IEC
Education: York University, Toronto [Filmmaking; BFA in 1976].
Career: 'I was raised in Toronto, but I also have a Japanese heritage. A friend who ran the high school camera club got me interested in still photography. I got a sales job in a photography store while I was still in high school. That gave me opportunities to play with all kinds of still cameras. I had a Canon 35mm system. Later, I switched to taking pictures with a Hasselblad camera. I became very fluent and comfortable with cameras, and built my own darkroom in my parent's basement. I had a neighbor, Jack van der May, who shot film for television documentaries. He had his own ARRI 16mm camera. I knocked on his door one day and asked if he would teach me the ins and outs of filmmaking. I said I would help him for free if I could go with him on jobs and observe him at work. He gave me an ARRI magazine, a changing bag and some short ends and told me to practice loading the film. Later that summer he took me on a job with him. After that, I was his assistant for about four years while I was at film school. I got my basic training in black and white and was still assisting Jack when he switched to shooting color film. We shot a lot of hockey games and other sports for the Canadian Broadcasting Corporation. Because of my professional assisting experience, I got to shoot almost all of the student films while I was at York University. I virtually had one of the school's ARRI 16BL cameras to myself. After graduation, I bought an Aaton 16mm camera. I met a producer-director who was working for an educational network. She hired me to do second unit camera work. I got a really big break when she hired me as a cinematographer for a 26-part, half-hour educational series about aging. In 1982, I was with a Canadian mountain climbing expedition that went to the Southern Himalayas for around two months. Another time I went to Japan to film a National Geographic documentary about the Kodo drummers. That was the first time I was actually in Japan. I was basically working with a Japanese crew and needed an interpreter. That was a pretty strange feeling since my heritage is Japanese.' [From interview by Bob Fisher on the KODAK OnFilm website.]
Ph 100+ commercials dir by Boris Damast, Robert Quartly, Bill Scarlet, Larry August, Dan Hackett, Brian Belefant [for McDonald's], Geoff Ayres [for Kellogg's], Mitch Gabourie, a.o. Ph public-service announcements, e.g. 'The Disappearing' [2004, Keith Ross Leckie].
Awards: 'Gemini' Award [1986] for 'Anne of Green Gables'; 'Gemini' Award [1987; shared] for 'A Moving Picture'; CSC Award [1990] & 'Genie' Award nom [1990] for 'Millennium'; 'Gemini' Award [1994] for 'The Diviners'; 'Gemini' Award [1995] for 'Race to Freedom: The Underground Railroad'; CSC Kodak New Century Award [1997] for Lifetime Achievement; CSC Award [1997] & 'Gemini' Award [1998] for 'The Arrow'; CSC Award nom [1999] for 'Jerzy Has a Dream'; ASC Award [2000] for 'The Crossing'; 'Gemini' Award [2001], ASC Award nom [2001] & CSC Award nom [2002] for 'Don Giovanni Unmasked'; CSC TV Award [2002] for 'Club Land'; CSC Award Theatrical Feature [2003] for 'They'; 'Gemini' Award [2004] & CSC TV Award nom [2004] for 'Shattered City: The Halifax Explosion'; CSC Award Theatrical Feature nom [2005] for 'Highwaymen'; CSC Award Theatrical Feature nom [2006] for 'Saint Ralph'; CSC TV Drama Award [2006] for 'Stone Cold'; CSC TV Series Award [2007] for 'Kidnapped' [ep 'Special Delivery']; 'Gemini' Award [2007] for 'Shades of Black: The Conrad Black Story'; ASC TV Award nom [2007] for 'Jesse Stone: Sea Change'; ASC TV Award nom [2009] for 'Jesse Stone: Thin Ice'.
Website: Rene Ohashi [agent's website]
Rene Ohashi: 'Cinematography is a way of seeing. It's like an interpretive visual journey that comes out of the written words. The story dictates to you how to present the images and how to make the aesthetic choices that will evoke an emotional response from the viewer. I've always been a believer of realism in photography, that is, heightened realism. Part of that is exploring the limits and thresholds of the photographic emulsion. Today's film stocks can capture the extremes of light and dark as well as the nuances. We cinematographers have a tremendous advantage with the current varied range of film stocks, which, in conjunction with computer imaging, can make almost anything visually and creatively possible. Once impossible shots are now conceivable. Your imagination can run completely free. It's like having an extended palette or an enhanced vocabulary. Filmmakers can find new ways of telling stories and new ways of expressing themselves.' [From the KODAK Canada website.]
FILMS | |
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1978 |
Bakery/Boulangerie [Barbara Cochrane] c; doc/6m |
1979 |
Illusions [James Orr] c; doc/25m; following dir Claude Jutra during the shooting of 'Surfacing' |
1980 |
Reaching Out [Rebecca Yates & Glen Salzman] c; short/32m |
1982 |
Bon Voyage, But.../Bon voyage, mais... [Cheryl Simard] c; doc/27m; cph: Robert Fresco, Vic Sarin & Michel Thomas-d'Hoste |
1982 |
Jen's Place [Rebecca Yates & Glen Salzman] c; short/56m |
1982 |
Prisoners of Debt: Inside the Global Banking Crisis [Robert Collison & Peter Raymont] c; doc/58m; cph: Mark Irwin |
1982 |
And When They Shall Ask [John Morrow] 16mm/c |
1982 |
Thanks for the Ride [John Kent Harrison] 16mm/c; short/28m |
1983 |
Kodo: Heartbeat Drummers of Japan [Jacques Holender] 16mm/c; doc/60m |
1983 |
Listen to the City [Ron Mann] 16mm/c |
1984 |
Neon: An Electric Memoir [Rudy Buttignol & Ken Ketter] c; doc/26m; cph: R. Buttignol, Chris Terry, John Walker & Mark Irwin |
1984 |
The Umpire/L'arbitre [Paul Shapiro] 16mm/c; short/17m |
1985 |
Blindside [Paul Lynch] c |
1986 |
The Trumpeter [Janice Platt] c; short/24m |
1986 |
Sweet Lorraine [Steve Gomer] c |
1987 |
Shadow Dancing/Stage Fright [Lewis Furey] c; filmed 1987-88 |
1988 |
Millennium [Michael Anderson] c; 2uc: John Harris & (Light and Motion crew) Sam Nicholson (+ co-2ud/dir vfx); cameraman (Light and Motion crew): Barry F. Peterson; uwph (Hawaii crew): Doug Phillips; optical ph: Tim Segulin |
1988 |
Where the Spirit Lives [Bruce Pittman] c |
1989 |
Deep Sleep [Patricia Gruben] c |
1991 |
John Wyre - Drawing on Sound [Niv Fichman] c; doc/26m; cph: Tobias Schliessler & David Geddes |
1992 |
La Florida [George Mihalka] c; addph: John Berrie |
1994 |
The War Between Us/Hakujin [Anne Wheeler] c |
1994 |
Rent-a-Kid [Fred Gerber] c/V |
1997 |
Family Plan [Fred Gerber] c |
1997 |
Gold Fever [David Lickley] IMAX-70mm/c; doc/41m; filmed 1997-98 |
1998 |
Water Damage [Murray Battle] c |
1998 |
Jerzy Has a Dream [?] ?; short/?m |
2001 |
They [Robert Harmon] s35/c; 2uc (+ 2ud): David Crone; supplemental ph: Karl Herrmann & (dir) Rick Bota; uwph: Pauline Heaton; vfx superv: Kyle Menzies |
2002 |
Highwaymen [Robert Harmon] s35/c; 2uc: João Fernandes; aph: Douglas Holgate |
2003 |
Saint Ralph [Michael McGowan] c |
2010 |
Faces in the Crowd/Faces [Julien Magnat] c; 2uc: Lawrence Daufenbach |
2013 |
Forsaken/Redemption [Jon Cassar] c |
2014 |
Wait Till Helen Comes [Dominic James] HD/c |
TELEVISION | |
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1978 |
Dolls/Les poupées [Barbara Cochrane] doc/?m |
1979 |
Head Start [Joan Reed-Olsen] 13-part doc series/16mm |
1980 |
Clown White [Paul Shapiro] tvm/60m/16mm |
1980 |
Introducing... Janet/Rubberface [Glen Salzman & Rebecca Yates] tvm/48m/16mm |
1981 |
Visions [Don Thompson] 13-part doc series/16mm |
1981 |
Rumours of Glory [Martin Lavut] doc/81m/16mm; cph: Barry Stone, Vic Sarin, Henri Fiks & Robert Fresco |
1982 |
Gongga Shan: White Peaks Beyond the Clouds [Peter Walsh] doc/60m/16mm |
1982 |
R.W. (Real World) [Paul Shapiro] tvm/30m/16mm |
1983 |
The Edison Twins [13 ep dir by various] 78-part series/16mm, 1984-86; 1st season, 1984 (13 ep) |
1984 |
Hockey Night [Paul Shapiro] tvm/16mm |
1984 |
The Edison Twins [13 ep dir by various] 2nd season, 1984-85 (13 ep); see 1983 |
1984 |
Anne of Green Gables [Kevin Sullivan] 2-part tvm/16mm & 4-part miniseries/16mm |
1985 |
The Edison Twins [13 ep dir by various] 3rd season, 1985 (13 ep); see 1983 |
1985 |
Miracle at Moreaux [Paul Shapiro] tvm/58m/16mm |
1985 |
Philip Marlowe, Private Eye [ep #6 'Blackmailers Don't Shoot' dir by Allan King, #7 'Spanish Blood' dir by Robert Iscove (RI), #8 'Pickup on Noon Street' dir by RI, #9 'Guns at Cyrano's' dir by RI, # 10 'Trouble Is My Business' dir by RI & #11 'Red Wind' dir by Martin Lavut] 11-part series, 1983 (5 ep) & 1986 (6 ep); 2nd season, 1986 |
1986 |
As Is [Michael Lindsay-Hogg] tvm/16mm |
1986 |
The Truth About Alex [Paul Shapiro] tvm/48m/16mm |
1986 |
A Moving Picture [Jürgen Lutz] dance film/54m/16mm; cph: Emil Kolompar, Paul Mockler & Vic Sarin |
1986 |
[The Lawrenceville Stories:] The Prodigious Hickey/The Prodigious Mr. William Hicks [Robert Iscove] tvm/60m/16mm; ep PBS-tv series 'American Playhouse'; see 1987 & 1988 |
1987 |
The Incredible Ida Early [Robert Iscove] tvm/60m |
1987 |
Hot Paint [Sheldon Larry] tvm |
1987 |
Taking Care of Terrific [Jim Purdy] tvm/60m/16mm |
1987 |
[The Lawrenceville Stories:] The Return of Hickey [Allan A. Goldstein] tvm/60m/16mm; ep PBS-tv series 'American Playhouse'; see 1986 & 1988 |
1987 |
Almost Grown [pilot dir by David Chase] 13-part series, 1988-89 |
1987 |
Masterclass with Menuhin [Niv Fichman] mus doc/56m/16mm |
1988 |
Men [6 ep dir by various] 6-part series, 1989; other ph: Neil Roach; for ABC-tv |
1988 |
[The Lawrenceville Stories:] The Beginning of the Firm [Allan A. Goldstein] tvm/60m; ep PBS-tv series 'American Playhouse'; see 1986 & 1987 |
1989 |
Pray for Me, Paul Henderson [Brad Turner] tvm/60m/16mm; ep 'CBC's Magic Hour' |
1989 |
Christmas in America: A Love Story [Eric Till] tvm/60m |
1990 |
The Wonder Years [ep #47-59 & #69 dir by various] 115-part series/16mm, 1988-93; 4th season, 1990-91; other ph: Russell Carpenter & Tim Suhrstedt |
1991 |
To Catch a Killer [Eric Till] 2-part tvm |
1991 |
[Alexander Graham Bell:] The Sound and the Silence/The Sound and the Silence: The Alexander Graham Bell Story [John Kent Harrison] 2-part tvm |
1992 |
The Diviners [Anne Wheeler] tvm/16mm |
1993 |
[Thicker Than Blood:] The Larry McLinden Story [Michael Dinner] tvm |
1993 |
Race to Freedom: The Underground Railroad [Don McBrearty] tvm/16mm |
1994 |
The Vacant Lot [ep #1 dir by Robert Quartly] 6-part series, 1994; loc ph |
1994 |
Party of Five [pilot dir by Richard Pearce] 142-part series, 1994-2000; other ph: Joe Pennella (final 3 seasons) & Charlie Lieberman |
1995 |
Kissinger and Nixon [- Peace at Hand] [Daniel Petrie] tvm |
1996 |
Early Edition [pilot dir by Michael Dinner, ep #11 'Christmas' dir by Daniel Attias, #12 'Frostbit' dir by Lee Bonner & #13 'Mob Wife' dir by Rick Rosenthal] 90-part series, 1996-2000; 1st season, 1996-97; other ph: Arthur Albert, Gino Crededio, John S. Bartley, Neil Roach, Joe Pennella & John Thomas |
1996 |
The Arrow/Projet Arrow [Don McBrearty] 2-part tvm/b&w-c; efx unit ph: Tom Turnbull |
1999 |
The Crossing [Robert Harmon] tvm; 2uc: Maris Jansons |
1999 |
Don Giovanni Unmasked [Barbara Willis Sweete] opera/60m/s16 |
2000 |
Club Land [Saul Rubinek] tvm |
2000 |
Wild Iris [Daniel Petrie] tvm |
2003 |
Shattered City: The Halifax Explosion [Bruce Pittman] 2-part tvm |
2004 |
[Jesse Stone:] Stone Cold [Robert Harmon] tvm/s16-to-HD; 2uc: Christopher Ball |
2005 |
Above and Beyond [Sturla Gunnarsson] 2-part tvm/s16 |
2005 |
Shades of Black: The Conrad Black Story [Alex Chapple] tvm/s16 |
2006 |
Kidnapped [ep #2 'Special Delivery' dir by Michael Dinner, #3 'Sorry, Wrong Number' dir by Michael W. Watkins, #4 'Number One with a Bullet' dir by Michael Pressman, #5 'Burn, Baby, Burn' dir by Oz Scott & (cph) #6 'My Heart Belongs to Daddy' dir by Nelson McCormick] 13-part series/s35, 2006-07; other ph: Edward J. Pei (pilot) & Roy H. Wagner (+ cph #6) |
2006 |
Jesse Stone: Sea Change [Robert Harmon] tvm/s16-to-HD; 2uc: Christopher Ball |
2007 |
Jesse Stone: Thin Ice [Robert Harmon] tvm/s16-to-HD |
2008 |
Eleventh Hour [ep #3 'Agro' dir by Danny Cannon (DC), #4 'Savant' dir by Terry McDonough (TM), #5 'Containment' dir by DC, #9 'Flesh' dir by David Barrett, #10 'H2O' dir by TM & #12 'Eternal' dir by Jeffrey Hunt] 18-part series, 2008-09; other ph: David Stockton & Eagle Egilsson |
2010 |
Nikita [20 ep dir by various] 73-part series, 2010-13; 1st season/HD (Sony F35), 2010-11 (22 ep); other ph: David Stockton (pilot) & David Herrington (ep #17) |
2010 |
InSecurity [ep #7 'Spies on Ice' dir by Robert de Lint] pilot ('B Team'; ph in 2008 by Michael Storey & Mark Dobrescu [prep]; aired in 2010) + 23-part series, 2011; 1st season, 2011 (January/March) (13 ep) |
2011 |
Nikita [12 ep dir by various] 2nd season/HD (ARRI ALEXA), 2011-12 (23 ep); see 2010 |
2012 |
Nikita [11 ep dir by various] 3rd season/HD (ARRI ALEXA), 2012-13 (22 ep); see 2010 |
2014 |
Clementine [Michael Dinner] pilot; 2uc (+ c.op 'a' cam & Steadicam op): Stefan von Bjorn; for ABC-tv |
MISCELLANEOUS | |
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1976 |
Starship Invasions/Alien Encounter/War of the Aliens/Project Genocide [Ed Hunt] co-c.asst; ph: Mark Irwin |
1997 |
Too Close to Home [Bill Corcoran; tvm] add c.op; ph: Malcolm Cross |