IEC
#1: 2005
Born: 29 June 1967, Armagh, Northern Ireland, UK, as Seamus Paul McGarvey.
Education: Polytechnic of Central London [now University of Westminster] [1985-88].
Career: Started as still ph before attending film school in London.
Ph music videos with a: Paul McCartney, Dusty Springfield, Robbie Williams, Elton John, U2, UB40, Natalie Imbruglia, a.o. Ph commercials dir by Stephen Daldry [for De Beers], Mike Figgis [for Volkswagen], Lucy Blakstad, Richard Heslop, Kieron Walsh, a.o.
Directed music videos.
Member of the BSC since 1998. Member of the ASC since 2008. One of the founding members of the Irish Society of Cinematographers [ISC] [2010].
Was member of the jury of the Irish Film & Television Awards 2004. Was guest in the BBC radio programme 'Back Row' [November 2003]. Received an Honorary Fellowship of the Edinburgh College of Art [2009].
Awards: Royal Television Society Award nom [199?] for 'Skin'; The Royal Photographic Society 'Lumière Award' [2004] for contributions to the art of cinematography; Evening Standard British Film Award [2004] for 'The Hours'; IFTA Award [2005] for 'Sahara'; 'Oscar' AA nom [2007] & BAFTA Film Award nom [2007] for 'Atonement'; ASC Film Award nom [2012] & 'Oscar' AA nom [2012] for 'Anna Karenina'.
'It all started in photography as a 13 year old,' says Seamus McGarvey, 'I had a dark room at home in Armagh where I became au fait with the technical aspects and principles of stills. They're the same as cinematography.' In his final year in school, he got into film, thanks to Declan Forde, his art teacher at the Christian Brothers School. 'He lent me a Super 8 camera and I experimented enough to know that's what I wanted to study. The political upheaval cauterized the artistic richness that's historically associated with Armagh. Much as I love the place, it was essential for me to get away. Influences were too limiting and at 17, I was hungry for the wider world. I took a three year film course at the Polytechnic of Central London. Through it I pursued my passion for stills as well as learned about motion.' Luckily for Seamus, Jacek Petrycki, the Polish cinematographer, known for his work with Krzysztof Kieslowski, was over on a teaching sabbatical. 'When Jacek saw my photographs, he became my mentor and encouraged me to concentrate on cinematography.' While at college, McGarvey worked as an usher in the cinemas at the ICA [Institute of Contemporary Art]. 'I was no cinéaste on my arrival in London but I soon made up for it. I got to see all the high art movies and became entranced, especially with Russian and Italian cinema.' After film school, Seamus worked on five Derek Jarman movies and cites his influence as seminal. 'The early years were tough and jobs were scarce. I relied on painting and decorating work to survive. I began to get such pleasure from doing up old houses and getting cash in hand that I seriously considered sticking with that, rather than trying to achieve the film career.' [From interview with Maud Hand on the Ideasfactory Northern Ireland website.]
FILMS | |
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1990 |
Memoranda [Mortimer O'Sullivan] 16mm/c; short/10m |
1990 |
I Love You [Sarah Miles] 16mm/b&w; exp short/1m |
1991 |
Mad Bad Mortal Beings [Ludmilla Andrews] 16mm/c; short/10m |
1992 |
The Winding Sheet - A Documentary About Guilt [Karen A. Kelly] 16mm/c; doc/12m; prod Royal College of Art |
1992 |
Damsel Jam [Sarah Miles] c; doc/13m |
1993 |
Taking Liberties with Mr. Simpson [David Stewart] b&w-c; short/27m |
1993 |
Marooned [Jonas Grimås] c; short/20m |
1994 |
The Take Out [Jamie Thraves] 16mm/c; short/13m |
1994 |
Coloured [Barrie White] c; short/10m |
1994 |
Skin Tight [John Forte] c; short/15m; cph: Donal Gilligan |
1994 |
A Sort of Homecoming [Dudi Appleton] c; short/21m |
1994 |
Butterfly Kiss/Killer on the Road [Michael Winterbottom] b&w-c; originally made as a tvm |
1994 |
This Charming Man [Meloni Poole] 16mm/c; doc/26m |
1995 |
Lounge [Miranda Pennell] c; dance film/6m |
1995 |
Skin [Vincent O'Connell] c; short/11m |
1995 |
Jude [Michael Winterbottom] p/b&w-c; co-2uc; ph: Eduardo Serra |
1996 |
Jump the Gun/Babel [Les Blair] c; 2uc: Giulio Biccari |
1996 |
Hello, Hello, Hello [David Thewlis] c; short/11m |
1996 |
Harald [- Der Chaot aus dem Weltall] [Jürgen Egger] c; 2uc: Peter von Haller |
1996 |
The Slab Boys [John Byrne] c |
[Left] with dir Alan Rickman
"The Winter Guest" - photo by Clive Coote
1996 |
The Winter Guest [Alan Rickman] c; addph: Steve Rundell; aph: Simon Werry |
1997 |
Flying Saucer Rock 'n' Roll [Enda Hughes] cs/b&w; short/12m |
1997 |
Magic Moments [Saul Metzstein] c; short/8m |
1997 |
Atlantic [Sam Taylor-Wood] 16mm/c; installation (3-screen projection)/4m |
1997 |
The End [Joe Wright] c; short/11m |
1998 |
The War Zone [Tim Roth] J-D-C Scope/c |
1998 |
The Big Tease/Je m'appelle Crawford [Kevin Allen] c; 2uc: Hilton A. Goring |
1998 |
A Map of the World [Scott Elliott] c; 2uc: Michael Kohnhorst |
1998 |
I Could Read the Sky [Nichola Bruce] c; cph: Owen McPolin |
[Left] with Stephen Frears [behind camera] - "High Fidelity"
1999 |
High Fidelity [Stephen Frears] c |
2000 |
The Work of Angels? - The Book of Kells [Murray Grigor] c; doc/58m |
2000 |
The Name of This Film Is Dogme95 [Saul Metzstein] c; doc/50m; cph: S. Metzstein, Immo Horn & Jack Lothian |
2000 |
Enigma [Michael Apted] p/c; 2uc Netherlands: Stef Tijdink |
2001 |
The Hours [Stephen Daldry] c |
2002 |
The Actors [Conor McPherson] c; addph: Ciarán Barry |
2002 |
Rolling Stones - Tip of the Tongue [prod by Rolling Stones] DVD/c; behind-the-scenes doc/51m; 2uc: Don Lenzer (New York), André (as Andree) Pienaar (Toronto) & Terry Hopkins (Boston) |
2002 |
Along Came Polly [John Hamburg] c; 2uc: Larry Blanford |
2003 |
Beyond the Sea [Kevin Spacey] scheduled as doph, but film was ph by Eduardo Serra |
2003 |
Sahara [Breck Eisner] s35/c; 2uc: Harvey Harrison; aph: John Marzano; model unit ph: Nigel Stone |
2004 |
Death Valley [Sam Taylor-Wood] c; short/8m; also seg of 'Destricted' (2006; 7 seg) |
2004 |
Tishomingo Blues [Don Cheadle] pre-production; scheduled to start Sep 2003, then Oct 2004; prod scrapped |
2004 |
Irish Jam [John Eyres] c |
2004 |
Jerusalem [Sam Taylor-Wood] announced; status unknown |
2004 |
The Man Who Walks [Irvine Welsh] announced; status unknown |
2005 |
Charlotte's Web [Gary Winick] c; 2uc Melbourne: John Mahaffie; Los Angeles crow shoot ph: Peter Lyons Collister; aph: Mark Hryma & Phil Pastuhov |
2005 |
Connolly [Adrian Dunbar] announced; status unknown |
[Left] with dir Oliver Stone - "World Trade Center"
2005 |
World Trade Center [Oliver Stone] s35-to-35mm/c; 2uc: Kyle Rudolph; aph: David Norris; filmed 2005-06 |
2006 |
Atonement [Joe Wright] s35-to-35mm/c; uwph: Mike Valentine; efx unit ph: Christopher Ross |
2007 |
Love You More [Sam Taylor-Wood] scope/c; short/15m |
2007 |
With Gilbert & George [Julian Cole] dv/c; doc/104m; co-addph; ph: J. Cole; filmed 1990-2007 |
2007 |
Squeezebox Lament [Seamus McGarvey] mobile phone/c; short/31s; with his daughter Stella |
2008 |
The Soloist [Joe Wright] p (+ D-Cinema)/c; 2uc: Paul Babin (+ c.op 'b' cam) & Chris Moseley; aph 2u: Doug Holgate |
2009 |
Nowhere Boy [Sam Taylor-Wood] p (+ D-Cinema)/c |
2009 |
Lost Angels: Skid Row Is My Home/The Chorus [Thomas Q. Napper] c; doc/77m; cph: Christopher Gosch & Fortunato Procopio |
2010 |
We Need to Talk About Kevin [Lynne Ramsay] p+16mm+HD (Canon EOS 5D)-to-35mm scope (+ D-Cinema)/c; ph Spain: Thomas Townend |
2011 |
Here Comes the Sun [Jason Armstrong Beck] c; comm mus short/4m; for Sweet Relief Musicians Fund |
2011 |
James Bond Supports International Women's Day [Sam Taylor-Wood] c; comm short/2m; for WeAreEQUALS.org |
2011 |
Thor/The Mighty Thor [Kenneth Branagh] p+RED Epic-to-35mm scope (+ D-Cinema [also 3-D version])/c; uncred ph post-credits scene (filmed in 2011 with RED Epic [3-D] and dir by Joss Whedon); ph: Haris Zambarloukos (2009-10); S. McGarvey: 'We shot a little trailer (teaser) for 'The Avengers' that went out at the end of 'Thor' and we shot it in 3-D. It was like pulling teeth. I just thought "it has been lovely to shoot these two days but I'm going to get fired" because it took so long setting up each shot and the director was just going crazy. Not only that but Samuel L. Jackson and Stellan Skarsgård, who were in the piece, said "if this is how the movie is going to be then we're not in." It was that serious. I think I got the job really because Joss didn't want some old DP who's done a million of these movies in the past coming around saying "look this is how we do it." So he wanted somebody who was probably as hungry for it as he was and I think that's why he got me involved. I was very very keen to be involved, and I'm keen to learn.' [The Irish Film & Television Network] |
"The Avengers"
2011 |
The Avengers/Marvel's The Avengers [Joss Whedon] s35+HD (ARRI ALEXA + Canon EOS 5D & 7D)-to-35mm (+ D-Cinema [also 3-D version])/c; 2uc: Michael Totten & Brad Shield; addph: Michael Burgess; addph Los Angeles: Gabriel Beristáin; aph: David B. Nowell |
2011 |
Harry Dean Stanton: Partly Fiction [Sophie Huber] dv/b&w-c; doc/77m (2012); + co-exec prod |
2011 |
Anna Karenina [Joe Wright] p (+ D-Cinema)/c; Napper unit ph (= 2uc): Alan Stewart; replaced Philippe Rousselot during pre-production; filmed 2011-12 |
2012 |
Je t'écoute [Martina Amati] HD/b&w; comm mus short/5m; for Kids Company (www.kidsco.org.uk) |
2012 |
A Fuller Life [Samantha Fuller] b&w-c; doc/80m; cph: Hilton Goring & Rachel Wyn Dunn; filmed November 2011-December 2012 |
2013 |
Godzilla [Gareth Edwards] HD (ARRI ALEXA Plus 4:3)-to-35mm scope (+ D-Cinema [also 3-D version])/c; addph: Lawrence Sher; 2uc: Kim Marks & Roger Vernon; aph: Phil Pastuhov & Michael Kelem; uwph: Ian Seabrook; vfx ph: Steve Brooke Smith & Ian Degner (San Francisco) |
2013 |
Fifty Shades of Grey [Sam Taylor-Johnson (= Sam Taylor-Wood)] HD (ARRI ALEXA XT/p)-to-35mm scope (+ D-Cinema)/c; aph: Hans Bjerno; filmed 2013-14; reshoots October 2014 |
2014 |
Pan [Joe Wright] RED Epic/p+HD (ARRI ALEXA XT/p + Phantom Flex)-to-35mm scope (+ D-Cinema [also 3-D version])/c; cph: John Mathieson; 2uc: Alan Stewart; aph: Adam Dale; uwph: Tim Wooster |
2015 |
The Accountant [Gavin O'Connor] p (+ D-Cinema)/c; 2uc: Peter Hawkins & Josh Bleibtreu |
2015 |
Nocturnal Animals [Tom Ford] s35 (+ D-Cinema)/c; + 2uc; aph: Hans Bjerno |
2016 |
Kitty [Chloë Sevigny] c; short/15m; 2uc: Joshua Bonnetta |
2016 |
Life [Daniel Espinosa] HD (ARRI ALEXA 65 & Mini)-to-D-Cinema (scope)/c; 2uc: Carlos De Carvalho |
2016 |
The Greatest Showman/The Greatest Showman on Earth [Michael Gracey] HD (ARRI ALEXA 65 & Mini)-to-D-Cinema (scope)/c; 2uc: Duane Manwiller; aph: Dexter Kennedy; announced in 2009; filmed 2016-17 |
2017 |
Greta/The Widow [Neil Jordan] HD (ARRI ALEXA SXT/scope & Mini/scope)-to-D-Cinema (scope)/c |
2018 |
Bad Times at the El Royale [Drew Goddard] p-to-D-Cinema (scope)/c |
TELEVISION | |
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1993 |
Shooting to Stardom [Kieron J. Walsh] tvm/11m |
1993 |
Look Me in the Eye [Nick Ward] c; ep BBC-tv series 'Screen Two' |
1994 |
Murder Most Horrid [various] 24-part series, 1991-94, 1996 & 1999; other ph: Julian Court, Rex Maidment, a.o. |
1995 |
Out of the Deep Pan [Kieron J. Walsh] tvm/26m |
1995 |
Blow Your Mind: See a Show [ep 'The Maids' dir by Coky Giedroyc (CG), 'Macbeth' dir by CG & 'One Man Show Dramatic: The Art of Steven Berkoff' (BetaSP/22m) dir by Nichola Bruce] series |
1995 |
Skin [Vincent O'Connell] tvm/11m |
1997 |
Stand and Deliver [Les Blair] tvm |
2000 |
Wit [Mike Nichols] tvm |
2007 |
The No 1 Ladies' Detective Agency [Anthony Minghella] tvm (2008); 2uc: Giulio Biccari; served as pilot for 6-part series, 2009 |
2016 |
Black Mirror [ep #7 'Nosedive' dir by Joe Wright] series/RED Epic Dragon, 2011-present; 3rd season, 2016 (6 ep); for Channel 4 & Netflix |
MISCELLANEOUS | |
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1987 |
The Last of England [Derek Jarman] uncred ?; ph: Christopher Hughes (+ lighting des), D. Jarman, Richard Heslop & Cerith Wyn Evans |
1989 |
December Bride [Thaddeus O'Sullivan] co-camera trainee; ph: Bruno de Keyzer |
1989 |
Projections [: The Pet Shop Boys] [Derek Jarman] c.asst; ph: Chris Hughes; a collection of short films that were projected on screens during the Pet Shop Boys' first tour |
1990 |
Dakota Road [Nick Ward] clapper-loader; ph: Ian Wilson |
1990 |
The Garden [Derek Jarman] ?; ph: Christopher Hughes |
1991 |
Map of the Human Heart [Vincent Ward] loader; ph: Eduardo Serra |
1991 |
Floating [Richard Heslop; short] focus puller; ph: R. Heslop |
1991 |
Who Needs a Heart [John Akomfrah] co-1st c.asst; ph: Nancy Schiesari |
1992 |
Man to Man: Another Night of Rubbish on the Telly [John Maybury; tvm] c.asst 2u (Berlin); 2uc (Berlin): Christopher Hughes; ph: Dominique Le Rigoleur |
2001 |
Ali G Indahouse [Mark Mylod] add c.op; ph: Ashley Rowe |
2007 |
Squeezebox Lament [dir; + ph] see Films |