IEC
From interview [Camerimage, 2013]
Born: 1951, The Bronx, New York City, N.Y., USA, as Daniel C. Pearl.
Education: University of Texas, Austin [MA in Communication (Film), 1973].
Career: His first film was an 8mm movie about skateboarding, which he shot and edited at the age of 13. His father was an alumnus of the University of Texas. He took his father's advice and enrolled at that school with undefined plans for the future. Became a film noir fan and got involved in the local filmmaking community. He intuitively focused on cinematography and ph many student films. Became official cameraman for the State of Texas. Moved to Los Angeles in 1976.
Ph [and sometimes directed] 500+ music videos. Ph numerous commercials dir by Marcus Nispel ['Wings' for Motorola], Kieran Walsh [for US Postal Service, Kellogg's, etc.], Meiert Avis, Simon West, Bob Giraldi, a.o.
Was lighting consultant on many music tours, concerts and other events.
Member of the ASC since 2004.
Appeared in the doc 'Cinematographer Style' [2005, Jon Fauer; ph: J. Fauer, Jeff Laszlo, Brian Heller & David Morgan].
Awards [selection]: MTV Video Music Award [1984] for 'Every Breath You Take'; MTV Video Music Award nom [1987] for 'With or Without You'; MTV Video Music Award [1992; shared] for 'November Rain'; MTV Video Music Award nom [1992] for 'I Can't Dance'; MVPA Lifetime Achievement Award [1996]; Kodak Vision Hall of Fame Award [1997]; MTV Video Music Award nom [1999] for 'Miami'; MTV Video Music Award nom [2000] for 'Take a Picture'; Kaleidoscope Award [2000]; Camerimage Special Award for Outstanding Achievements in the Field of Music Clips and Videos and Advertising Spots [2006].
Website: Daniel Pearl
Daniel Pearl: 'You can get everything else in a music video right but if the beauty shot of the singer isn't perfect, chances are it is not going to work. The beauty shot is a close-up where the diva connects and reaffirms her relationship with the audience. I've been fortunate to photograph many beautiful divas including Mariah Carey, Whitney Houston, Toni Braxton, Shania Twain, Janet Jackson and others. They are all beautiful to start with, but it's still a precise science. I model and sculpt everything else with light, but that doesn't apply to beauty shots. Film is a two-dimensional medium and a shadow implies depth. There are only a few shadows tolerated in beauty shots and they've got to be in the right places. [...] The first thing I do while we are saying hello is really look at their face. I'll orientate them toward the light. I may ask them to step by a window or to spin around in a chair. I size up their facial structure. Are there weaknesses or strengths? What about the shape of the nose, cheekbones, and jaw line? Is their face symmetrical? Most people part their hair to open up the good side of their face. Basically, I use light to de-emphasize things they don't like and to accentuate their best features. Wrinkles show up as dark lines, but if we drive light into them they disappear on film. It's the same with bags under someone's eyes. You begin with the key light that is usually pretty close to the line of the lens. I shift the light a bit to one side or the other based upon the structure of the face. Some divas look best in dead-on hard light - depending on where it's placed - and others need softer light, maybe through a diffusion frame or a Kino Flo. Someone with a chin problem shouldn't wear high, white collars because the light will bounce back and accentuate the chin. If someone is tired with bags under their eyes, you want the light a little lower. If there is a strong muscle under the eyes, it should be higher. You always have to put a sparkle in their eyes because that's how they connect with the audience. Often, I'll use a white or silver bounce card from below or maybe an eye light. [...] There are new, bigger lights and faster films with finer grain structures, but it also comes down to the individual. I designed a special light box to shoot Mariah Carey for 'MTV Unplugged' and often came up with a different lighting rig. I am always trying something new, trying to keep ahead of the game. I tend to shoot the slowest, finest grain film available but it's also situational.' [From the KODAK InCamera website, July 2001.]
FILMS |
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1973 |
The Texas Chain Saw Massacre [Tobe Hooper] 16mm-35bu/c; addph: Tobe Hooper; see 2002 |
1977 |
Stunts/Who Is Killing the Stuntmen? [Mark L. Lester] c; addph; ph: Bruce Logan |
1977 |
Day of the Animals/Something Is Out There [William Girdler] tao35/c; 2uc; ph: Robert Sorrentino |
1977 |
I Never Promised You a Rose Garden [Anthony Page] c; fantasy seq ph; ph: Bruce Logan |
1977 |
She Came to the Valley/Texas in Flames [Albert Band] p/c; 2uc: Robert Primes |
1978 |
The Secret Life of Plants [Walon Green] p/c; doc/98m; cph: Robert Primes, Mike Hoover, Ghislain Cloquet, David Myers, a.o.; natural history ph: Ken Middleham |
1978 |
It Lives Again/It's Alive II [Larry Cohen] c; addph; ph: Fenton Hamilton |
1978 |
Ravagers [Richard Compton] p/c; addph; ph: Vincent Saizis |
1978 |
Fairy Tales/Adult Fairy Tales [Harry Tampa (= Harry Hurwitz)] c |
1978 |
The Fifth Floor [Howard Avedis] c |
1978 |
Rust Never Sleeps [Bernard Shakey (= Neil Young)] c; concert film/103m; cph: Robbie Greenberg, Hiro Narita, Jon Else, David Myers, Larry A. Johnson, Richard Pearce & Paul Goldsmith; filmed 22 October (San Francisco) |
1979 |
Skatetown, U.S.A. [William A. Levey] c; roller skating cam; ph: Donald M. Morgan |
1979 |
The Day Time Ended/Time Warp/Vortex/Earth's Final Fury [John 'Bud' Cardos] p/c; cph prologue; ph: John Morrill |
1979 |
Roller Boogie [Mark L. Lester] c; uncred addph (+ roller skating cam); ph: Dean Cundey |
1979 |
Hometown U.S.A. [Max Baer Jr.] c |
1979 |
Full Moon High [Larry Cohen] c |
1979 |
Shadows and Light - by Joni Mitchell [Joni Mitchell] b&w-c; feature film seq + mus perf/73m; co-addph; ph: David Myers; filmed September |
1980 |
Getting Wasted [Paul Frizler] c; addph: Bob Carras (= Robert Primes) |
1980 |
The Return/The Alien's Return/Earthright [Greydon Clark] c; cph: Tomislav Pinter |
1980 |
The Funhouse/Carnival of Terror [Tobe Hooper] p/c; uncred addph; ph: Andrew Laszlo |
1981 |
The Seduction [David Schmoeller] c; addph; ph: Mac Ahlberg |
1981 |
Q/The Winged Serpent [Larry Cohen] c; co-addph; ph: Fred Murphy |
1981 |
Class of 1984 [Mark L. Lester] c; addph; ph: Albert J. Dunk |
1982 |
Zapped! [Robert J. Rosenthal] c; 2uc: Tom Grubbs & Chris Tufty |
1982 |
The Junkman/Gone in 60 Seconds 2: The Junkman [H.B. Halicki] b&w-c; cph: Tony Syslo |
1983 |
Styx - Caught in the Act [Jerry Kramer (concert) & Brian Gibson (mini-movie 'Kilroy Was Here'; 9m)] c/V; mini-movie + mus perf/88m; concert ph; concert cameramen: Billy Dickson, Wayne Isham, Oley Sassone, a.o.; mini-movie ph: Stephen Goldblatt; concert filmed 9-10 April (New Orleans) |
1984 |
The Winning Edge [- John McEnroe, Ivan Lendl: Private Lessons with the Pros] [John Yandell] c/V; tennis training short/45m |
1984 |
Thompson Twins - Into the Gap Live [Dee Trattmann] c/V; concert film/84m; filmed 30 September |
1984 |
Body Double [Brian De Palma] c; addph (sex club seq); ph: Stephen H. Burum |
1985 |
Iron Maiden - Live After Death [Jim Yukich] c/V; concert film/90m; + co-c.op; filmed March ('World Slavery Tour') |
1985 |
Invaders from Mars [Tobe Hooper] J-D-C Scope/c; 2uc: J. Michael McClary; sfx ph: Richard Rownak; optical ph: Jerry Pooler |
1985 |
Amazon Women on the Moon/Cheeseburger Film Sandwich [Joe Dante ('Reckless Youth'), John Landis, Carl Gottlieb, Peter Horton & Robert K. Weiss] b&w-c |
1986 |
Population: 1 - An American Memoir/Population: One [René Daalder] b&w-c; ph 'The Big Shelter' seq; ph: Jürg Victor Walther & Frans Bromet (seq '10c a Dance' & 'Jazz Vampire') |
1986 |
It's Alive III: Island of the Alive [Larry Cohen] c |
1986 |
A Return to Salem's Lot [Larry Cohen] c; 2uc: J. Michael McClary |
1986 |
Deadly Illusion/Love You to Death [William Tannen & Larry Cohen] c |
1987 |
Cyndi Lauper in Paris [Andy Morahan] c/V; concert film/85m; filmed 12 March (Le Zénith. Paris, France) |
1987 |
Hiding Out/Adult Education [Bob Giraldi] c |
1987 |
Collision Course [Lewis Teague] c; substitute doph; ph: Donald E. Thorin |
1990 |
Truth or Dare/In Bed with Madonna [Alek Keshishian] b&w-c; doc/119m; doc ph Houston; ph: Robert Leacock; concert ph: Toby Phillips |
1990 |
Michael Jordan's Playground [Zack Snyder] b&w-c/V; sports video/43m |
1992 |
van Halen Live: Right here, right now. [Mitchell Sinoway] b&w-c/V; concert film/112m; filmed 14-15 May (Fresno, California) |
1994 |
Rolling Stones - Live - Voodoo Lounge [Jim Gable] c/V; concert film/88m; + c.op Louma crane; filmed 14 August |
1995 |
Bonnie Raitt - Road Tested [Jim Yukich] c/V; concert film/110m; filmed 18-19 July (Paramount Theatre, Oakland, Calif.); also a PBS-tv music special (47m) |
1997 |
Cunning Stunts [Wayne Isham & (fly on the wall dir/prod) Adam Dubin] c/V; concert film (with heavy metal band Metallica)/130m; cph (+ prod): David Hausen; filmed 9-10 May at the Fort Worth Convention Center, Fort Worth, Texas |
1998 |
Usher Live [Antoine Fuqua] c/V; concert film/57m; filmed 15-16 October (Chattanooga, Tennessee) |
2000 |
Mariah Carey - Rainbow Tour [Sanaa Hamri] unreleased concert film; songs released individually as music videos |
2000 |
The Up in Smoke Tour/Up in Smoke Tour 2000 [Philip G. Atwell] c/V; doc + concert film/120m & 155m; concert ph; doc cam: Jason Cooley, Bryan Barber, a.o.; interv ph: Billy Park; concert short film ph: Paul Cameron; filmed 20 July; on DVD + behind-the-scenes footage shot on 16mm |
2002 |
The Texas Chainsaw Massacre [Marcus Nispel] b&w-c; addph: Peter Simonite; remake of film (see 1973) |
2003 |
National Treasure [Jon Turteltaub] s35/c; legend seq ph; ph: Caleb Deschanel |
2005 |
Just My Luck [Donald Petrie] c; concert footage ph; ph: Dean Semler |
2005 |
Captivity [Roland Joffé] s35/c; 2uc: Bruce L. Finn; addph: Antonio Zavala |
2005 |
Pathfinder [Marcus Nispel] s35/c; aph 2u: A.J. Vesak; uwph: Ian Seabrook; remake of 'Ofelas/Veiviseren' (1986, Nils Gaup; ph: Erling Thurmann-Andersen) |
[Left, looking over shoulder] with Colin & Greg Strause - "AVPR"
2006 |
AVPR - Aliens vs. Predator - Requiem/AvP2 [Colin & Greg Strause] s35/c; 2uc: Joel Ransom; addph: James Hawkinson; uwph: Ian Seabrook |
2007 |
Adventures in Appletown/The Kings of Appletown [Robert Moresco] s35-to-35mm/c/V; 2uc: Peter Simonite; uncred addph: Alex Nepomniaschy |
2008 |
Friday the 13th [Marcus Nispel] p (+ D-Cinema)/c; splinter unit ph (+ c.op 'b' cam): Don Reddy; uwph: Vance Holmes |
2008 |
George Michael - Live in London [Andy Morahan] c; concert film/134m; concert ph; ph 'Dita Von Teese shoot': George Tiffin; filmed 24-25 August (London, UK) |
2009 |
The Obama Effect/The Effect [Charles S. Dutton] c; released in 2012 |
2010 |
The Apparition [Todd Lincoln] p+J-D-C Scope-to-35mm scope (+ D-Cinema)/c; 2uc: Peter Simonite; aph: Michael Kelem |
2010 |
The Briar Lake Murders [David R. Ellis] announced as ph, but replaced during pre-production by Gary Capo |
2011 |
No One Lives [Ryûhei Kitamura] s16/c |
2015 |
The Boy/In a Dark Place/The Inhabitant [William Brent Bell] HD (ARRI ALEXA XT Plus)-to-D-Cinema (scope)/c |
2016 |
Mom and Dad/Mum and Dad [Brian Taylor] HD/c; vfx ph: Phil Miller |
2017 |
Motivated Seller [Deon Taylor] HD (ARRI ALEXA Mini/Hawk Scope)/c |
TELEVISION | |
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1985 |
Phil Collins: No Jacket Required - Sold Out [Jim Yukich] mus special/60m; filmed in May (Reunion Arena, Dallas, Texas); for HBO-tv |
1987 |
Disney's Totally Minnie [Scot Garen] mus + anim special/44m; ph Elton John seq; ph: Richard Kooris; 2uc: J. Michael McClary |
1991 |
Paul Reiser: 3½ Blocks from Home/Paul Reiser: Right on 14th Street [Jim Yukich] comedy perf special/58m; for Showtime-tv |
1993 |
A Day in the Life of Country Music [exec prod: Ken Kragen] mus special/120m; Dallas ph; other ph: Ed Lachman (Fairfax), David Connell (Fort Worth), Anghel Decca (Nashville), a.o.; shot on one day (7 May); for CBS-tv |
1993 |
Here Is Mariah Carey [Lawrence Jordan] mus special/60m; filmed 18 July; for NBC-tv; expanded version on DVD as 'Mariah Carey - Here Is Mariah Carey' |
1993 |
Trisha Yearwood: The Song Remembers When [Steve Purcell] mus special/60m; for the Disney Channel |
1993 |
Rolling Stone '93: The Year in Review [Joel Gallen & Pam Thomas] variety special/60m; ph Cindy Crawford seq; other ph: Crescenzo Notarile; for FOX-tv |
1994 |
Reba!/Reba Live [Jon Small] mus special/60m; filmed at the Omaha Civic Center, Omaha, Nebraska; for NBC-tv |
1995 |
Mariah Carey [Larry Jordan] mus special/60m; for FOX-tv |
1998 |
When You Believe: Prince of Egypt [Mary Lambert] mus special/60m; cph: Tony Molina; for NBC-tv |
1999 |
Shania Twain: Come On Over [Lawrence Jordan] mus special/45m; filmed 14 November (Texas Stadium, Irving, Texas); for CBS-tv |
2004 |
Frankenstein [Marcus Nispel] tvm/s16-to-HD; originally prod as a pilot; for USA Cable Network |
2012 |
Rod Stewart: Merry Christmas, Baby [Jim Gable] Christmas special/57m; ep PBS-tv series 'Great Performances'; taped in September at the Villa de Leon, Pacific Palisades, Calif. |
2015 |
Mariah Carey's Merriest Christmas [James Yukich] Christmas special/60m; for Hallmark Channel (+ Netflix [38m]) |
MISCELLANEOUS | |
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1980 |
The Hearse [George Bowers] Steadicam op; ph: Mori Kawa |
1981 |
The BeastMaster [Don Coscarelli] 2nd c.op; ph: John Alcott |
1988 |
Pink Floyd - Delicate Sound of Thunder [Wayne Isham; concert film] co-c.op; ph: Marc Reshovsky |
1989 |
The Who Live, Featuring the Rock Opera Tommy [Larry Jordan; live tv broadcast/135m] Louma crane op |
1992 |
The Cure - show [Aubrey Powell & Leroy Bennett; concert film/119m] co-c.op (as Daniel Perarl); ph: Jeff Zimmerman; filmed June (Auburn Hills, Michigan) |
1992 |
Metallica: Live Shit - Binge & Purge [Wayne Isham; concert film] Louma crane op; ph: Dave Rudd; filmed 13-14 January (San Diego) |
2010 |
Mariah Carey: Merry Christmas to You [Joel Gallen] Christmas special/60m; lighting cons; for ABC-tv |
2013 |
Lumberjack Man [Josh Bear] scope/c; spec ph adv; ph: Joseph Winchester |
MUSIC VIDEOS [Selection] | |
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1969 |
Rock 'n' Roll Nose [a: The Byrds; d: Daniel Pearl] + ed/prod |
1982 |
Ice Cream for Crow [a: Captain Beefheart; d: Don Van Vliet & Ken Schreiber] |
1982 |
It's Raining Again [a: Supertramp; d: Russell Mulcahy] |
1983 |
Billie Jean [a: Michael Jackson; d: Steve Barron] |
1983 |
Dancing with Myself [a: Billy Idol; d: Tobe Hooper] |
1983 |
Every Breath You Take [a: The Police; d: Lol Creme] b&w |
1983 |
Radio Free Europe [a: R.E.M.; d: Arthur Pierson] |
1983 |
All Night Long [a: Lionel Richie; d: Bob Rafelson] |
1984 |
This Woman [a: Kenny Rogers; d: Jay Dubin] |
1984 |
Against All Odds [a: Phil Collins; d: Taylor Hackford] |
1984 |
The Reflex [a: Duran Duran; d: Russell Mulcahy] |
1984 |
Pride (Version 1) [a: U2; d: Donald Cammell] b&w |
1984 |
Hot for Teacher [a: Van Halen; d: David Lee Roth & Pete Angelus] |
1984 |
Relax (Version 4) [a: Frankie Goes to Hollywood; d: Brian De Palma] |
1984 |
In the Midnight Hour [a: B.B. King; d: John Landis] |
1985 |
We Don't Need Another Hero [a: Tina Turner; d: George Miller] |
1986 |
Where Did Your Heart Go? [a: Wham!; d: Andy Morahan & George Michael] |
1986 |
Dancing on the Ceiling [a: Lionel Richie; d: Stanley Donen] |
1987 |
With or Without You [a: U2; d: Meiert Avis] |
1988 |
Lost in You [a: Rod Stewart; d: Jonathan Kaplan] |
1989 |
The Best [a: Tina Turner; d: Lol Creme] |
1989 |
I Want That Man [a: Deborah Harry; d: Mary Lambert] |
1990 |
Almost Hear You Sigh [a: The Rolling Stones; d: Wayne Isham] |
1990 |
Blaze of Glory [a: Jon Bon Jovi; d: Wayne Isham] |
1991 |
I Don't Wanna Cry [a: Mariah Carey; d: Larry Jordan] |
1991 |
Runaround [a: Van Halen; d: Meiert Avis] |
1991 |
Don't Cry [a: Guns N' Roses; d: Andy Morahan] |
1991 |
Don't Let the Sun Go Down On Me [a: George Michael & Elton John; d: Andy Morahan] |
1992 |
I Can't Dance [a: Genesis; d: Jim Yukich] |
1992 |
For Your Babies [a: Simply Red; d: Andy Morahan] |
1992 |
Human Touch [a: Bruce Springsteen; d: Meiert Avis] |
1992 |
Better Days [a: Bruce Springsteen; d: Meiert Avis] |
1992 |
November Rain [a: Guns N' Roses; d: Andy Morahan] cph: Mike Southon |
1992 |
Leap of Faith [a: Bruce Springsteen; d: Meiert Avis] |
1993 |
I'd Do Anything for Love [a: Meat Loaf; d: Michael Bay] |
1993 |
Hero [a: Mariah Carey; d: Larry Jordan] |
1993 |
Estranged [a: Guns N' Roses; d: Andy Morahan] |
1994 |
If I Only Knew [a: Tom Jones; d: Lol Creme] |
1995 |
You Are Not Alone [a: Michael Jackson; d: Wayne Isham] |
1995 |
One Sweet Day [a: Mariah Carey; d: Larry Jordan] |
1997 |
Step by Step [a: Whitney Houston; d: Paul Hunter] |
1997 |
Older [a: George Michael; d: Andy Morahan] |
1997 |
Honey (Bad Boy remix) [a: Mariah Carey; d: Paul Hunter (seq Version 1) & Daniel Pearl (add seq)] |
1997 |
Butterfly [a: Mariah Carey; d: Daniel Pearl] |
1998 |
Heartbreak Hotel [a: Whitney Houston; d: Kevin Bray] |
1998 |
You [a: Janet Jackson; d: David Mallet] |
1998 |
Baila [a: Jennifer Lopez; d: Jim Gable] |
1998 |
Miami [a: Will Smith; d: Wayne Isham] |
2000 |
She Bangs [a: Ricky Martin; d: Wayne Isham] 2uc: Pete Zuccari |
2002 |
Boys [a: Britney Spears; d: David Meyers] |
2002 |
Alive [a: Jennifer Lopez; d: Jim Gable] |
2003 |
One Heart [a: Céline Dion; d: Antti Jokinen] |
2004 |
I Want You [a: Janet Jackson; d: Dave Meyers] |
2005 |
I Ain't No Quitter [a: Shania Twain; d: Wayne Isham] |
2005 |
Mississippi Girl [a: Faith Hill; d: Wayne Isham] |
2006 |
Enough Cryin' [a: Mary J. Blige; d: Hype Williams] |
2009 |
I Wanna Know What Love Is [a: Mariah Carey; d: Hype Williams] |
2011 |
Hollywood Nights [a: Michael Jackson; d: Wayne Isham] |
2012 |
Dive [a: Usher; d: Chris Applebaum] |
2012 |
Deadmau5 Ft. Gerard Way: Professional Griefers [a: deadmau5 & Gerard Way; d: Paul Boyd & Jeff Ranasinghe] |
2014 |
Thinking Out Loud [a: Ed Sheeran; d: Emil Nava] |