soul of a Man'].
Lisa Rinzler: 'A DP's job is to represent, embellish, and enhance the director's vision. But you never want to remove yourself, and all your experiences, from the equation. That's why syncing up with the director, finding a chemistry, is critical. 'Three Seasons', for example, was an enormously difficult, yet gratifying film. We were the first American feature to shoot in Vietnam, and they don't have the support system like we do here. Plans had to be scrapped or changed; the equipment was not what we're accustomed to. But even if a movie experiences some form of chaos, and that's practically every independent film [laughs], you still have a foundation to draw on. You have your creative belief system, coupled with the preparation you and your crew have worked so hard on, and they all come through for you. When time is short and every decision seems hurried, the combination of preparation and experience will get you through the storm. And I'm not talking about just getting the shot. I'm talking about doing beautiful, challenging work that everyone on the film can be proud of.' [From interview with David Geffner in 'MovieMaker', Issue #35.]
FILMS | |
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1982 |
Reverse Angle [: Ein Brief aus New York] [: NYC March '82] [Wim Wenders] 16mm/c; doc/17m |
1983 |
Ohio at Giverny [Mary Lucier] v/b&w; exp short/19m; originally a two-channel, seven-monitor video installation |
1983 |
Ohio at Giverny: Memory of Light [Mary Lucier] v/c; exp short/19m |
1984 |
Lady [Robert Mapplethorpe] c; doc/5m |
1985 |
Amateur Hour/I Was a Teenage TV Terrorist [Stanford Singer] 16mm-35bu/c |
1986 |
Forever, Lulu/Crazy Streets/Für immer Lulu [Amos Kollek] c |
1987 |
The Dead [John Huston] c; doc ph; ph: Fred Murphy |
1987 |
[Behind the Screen: Stories of Cinema -] John Huston & the Dubliners [Lilyan Sievernich] 16mm/c; doc/60m |
1987 |
No Sense of Crime [Julie Jacobs] 16mm/c; doc/30m |
1988 |
Mr. Fixit [Topper Lilien] c; short/24m |
1988 |
From Hollywood to Deadwood [Rex Pickett] c; addph; ph: Peter Deming |
1988 |
True Love [Nancy Savoca] c; 2uc: John Hazard, Jeff Preiss, Susan Starr & Jeff Weyman |
1990 |
The Abandon 58/Abandoned '58 [Michael Haussman] 16mm/c; short/28m |
1990 |
Death By Unnatural Causes [Karen Bellone (a film by Karen Bellone and Lisa Rinzler)] b&w-c; exp short/18m |
1991 |
Guncrazy [Tamra Davis] c; 2uc: Troy Smith & Rob Copeland |
1992 |
Menace II Society [Albert & Allen Hughes] c; 2uc: John Demps; aph: Jon Kranhouse |
1993 |
Bad Girls [Tamra Davis (replaced by Jonathan Kaplan)] started film with T. Davis, but replaced by ph Ralf D. Bode |
1994 |
Lisbon Story/Viagem a Lisboa [Wim Wenders] b&w-c |
1994 |
Alfama [Wim Wenders] c; music video/4m |
1994 |
Dead Presidents [Albert & Allen Hughes] s35/c; 2uc: David Waterston |
1995 |
Trees Lounge [Steve Buscemi] c |
1995 |
Black Kites [Jo Andres] c; exp short/26m; 16mm projected film by J. Andres |
1996 |
Urban Fairytale [Michelle Mahrer] b&w; short/15m |
1996 |
In the House [Lisa Rinzler & Peter Stastny] 16mm/b&w-c; exp short/15m (3 seg: 'Donna', 'Nicholas' & 'Towana'); + co-prod |
1997 |
Three Seasons/Ba mua [Tony Bui] c; 2uc: Jamie Maxtone-Graham |
1998 |
Buena Vista Social Club [Wim Wenders] DigiBeta-to-35mm/c; doc/101m; ph New York; cph: Robby Müller (Amsterdam) & Jörg Widmer (Amsterdam & Cuba) |
With dir Ed Harris - "Pollock"
1999 |
Pollock [Ed Harris] c |
2001 |
Love Liza [Todd Louiso] c; 2uc: Sean Finnegan |
2001 |
Welcome to Collinwood [Anthony & Joe Russo] s35/c; cph: Charles Minsky |
2001 |
The Other Side of Joy [Randi Hoffmann] c; 64m |
2002 |
The Guys [Jim Simpson] b&w-c; co-addph; ph: Maryse Alberti |
2003 |
Lightning in a Bottle [Antoine Fuqua] b&w-c; concert film/109m; ph doc unit: Richard Pearce, Hart Perry & Greg Andracke; filmed on 7 February in the Radio City Music Hall, New York; presented by Volkswagen of America, Inc. |
2003 |
Rick [Curtiss Clayton] dv-to-35mm/c |
2003 |
Drifter [Lori Chodos] 16mm/c; short/32m; prod City College of New York |
2003 |
The Realtor [Karen Bellone] c; short/26m; addph; ph: K. Bellone |
2003 |
Drum [Zola Maseko] c |
2004 |
No Direction Home: Bob Dylan [Martin Scorsese] b&w-c; mus doc/205m; cph: Oliver Bokelberg, Anghel Decca, Ellen Kuras, Maryse Alberti, Michael Spiller, a.o.; in USA also 2-part ep of PBS-tv series 'American Masters' (2005) |
2004 |
Lymelife [Derick & Steve Martini] scheduled as ph, but film was ph by Frank Godwin in March 2008 |
2004 |
The War Within/Over the Mountains [Joseph Castelo] HD (Sony F900)-to-35mm/c; addph: Joseph White & David Leitner |
2005 |
Behind Those Eyes [Alex Gibney] c; mus doc/98m; cph: Alan Deutsch, Jeff Myers, Rick Siegel, a.o. |
2005 |
The Night Listener [Patrick Stettner] c |
2005 |
Drunkboat [Bob Meyer] s16/c |
2005 |
Gardener of Eden [Kevin Connolly] c |
2006 |
Women Behind the Camera [Alexis Krasilovsky] c; doc/90m; seg Pillow Fight' (ph by Alan Smith) uses 16mm footage shot by L. Rinzler; filmed 2001-06 |
"Sleep Dealer"
2006 |
Sleep Dealer [Alex Rivera] s16+HD (Sony F900)-to-35mm)/c |
2007 |
The Year of Getting to Know Us/Rocket [Patrick Sisam] c; addph (+ c.op 'b' cam): Brown Cooper |
2007 |
2B/TransBeMan [Richard Kroehling] HD (Panasonic HDX-900)/c; 2uc: Dylan Verrechia |
2008 |
An Invisible Sign [Marilyn Agrelo] s35/c |
2009 |
Saving David Powell [Sally Norvell] c; doc/29m; cph: Eli Adler |
2009 |
30 Beats [Alexis Lloyd] v-to-35mm/c; released in 2012 |
2009 |
Flor de Muertos/Flower of the Dead [Danny Vinik] HD/c; concert film + doc/91m |
2009 |
American Passages [Ruth Beckermann] dv-to-35mm/c; doc/120m; cph: Antoine Parouty; addph: Johannes Hammel & Eric Goover; filmed 2009-10 |
[Right] with Martha Davis - "Doctors of the Dark Side"
2010 |
Doctors of the Dark Side [Martha Davis] HD (Canon EOS)/c; doc/74m |
2011 |
Close Your Eyes [Sonia Malfa] 35mm+HD-to-digital/c; short/15m |
2011 |
BMW: Bombay's Most Wanted [Aditya Bhattacharya] c; filmed 2011-12 |
2012 |
Mea Maxima Culpa: Silence in the House of God [Alex Gibney] ?-to-digital/c; doc + dram re-enactments/106m; addph: Mike Gillis & Samuel Painter; also aired on HBO-tv |
2012 |
Liquid Tara [Jo Andres] c; exp short/9m; 2nd cam: Christina Massey |
2012 |
Ana Tijoux in Arizona [Alex Rivera] c; mus short/4m; addph: Daniel Devivo |
2012 |
City of Joy [Madeleine Gavin] c; doc/74m; cph: Taylor Krauss; add cam: Chris Babiana, Sam Cullman, M. Gavin, Revocatus Namegabe; released in 2016 |
2013 |
Missing People [David Shapiro] c; doc/76m |
2013 |
N(e)ig(h)g(bo)ers - A Play with C(art)oons by Branden Jacobs-Jenkins [a film by Karen Bellone & Lisa Rinzler] b&w-c; doc/22m; addph: Craig Takahashi & Ashley Stern |
2013 |
The Unattainable Story/The Erotic Fire of the Unattainable [Emilia Ferreira] HD (ARRI ALEXA + Sony F55 & PMW-EX1-R)+s16/c |
2014 |
The Lennon Report [Jeremy Profe] HD (ARRI ALEXA)/c |
2014 |
Hitchcock / Truffaut [Kent Jones] HD-to-digital/b&w-c; doc/79m; ph New York; cph New York: Nick Bentgen & Daniel Cowen; ph Paris, France: Éric Gautier; ph Los Angeles: Mihai Malaimare Jr.; ph Tokyo: Genta Tamaki |
2015 |
Don't Blink - Robert Frank [Laura Israel] b&w-c; doc/82m; add cam: Edward Lachman, L. Israel, Alex Bingham, Tom Jarmusch & Andrew Lampert; in memory of Harris Savides |
2015 |
She Enters the Room 7 Times [Richard Kroehling] c; short/15m |
2016 |
Cabaret Maxime [Bruno de Almeida] c |
TELEVISION | |
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1986 |
William Carlos Williams [Richard P. Rogers] doc/56m/16mm; cph: R.P. Rogers & Jerry Cotts; ep PBS-tv series 'Voices and Visions' |
1988 |
Teach 109 [Richard Kletter] tvm/25m; ep PBS-tv series 'American Playhouse Triple Play' |
1989 |
Warhol's Cinema: Mirror for the Sixties [Keith Griffiths] doc/b&w-c/64m |
1993 |
Hookers, Hustlers, Pimps and Their 'Johns' [Beeban Kidron] doc/85m |
1999 |
World Without End [Richard Kroehling] doc + fiction/b&w-c/?m |
2000 |
Confessions [prod: Richard Kroehling & Eric Nadler] reality series; other ph: Drew Harty; for truTV |
2001 |
The Blues [ep 'Feel Like Going Home' dir by Martin Scorsese] 7-part mus doc series/DVcam; addph; ph: Arthur Jafa; for PBS-tv |
2002 |
[Martin Scorsese Presents] The Blues [ep 'The Soul of a Man' dir by Wim Wenders] DVcam+35mm (hand-cranked)+16mm-to-35mm/b&w-c/105m; see 2001; also in theatres |
2002 |
Covered Girls [Janet McIntyre & Amy Wendel] doc/21m/DigiBeta; also seg of 'Reflections from Ground Zero' (9 seg); prod Kanbar Institute of Film and Television |
2002 |
Are You Comfortable? [prod: Lesli Klainberg] pilot for talk show (with John Lurie); for the Independent Film Channel |
2003 |
Taking Vegas [Richard Kroehling] doc/44m/v; cph: Drew Harty & Reuben O'Malley; ep truTV series 'The Investigators'/'Crime Stories' |
2009 |
Treme [pilot (80m) 'Do You Know What It Means' dir by Agnieszka Holland] 36-part series, 2010-13; 1st season, 2010 (10 ep); other ph: Irek Hartowicz (cph pilot), Ivan Strasburg & Russell Fine (ph New York) |
2010 |
Public Speaking [Martin Scorsese] doc/84m/HD; addph; ph: Ellen Kuras; premiered on HBO-tv |
2012 |
Park Avenue - Money, Power and the American Dream [Alex Gibney] doc/54m/HD; cph: Ronan Killeen; addph: Maryse Alberti, Jon Else, Darren Lew, a.o.; in USA ep of PBS-tv series 'Independent Lens' |
2013 |
The 50 Year Argument [Martin Scorsese & David Tedeschi] doc/b&w-c/97m/HD (Canon EOS C300); addph: Ellen Kuras, Mark Carey & Albert Maysles; festivals, BBC-tv ('Arena') & HBO-tv (2014) |
2014 |
Brillo Box (3¢ off) [Lisanne Skyler] doc/40m; cph: Minos Papas & Byron Shah |
MISCELLANEOUS | |
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1978 |
The Seven Wishes of Joanna Peabody [Stephen Foreman; tvm/29m] co-electrician; ph: Fred Murphy |
1980 |
Fist of Fear, Touch of Death/The Dragon and the Cobra [Matthew Mallinson] c.asst; ph: John Hazard |
1980 |
Possum Living [Nancy Schreiber; doc] c.asst; ph: N. Schreiber |
1980 |
The Ghost Dance [Peter F. Buffa] 2nd c.asst; ph: Fred Murphy |
1981 |
Rites of Passing [Nancy Schreiber; co-d: Peter Polymenakos; dance film] co-spec thanks; ph: N. Schreiber |
1981 |
Conversations with Willard Van Dyke [Amalie R. Rothschild] co-c.asst; ph: Tom McDonough |
1982 |
Eddie and the Cruisers [Martin Davidson] c.asst; ph: Fred Murphy |
1982 |
Girls Nite Out/The Scaremaker [Robert Deubel] c.asst; ph: Joe Rivers |
1983 |
Seeing Red [: Stories of American Communists] [James Klein & Julia Reichert; doc] c.asst; ph: Sandi Sissel, a.o. |
1983 |
Sessions [Richard Pearce; tvm] co-c.asst; ph: Fred Murphy |
1983 |
Trackdown: Finding the Goodbar Killer [Bill Persky; tvm] 2nd c.asst; ph: Fred Murphy |
1984 |
Key Exchange [Barnet Kellman] c.asst; ph: Fred Murphy |
2010 |
George Harrison: Living in the Material World [Martin Scorsese; doc] co-c.op; ph: Martin Kenzie & Robert Richardson; prod started filming late 2007; premiered in 2-parts on HBO-tv (2011) |
2011 |
America Time Moving & Storage [Karen Bellone & Lisa Rinzler] 8-part (designed to stand alone) photography/film/video installation; 1st part is a 8m/b&w-c film, 'Wheel of Life' (360° arc projection) |
FILMS AS DIRECTOR | |
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19?? |
World Citizen [?] |
1996 |
In the House [co-d; + co-prod/ph] see Films |
2011 |
America Time Moving & Storage [co-d: Karen Bellone] see Miscellaneous |
2013 |
N(e)ig(h)g(bo)ers - A Play with C(art)oons by Branden Jacobs-Jenkins [co-d: Karen Bellone] see Films |