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TERESA MEDINA AEC |
Born: 30 December 1965, Madrid, Spain.
Education: Universidad Complutense, Madrid [1985-90; BA, Science of Light and Image]; American Film Institute [AFI] [1990-93; MFA Cinematography].
Career: Started as c.asst. Went to the USA in 1990 to study at the AFI, where she produced a thesis film.
Ph commercials [for Sony, Winston, Energy Pacific, a.o.] and promotional spots for 'Black History Month' [dir by Spike Lee].
Appeared in the doc 'Women Behind the Camera' [2001-2006, Alexis Krasilovsky; 90m].
Awards: Spanish TV Academy nom [1999] for 'La rosa de piedra'; Women in Film 'Kodak Vision Award' [1999].
Teresa Medina: 'What inspires me is telling stories. That's what makes a movie beautiful. You wait for those scripts and those kinds of directors who have something to say and who respect the contributions that we make as cinematographers. I believe every movie has a unique look, and my mission is to create the look the director and producer are trying to portray through the written word. It is magical to be at the point in the creative process where the printed page comes to life.'
FILMS |
1992 |
Como tú quieras [Joseba Salegi] c; short/21m; cph: ? Maite & Juan Amorós |
1993 |
The Chili Con Carne Club [Jonathan Kahn] c; short/30m; prod AFI |
1994 |
Unconditional Love/The Art of Passion [Arthur Egeli] c |
1994 |
Reflections in the Dark/Reflections on a Crime [Jon Purdy] c; addph: Mark Skilton; spph: Michele Mattei |
1994 |
The Last Supper [Stacy Title] c; 2uc; ph: Paul Cameron |
1995 |
Cosas que nunca te dije/Things I Never Told You [Isabel Coixet] c |
1995 |
Todo está oscuro/All Is Dark [Ana Díez] c |
1995 |
Female Perversions [Susan Streitfeld] c |
199? |
Healthy Babies/Bebes saludables [Cheryl Quintana Leader] c; doc/?m |
1995 |
Tricks & Traps: Protect Yourself/Trucos y trampas [Cheryl Quintana Leader] c; doc/?m |
1996 |
Sweet Evil/Final Vendetta/Surrogate Mother/Talons of the Stork/The Surrogate [René Eram] c |
1997 |
Colors Straight Up [Michèle Ohayon] s16/c; doc/93m; addph; ph: Theo van de Sande & Jacek Laskus |
1997 |
Forever Is a Long, Long Time [Don Was] c; mus short/16m |
1997 |
The 24 Hour Woman [Nancy Savoca] c |
2000 |
No Turning Back/Sin retorno [Julia Montejo & Jesús Nebot] announced as doph, but replaced by Ian Fox |
TELEVISION |
1994 |
A Rainy Day [Leo Garcia] tvm |
1996 |
Love Street [ep #24 'Freudian Slip' dir by David Dobkin] 26-part series, 1994-97; 3rd season, 1996; other ph: Bruce Douglas Johnson, Suki Medencevic, Adam Teichman, a.o. |
1999 |
Wall to Wall Records [Josh Brand] pilot |
1999 |
La rosa de piedra [Manuel Palacios] tvm |
2000 |
The Blue Diner/La fonda azul [Jan Egleson] tvm/s8+35mm-to-35mm |
2000 |
Gilmore Girls/Gilmore Girls: Beginnings [pilot dir by Lesli Linka Glatter, ep #2 'The Lorelais' First Day at Chilton' dir by Arlene Sanford, #3 'Kill Me Now' dir by Adam Nimoy, #4 'The Deer Hunters' dir by Alan Myerson, #5 'Cinnamon's Wake' dir by Michael Katleman, #6 'Rory's Birthday Parties' dir by Sarah Pia Anderson, #7 'Kiss and Tell' dir by Rodman Flender, #8 'Love and War and Snow' dir by Alan Myerson & #9 'Rory's Dance' dir by Lesli Linka Glatter] 153-part series/s16, 2000-07; 1st season, 2000-01; other ph: Michael A. Price (3 ep), Ron García (9 ep) & Hiro Narita (cph pilot) |
MISCELLANEOUS |
1992 |
Little Buddha [Bernardo Bertolucci] cam intern; ph: Vittorio Storaro |
1992 |
Sliver [Phillip Noyce] cam intern; ph: Vilmos Zsigmond |
1994 |
Red Shoe Diaries [ep 'Liar's Tale/Belinda's Tale' dir by James Gavin Bedford; tv-series] co-ord; ph: Bernard Auroux |
1994 |
Red Shoe Diaries [ep 'Burning Up' dir by Rafael Eisenman & 'The Game' dir by Philippe Angers; tv-series] c.op; ph: Christophe Lanzenberg ('The Game') & Eagle Egilsson ('Burning Up') |