|
|
|
|
Born: c. 1947, Punjab, India.
Career: 'Ashok Mehta was 14 when he ran away from home in Delhi and became a hawker's flunkey in Mumbai [Bombay] selling boiled eggs. In 1963 he moved on to sell watermelon slices, and on a holiday he saw a film shoot in a studio in Dadar. Hooked, he joined as a canteen boy at Asha Studio in Chembur and later became an office boy at R.K. Studios. He slowly started filling in for absentee studio hands and soon became familiar with sets, lights, etc. The next step ahead was when he became camera attendant and soon learnt his way around the camera. He became c.asst at Srikrishna Films and got his first break as a cinematographer at the age of 25 in Raj Marbros' 'The Witness'. He credits his actual career boost to the reigning star of the 70's, Shashi Kapoor. Kapoor, who was starring in a film being shot by Mehta, was greatly impressed by his work and even though the film did not get made eventually, it won Mehta the favor of Kapoor, who offered him his next production, '36 Chowringhee Lane'. Soon after, Mehta was noticed by the leading filmmakers of the parallel cinema movement that was in its prime at the time and was flooded with film offers. The next step for Mehta was to establish himself in mainstream cinema and this opportunity came through actress Rakhee. It was during the filming of 'Paroma' that Rakhee got acquainted with Mehta and his work, but it was years later when Subhash Ghai, leading director of the popular film scene, was on the lookout for a cameraman for his mega-project 'Ram Lakhan', that she suggested the name of Mehta. Ashok Mehta then stepped onto the popular film scene and with the collaboration of Ghai, brought to popular cinema an altogether different style of lighting and shot taking.' [From articles and interviews by Renu Bhatnagar, a.o.]
Ph 800+ commercials.
Awards: Bengal Film Journalists' Award [197?] for 'Lal Kothi'; National Film Awards 'Silver Lotus Award' [1982] for '36 Chowringhee Lane'; Screen Weekly Award [1995] for 'Trimurti'; National Film Awards 'Silver Lotus Award' [2001] & Screen Weekly Award nom [2002] for 'Moksha'.
Website: Ashok Mehta
FILMS |
1969 |
Trishna [?] ?; cph: Sudarshan Nag |
1972 |
The Witness [Raj Marbros] ?; unreleased |
1972 |
Trisandhya [Raj Marbros] b&w-c |
1975 |
Kabhi Dhoop Kabhi Chhaon/Sun and Shade [Basu Bhattacharya] c |
1975 |
Daaku/Daku/The Bandit [Basu Bhattacharya] c |
1977 |
Bhumika [Shyam Benegal] c |
1978 |
Humare Tumhare/Hamaare Tumhare [Umesh Mehra] c |
1978 |
Lal Kothi [Ashish Roy] c |
197? |
Teesra Pathhar [?] ? |
1980 |
Kalyug/The Machine Age [Shyam Benegal] c; co-addph; ph: Govind Nihalani |
1980 |
Cobra [Batra Mohinder] c |
1980 |
Nirvana [Jalal Agha] ?; filmed 1980-83; unreleased |
1981 |
36 Chowringhee Lane [Aparna Sen] c |
1982 |
Jawalaa Dahej Ki [Chaman Nillay] c |
1982 |
Mandi/Marketplace [Shyam Benegal] c; 160m |
1983 |
Utsav/The Festival [Girish Karnad] c |
1984 |
Paroma/Parama/The Ultimate Woman [Aparna Sen] c |
1984 |
Andar Baahar/Andar Bahar [Raj N. Sippy] c |
1984 |
Bandh Honth [Raj Marbros] ? |
1985 |
Susman/The Essence [Shyam Benegal] c; 130m |
1985 |
Shiva Ka Insaaf [Raj N. Sippy] 3D/c |
1985 |
Trikal: (Past, Present, Future) [Shyam Benegal] c; 139m |
1985 |
Mirch Masala/Spices/A Touch of Spice [Ketan Mehta] c |
1986 |
Zindagani [Prabhat Roy] c |
1987 |
Ijaazat/Guest [Sampooran Singh Gulzar] c; + small part |
1988 |
Oonch Neech Beech [Wasi Khan] c; cph: Hari Roy |
1989 |
Sati/Widow Burning [Aparna Sen] c |
1989 |
Ram Lakhan/Ram and Lakhan [Subhash Ghai] c |
1990 |
Raiszaada/Raeeszada [Bharat Kapoor] c |
1990 |
Saudagar/The Trader [Subhash Ghai] c; 205m |
1992 |
Mujhse Dosti Karoge?/Come, Let Us Be Friends [Gopi Desai] c; children's film |
1993 |
Khal Nayak/The Villain [Subhash Ghai] c |
1993 |
1942: A Love Story [Vidhu Vinod Chopra] c; cph add shooting & crowd seq; ph: Binod Pradhan |
1994 |
Bandit Queen/Phoolan Devi [Shekhar Kapur] c; addph: Gilles Nuttgens |
1995 |
The Making of the Mahatma/Apprenticeship of a Mahatma/Gandhi Se Mahatma Tak [Shyam Benegal] c; 144m |
1995 |
Droh Kaal [Govind Nihalani] c |
1995 |
Trimurti [Mukul Sudheswar Anand] scope/c; 187m; 2uc: Rajeev Jain |
1996 |
Pukar [Rajkumar Santoshi] c; cph: Baba Azmi & Santosh Sivan |
1996 |
Tara Rum Pum Pum [Shekhar Kapur] ? |
1996 |
Gupt: The Hidden Truth [Rajiv Rai] tvi/c; 2uc: Rajeev Jain |
1997 |
Dr. Babasaheb Ambedkar [Jabbar Patel] c; 191m |
1998 |
Gaja Gamini [Maqbool Fida Husain] scope/c; 140m; cph: Shaina Nath |
2001 |
Moksha/Salvation [Ashok Mehta] b&w-c; + co- prod/story |
2001 |
Aankhen/All the Best [Vipul Amrutlal Shah] scope/c; 2 parts: 89m & 76m |
2002 |
Dil Ka Rishta/Heart of Gold [Naresh Malhotra] scope/c; 2 parts: 69m & 80m |
2002 |
Chalte Chalte [Aziz Mirza] scope/c; 2 parts: 81m & 84m; addph: Rajeev Jain |
2004 |
Kisna: The Warrior Poet/Kisna: Beyond Love [Subhash Ghai] scope/c; 170m; international version 'Kisna: Beyond Love' runs 100m |
2004 |
Waqt: The Race Against Time [Vipul Amrutlal Shah] scope/c; cph: Santosh Thundiiayil |
2004 |
Family: Ties of Blood [Rajkumar Santoshi] scope/b&w-c |
2005 |
No Entry [Anees Bazmee] c; 158m |
2005 |
God Tussi Great Ho/God You Are Great [Rumi Jaffery] c; addph: Aseem Bajaj |
2006 |
I See You [Vivek Agrawal] scope/c |
2006 |
Meridian Lines [Venod Mitra] c |
MISCELLANEOUS |
1982 |
Vijeta/Conquest [Govind Nihalani] co-c.op battle seq; ph: G. Nihalani |
FILMS AS DIRECTOR |
2001 |
Moksha/Salvation [co-prod/story/dir/ph] see Films |
2001 |
24 Hours [feature] announced for 2001-02 |