IEC
#1: Photo by Sabine Reitmaier
#3: Photo by Stephanie von Beauvais
(Photos courtesy of Jutta Pohlmann)
Born: 9 June 1968, Korbach, Hessen, Germany.
Education: Uplandschule, Willingen, Germany; New York University, Tisch School of the Arts [NYU] [Film Production; 1991 (6 weeks)]; SzFF, Budapest, Hungary [MA Cinematography and Directing ; 1991-95]; Director of Photography Masterclass, Budapest, Hungary [1993 & 1995].
Career: Was focus puller on numerous music videos.
Ph 250+ commercials for Labello, McDonald's, Penaten, T-Mobile, C&A, a.o. Ph 39+ music videos dir by Stephanie von Beauvais [a: Tocotronic], Péter Palátsik, Wiebke Berndt, Svenja Rossa, Alex and Liane, a.o.
Directed short films, doc's, commercials and music videos.
Taught [1998-99] at the Kaskeline Film Akademie, Berlin, and was ph advisor during the shooting of 'Triptychon' [1999, Roland Jo Strittmatter & Karsten Voigt; ph: Christian Schneider]. Guest lecturer [2010] at the Universität der Künste/University of the Arts, Berlin.
Member of the BVK since 2011.
Awards [selection]: Locarno IFF 'Camera Award Short Film' [1995] & Hungarian Film Week, Budapest, 'Camera Award Short Film' [1996] for 'Gyilkosság zárójelben/Murder, They Said!'; Film & TV Kameramann 'Student Camera Award' [1998] for 'Halberstadt'; Femme totale Kamerapreis [2001] & Verband der Deutschen Filmkritik/German Film Critics Award 'Best Cinematography' [2001] for 'England!'; DKP Fernsehfilm (TV) nom [2004] for 'Die fremde Frau'; DKP Kinospielfilm (Cinema) nom [2005] for 'Was nützt die Liebe in Gedanken'; 'Romy' Award nom [2017] for 'Höhenstrasse'.
Website: Jutta Pohlmann
FILMS AT NYU AND THE SzFF [see also MISCELLANEOUS] | |
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1991 |
Silent Shorts [Jutta Pohlmann] 16mm (reversal)/b&w; short/6m; prod NYU |
1991 |
Man of Your Dreams [Jutta Pohlmann] 16mm (reversal)/b&w; short/2m; prod NYU |
1991 |
Junk Food [Jutta Pohlmann] 16mm (reversal)/b&w; short/4m; prod NYU |
1992 |
Honeymoon Hotel [Richard Szotyori] 16mm/?; short/7m; prod SzFF |
1992 |
Trains [Péter Palátsik] 16mm/b&w; short/4m; prod SzFF |
1992 |
A Day in the Death of a Dog [Jutta Pohlmann] S-VHS/c; dog-umentary/3m; prod SzFF |
1993 |
Look, Listen and Repeat [Jutta Pohlmann] 16mm/b&w; short/4m; prod SzFF |
1993 |
Filmschool Fear [Jutta Pohlmann] 16mm/b&w; short/6m; prod SzFF |
1993 |
Elképesztö Alexander/The Amazing Alexander [Mihály Györik] 16mm/b&w; short/22m; prod SzFF |
1993 |
Dogstyle [Katalin Gödrös] 16mm/b&w; short/10m; prod SzFF |
1994 |
Interstellare Druckschleuse #473 [Jutta Pohlmann] 16mm/c; short/20m; prod SzFF |
1994 |
Pudelfilm, Film ohne Pudel [Jutta Pohlmann] 16mm/c; short/3m; + co-exec prod; prod SzFF |
1994 |
Emerging Crime [Péter Palátsik] 16mm/b&w; short/30m; prod SzFF |
1994 |
Ez nem Sacramento/This Is Not Sacramento [Péter Palátsik] 16mm/b&w; short/20m; prod SzFF |
1994 |
Gauntlet [Lester Lane] 16mm/b&w; short/15m; prod SzFF |
1995 |
Gyilkosság zárójelben/Murder, They Said! [Mihály Györik] 35mm/b&w; short/19m; prod SzFF; Pohlmann's Diploma Film as doph |
1995 |
Joe Cockroach and I [Jutta Pohlmann] 16mm/b&w; short/20m; prod SzFF; Pohlmann's Diploma Film as doph & dir |
FILMS | |
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1995 |
Hack, The Fake Mantails [Daniel Young] 16mm/c |
1995 |
OIH, A Journey to Budapest [Péter Palátsik] BetaSP/c; travel doc/6m |
1995 |
Hajdú Kinga és Kósa János - Egy müvészpár portréja [Mihaly Györik] Hi8/c; doc/15m; for Kunsthalle Lausanne |
1995 |
Gummi ist Geil [Jutta Pohlmann] S-VHS/c; doc/5m |
1996 |
Too Marvelous for Words [Richard Szotyori] b&w; short/20m |
1997 |
Meeting Elvis [Péter Palátsik] 16mm/b&w; short/8m; prod DFFB & SzFF |
1997 |
Halberstadt [Achim von Borries] 16mm/c; short/20m; prod DFFB |
1997 |
Rock and Rave (The Band Tocotronic on Tour) [Jutta Pohlmann] Hi8/c; mus doc/15m |
1998 |
Tocotronic - Portrait of a Band [Jutta Pohlmann] various formats-to-VHS/c; mus doc/60m |
1998 |
Anarchisten [Marc Baader] c; short/10m |
1998 |
Cäcilia [Nicolai Albrecht] 16mm/c; short/11m; prod DFFB |
1998 |
Die Menschen sind kalt [Andreas Dorau] c; ph reshoots; ph: Marcel Hüppauf & Tom Kimmig |
1999 |
England! [Achim von Borries] 16mm-35bu/c; prod DFFB, a.o. |
2001 |
Baader/So hart mußt du sein [Christopher Roth] 16mm-35bu/c; cph: Bella Halben |
2001 |
IAA 2001 [Jutta Pohlmann] c; comm multi (4) screen film/10m; prod for VW Autostadt |
2002 |
Was nützt die Liebe in Gedanken/Love in Thoughts [Achim von Borries] c; 2uc: Albrecht Silberberger |
2004 |
Tuesday [Thomas Wommelsdorf] mdv/c; short/11m |
2004 |
Sarajevo [Christopher Roth & Franz von Stauffenberg] mdv (with P&S Adapter)/c; prod (3m) for an exhibition at the Gallery Esther Schipper, Berlin, and the Schirn Kunsthalle, Frankfurt am Main |
2004 |
Eden [Michael Hofmann] HD-to-35mm/c |
2006 |
Die Anruferin/The Calling Game [Felix Randau] s16-35bu/c |
2007 |
Tocotronic produzieren Album Nr. 8: Kapitulation [Sebastian Vogt & Felix Zimmermann] DVD/c; doc/20m; cph: S. Vogt, Lucie Westbrock, a.o. |
2008 |
So glücklich war ich noch nie/I've Never Been Happier [Alexander Adolph] s16-35bu/c |
2008 |
À la menthe [Jutta Pohlmann & Dirk von Lowtzow] mdv/c; prod (20m) for the exhibition 'Loitering with Intent - The Apprentice' at the Galerie Cinzia Friedlaender, Berlin |
2009 |
Komm zu mir [Felix Randau] mdv/c; short/3m |
2009 |
Der letzte Angestellte/The Last Employee [Alexander Adolph] RED-to-35mm/c |
2016 |
Ursula Mayer gegen den Rest der Welt/Petting statt Pershing [Petra Lüschow] HD (ARRI AMIRA)/c; 2uc: Robert Többe & Jean-Marc Junge |
2017 |
The Conspicuous Parts/Eine klare Sache [Assaf Gruber] film installation/?m; for Museum für Naturkunde Berlin |
TELEVISION | |
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1996 |
The Revolution in Hungary 1956 [Kurt Tezlaff] doc/BetaSP/90m |
1996 |
Boomtown Berlin [ep (16mm/11m) 'Der Gigolo' dir by Achim von Borries] 22-part series, 1996-97, 2000 & 2003; prod Sender Freies Berlin & DFFB |
2001 |
Die 12 Cellisten der Berliner Philharmoniker [Edda Baumann von Broen] mus doc/40m/BetaSP |
2003 |
Die fremde Frau/The Unknown Woman [Matthias Glasner] tvm/16mm |
2006 |
Maroc en vogue [Irene von Alberti] doc/29m/HD; ep #15 of series 'Mädchengeschichten' |
2010 |
Ein starkes Team [ep #49 'Am Abgrund/On the Edge' dir by Alexander Adolph] tvm-ep (16mm+HD [Canon EOS 7D]) series, 1994-present |
2012 |
Tatort [ep #856 'Der tiefe Schlaf' dir by Alexander Adolph] tvm-ep (HD [ARRI ALEXA]) series, 1970-present; 2uc: Katharina Nobis |
2012 |
Einmal Hans mit scharfer Soße [Buket Alakus] tvm/HD (ARRI ALEXA); 2uc: Carol Burandt von Kameke |
2013 |
Polizeiruf 110 [ep #344 'Morgengrauen/Morgengruß' dir by Alexander Adolph] tvm-ep (HD [ARRI ALEXA + Sony F55]) series, 1971-present; 2uc: Edwin Krieg |
2014 |
Tatort [ep #925 'Der sanfte Tod/Der gute Hirte' dir by Alexander Adolph] tvm-ep (HD [ARRI ALEXA Plus + Canon EOS 7D]) series, 1970-present |
2014 |
Mein Sohn Helen/Du Mädchen [Gregor Schnitzler] tvm/HD (ARRI ALEXA + Sony a7s) |
2015 |
Tatort [ep #1,000 'Taxi nach Leipzig' dir by Alexander Adolph] tvm-ep (HD [ARRI AMIRA])+RED Dragon (plate unit) series (2016); 2uc: Matthias Biber |
2016 |
Landkrimi [ep #10 'Höhenstrasse' dir by David Schalko] tvm-ep (HD [ARRI ALEXA]) series, 2014-present; 2uc: Leena Koppe |
2017 |
Ich und R [Alexander Adolph] tvm/HD (ARRI ALEXA Mini) |
2017 |
Tatort [ep #? dir by Katalin Gödrös] tvm-ep (2018) series |
MISCELLANEOUS | |
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1993 |
Joseph Kind Bites Back [Andrew Eninger; short/16mm] focus puller; ph: Hedi Bäbler; prod SzFF |
1994 |
Portrait de Kabbala [Hedi Bäbler; short/16mm] gaffer; ph: H. Bäbler; prod SzFF |
1994 |
Megint tanú [Péter Bacsó; feature] camera intern; ph: Tamás Andor |
1995 |
Lajkó Félix [Zsolt Meskó; tv-doc/16mm] focus puller; ph: András Nagy |
1995 |
Sexy Sadie [Matthias Glasner; feature] gaffer; ph: Sonja Rom; prod DFFB, a.o. |
1996 |
Rhinoceros Hunting in Budapest [Michael Haussman; feature] focus puller 2u; 2uc: Péter Vajda; ph: Nicola Pecorini |
1996 |
Gomez - Kopf oder Zahl [Edward Berger; feature] lighting tech; ph: Wolfgang Held |
1997 |
Cross-Roads/Keresztutak [Mihaly Györik; short/s16/42m] co-focus puller; ph: Péter Vajda |
2015 |
Kati Kati [Mbithi Masya] HD (ARRI ALEXA)/c; mentor cinematography; ph: Andrew Mungai |