IEC
#1: From interview [2012]
#2: "Puberty Blues" [1981]
Born: 1934, Quandialla, New South Wales, Australia, as Donald Milton McAlpine.
Career: 'After graduating from high school, McAlpine earned the money to take a four-week boat tour to Europe by working as a sharecropper on a wheat farm. He spent a year exploring the continent while supporting himself by working at odd jobs. After returning home, he enrolled in college as a physical education and science major. Several of his teachers were coaches for Australian teams competing in the 1956 Olympics. He began doing movie camera work for analysis of the Olympic team. He bought an 8mm camera, then upgraded to a 16mm, to film the athletes. He would take footage of all sports including swimming and kayaking using underwater photography and above or under water slow motion. After graduation, he taught at a rural school in Parkes, Australia, where he produced 8mm training films that were used by gym teachers. On a school cultural excursion to Channel Two [Australian Broadcasting Commission Television (ABC)] in the late fifties he discovered the News Office. "There was a door, 'News Supervise Office', and I knocked on that door and said, look, I've got a 16mm camera. If I get the end of the world on film would you guys buy it?" They said, "Are you any good?" to which Don replied, "Who knows?" The News Supervisor gave Don a sheet of paper outlining how to shoot a news story and four one hundred foot loads of Eastman Kodak Plus-X. So, armed with his list and b&w film stock, Don went away. There was a big railroad center in Parkes that was converting from steam to diesel engines. He shot a news story documenting how that transition affected the lives of people who worked for the railroad. In 1962 McAlpine left his position as a schoolteacher and joined ABC-tv as a c.asst. In 1965 he became cameraman. In 1968 he was offered a position at the Federal Government's Commonwealth Film Unit/Film Australia, the lure of working with color called to him. It was at Film Australia that Don started to learn that "there was far more to camera then just reporting. That there was some art in cinematography and some art in filmmaking." In a short time he took the job of Chief Cameraman. A few of his short drama films caught Bruce Beresford's eyes. While still working at Film Australia he ph his first feature film, 'The Adventures of Barry McKenzie' [1971-72], in London. In 1974 he left Film Australia and became freelance doph. His career took another giant step forward in 1981, beginning with a 3 a.m. phone call from Paul Mazursky. During their first conversation, he asked McAlpine to meet him in Greece to scout locations for 'Tempest'. His career shifted into high gear after he collaborated with Mazursky on the making of 'Tempest'.' [From the ACS & ASC websites.]
Was interviewee in an ep of the doc series 'ACS Video Series'. Appeared in the doc's 'Studio Lighting: A Comparative Workshop with Donald McAlpine and Denis Lenoir' [1993, Steve Newman & Jason Wheatley; ph: S. Newman; 63m], 'Art My Arse' [1998; registration of a forum; 90m], "If It Bleeds We Can Kill It: The Making of 'Predator'" [2001, ?; 29m] & 'At the Movies: Behind the Camera' [2006, Stewart Burchmore; 25m].
Awards: AFI [Aus] Award [1980] for 'Breaker Morant'; ACS 'Milli' Award 'Australian Cinematographer of the Year' [1981] & AFI [Aus] Award [1981] for 'My Brilliant Career'; ACS 'Award of Distinction' [1997], Golden Satellite Award nom [1997] & BAFTA Film Award nom [1998] for 'Romeo + Juliet'; ACS 'Hall of Fame' Award [1997]; Empire AFI [Aus] Award [2001], 'Oscar' AA nom [2002], Golden Satellite Award nom [2002], BAFTA Film Award nom [2002] & CFCA Award nom [2002] for 'Moulin Rouge'; ASC 'International Achievement Award' [2008].
FILMS | |
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1971 |
The Adventures of Barry McKenzie [Bruce Beresford] c |
1972 |
Gentle Strangers [Cecil Holmes] 16mm/c; short/57m; cph: David Sanderson, Bruce Hillyard, Mick von Bornemann & Kerry Brown |
1974 |
Barry McKenzie Holds His Own [Bruce Beresford] p/c |
1975 |
Let the Balloon Go [Oliver Howes] c; 2uc; ph: Dean Semler |
1975 |
Surrender In Paradise [Peter Cox] 16mm/c; + small part |
1976 |
Don's Party [Bruce Beresford] p/c |
1977 |
The Getting of Wisdom [Bruce Beresford] c |
1978 |
Money Movers [Bruce Beresford] c |
1978 |
Patrick [Richard Franklin] c |
1978 |
The Odd Angry Shot [Tom Jeffrey] c |
1978 |
My Brilliant Career [Gillian Armstrong] c |
1979 |
The Journalist [Michael Thornhill] c |
1979 |
Breaker Morant [Bruce Beresford] c |
[Left] with actor William Holden - "The Earthling"
1979 |
The Earthling [Peter Collinson] p/c; 2uc: Dean Semler |
1980 |
The Club/Players [Bruce Beresford] p/c |
1981 |
Puberty Blues [Bruce Beresford] p/c |
1981 |
Don't Cry, It's Only Thunder/Vietnam: Hell or Glory [Peter Werner] c |
1981 |
Tempest [Paul Mazursky] c; stand-by ph: Zoli Vidor |
[Right] with Paul Newman [center] - "Harry & Son"
1983 |
Harry & Son [Paul Newman] c; 2uc: James Pergola |
1983 |
Moscow on the Hudson [Paul Mazursky] c |
1983 |
Blue Skies Again [Richard Michaels] c |
1984 |
King David [Bruce Beresford] p/c; 2uc: Robin Vidgeon |
1985 |
My Man Adam [Roger L. Simon] c |
1986 |
Down and Out in Beverly Hills [Paul Mazursky] c |
1986 |
Predator [John McTiernan] c; Mexico ph: Leon Sanchez; 2uc: Frank E. Johnson; thermal ph: David Eggby |
1986 |
The Fringe Dwellers [Bruce Beresford] c |
1987 |
Orphans [Alan J. Pakula] c |
1987 |
Moon Over Parador [Paul Mazursky] c; 2uc: Lucio Kodato |
1988 |
See You in the Morning [Alan J. Pakula] c |
1988 |
Stanley & Iris [Martin Ritt] p/c |
1988 |
Moving [Alan Metter] c |
1989 |
Parenthood [Ron Howard] c |
1990 |
The Hard Way [John Badham] p/c; replaced R. Primes halfway through filming; cph: Robert Primes; 2uc: Ron Fortunato; addph 2u: Roy H. Wagner; ph cons: Alicia Webber |
1991 |
Medicine Man/The Last Days of Eden [John McTiernan] p/c |
1991 |
Career Opportunities/One Wild Night [Bryan Gordon] p/c; Los Angeles ph: John McPherson |
1991 |
Patriot Games [Phillip Noyce] p/c; cph UK: Stephen Smith & James Devis; 2uc: Michael A. Benson |
1992 |
The Man Without a Face [Mel Gibson] c; uncred addph: Daryn Okada |
1993 |
Mrs. Doubtfire [Chris Columbus] p/c |
1993 |
Clear and Present Danger [Phillip Noyce] p/c; 2uc: Michael A. Benson; matte ph: Craig Barron |
1994 |
Nine Months [Chris Columbus] p/c; remake of 'Neuf mois' (1993, Patrick Braoudé; ph: Jean-Yves Le Mener) |
1996 |
[William Shakespeare's] Romeo + Juliet [Baz Luhrmann] p/c; addph: Kim Marks |
1996 |
The Edge [Lee Tamahori] p/c; 2uc: Roger Vernon |
1997 |
Stepmom [Chris Columbus] p/c |
1999 |
Moulin Rouge! [Baz Luhrmann] p/c; addph: Steven Fierberg & Stephen Dobson |
2001 |
The Time Machine [Simon Wells & (uncred) Gore Verbinski] p/c; 2uc: Hiro Narita; miniature ph: Tony Anderson |
2002 |
Anger Management [Peter Segal] p/c; 2uc (+ 2ud): Hiro Narita |
2002 |
Peter Pan [P.J. Hogan] p/c; 2uc: Martin McGrath; addph: Ian Thorburn; miniature ph: David Hardberger, Carl Miller, Martin Rosenberg & Patrick Sweeney |
2004 |
The Chronicles of Narnia: The Lion, the Witch & the Wardrobe [Andrew Adamson] s35 (+ D-Cinema)/c; 143m & 150m; 2uc: Brad Shield & Dick Pope; addph: Ian Thorburn; aph: Adam Dale |
"X-Men Origins: Wolverine"
2008 |
X-Men Origins: Wolverine [Gavin Hood] s35 (+ D-Cinema)/c; 2uc: Brad Shield; aph: Hans Bjerno |
2009 |
Main Street [John Doyle] p/c; addph: John W. Rutland |
2011 |
Mental [P.J. Hogan] RED Epic/p-to-35mm scope (+ D-Cinema)/c; 2uc: Ben Nott; uwph: Simon Christidis |
2012 |
Ender's Game [Gavin Hood] RED Epic-to-35mm scope (+ D-Cinema)/c; aph 2u: John Trapman & Ronald Hersey |
2013 |
September 18 [Jin Ge] prod shut down after the dir left on the first day after 2 hours of filming |
2013 |
Broadway 4D/Broadway Sensation [Bryan Singer & Gary Goddard] HD; 3-D film enhanced show incorporating in-theater special effects at the Times Square Theatre, New York; prod cancelled in 2014 in pre-production due to financial problems |
2014 |
The Dressmaker [Jocelyn Moorhouse] RED Epic (scope)-to-digital/c; 2uc (+ ph opening seq): Ross Giardina |
2015 |
Ali's Wedding [Jeffrey Walker] HD (Panasonic VariCam 35) scope/c |
2017 |
Rajma Chawal [Leena Yadav] HD/c |
DOCUMENTARIES | |
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1968 |
In One Lifetime [Lionel Hudson, Arch Nicholson, a.o.] 16mm/c; 27m; cph: Richard Tucker, Michael Edols, a.o. |
1968 |
Papua and New Guinea Development [Douglas White] c; 13m |
1968 |
Ron Shelley, Civil Engineer [Richard Tucker] c; 11m |
1969 |
How to Drive [ep #1 (19m) 'Understanding the Car', #2 (11m) 'Inspecting the Car', #3 (8m) 'Starting Up, Moving Off and Stopping', #4 (12m) 'Steering, Gear Changing and Breaking', #5 (9m) 'Moving Off on Hills, Reversing and Parking', #8 (10m) 'Cornering and Overtaking', #10 (8m) 'In Dense Traffic', #11 (10m) 'Night Driving' & #12 (9m) 'Remembering It All', all dir by John Edwards] 16mm/c; 12-part doc film series; cph (#1-5, #8 & #10-12): Reg Pearse |
1969 |
Leonard French's Stained Glass Screens, National Library, Canberra [Michael Thornhill] c; 9m; cph: Reginald Pearse; ep series 'Outlook' |
1969 |
Horizon [Bob Kingsbury] 70mm/c; cph: ?; multi-screen presentation Australia, EXPO '70 |
1969 |
South East Australia & Tipperary [Greg Reading & Harry Reynolds] c; 11m; ep #30 of series 'Australian Colour Diary' |
1970 |
No Roses for Michael [Christopher McGill] b&w; dram doc/33m |
1970 |
The Big Island [prod: Frank Bagnall] 16mm-35bu/c; 9m; cph: Keith Gow |
1970 |
The Country Couldn't Do Without You [Don Murray] c; 7m |
1970 |
Faces of the City [Malcolm Smith] c; 21m; ep series 'Australian Geography' |
1970 |
I'm Going to School Today [Henry Lewes] c; 26m |
1970 |
I'm Ready to Learn [Henry Lewes] c; 28m |
1970 |
Or Forever Hold Your Peace [Kit Guyatt, Ian Dunlop, Arch Nicholson, a.o.] b&w; 58m; cph: Michael Edols, David Sanderson, Mick Bornemann, a.o. |
1970 |
A Selection Interview [Cecil Holmes] 16mm/c; training film/17m |
1970 |
Sheltered Workshops [Kit Guyatt] c; 25m |
1970 |
The Athletes [Don Murray] 16mm/c; 28m; cph: Leo Elia & Richard Tucker; ep series 'A Man and His Sport' |
1970 |
Country Jazz [Robert Kingsbury] c; mus doc/10m; ep #37 of series 'Australian Colour Diary' |
1971 |
In the Bush [Keith Gow] c; 7m |
1972 |
Drugs and the Law [Keith Gow] 16mm/c; ?m |
1972 |
The Gathering Flame [Don Murray] c; 22m; cph: Dean Semler, Jack Bellamy, a.o. |
1972 |
Teaching a Language Structure by the Australian Situational Method [Ian Hart] b&w; 2-part (x 15m) doc |
1972 |
Introducing Australian Football [Malcolm Smith] 16mm/c; 23m |
1973 |
The Man Who Can't Stop [Michael Rubbo] c; 58m; cph: Michael Edols |
1973 |
Whatever Happened to Green Valley? [Peter Weir] c; 55m; cph: Nick Ardizzone, Ross King & Guy Furner |
1973 |
Australian Report [Keith Gow, Ian Hart & David Eastman] 16mm/c; 20m; cph: Mick Bornemann & Kerry Brown |
1973 |
Dairying: Space and Systems [Meg Stewart & James Coffey] c; 19m; ep series 'Australian Geography' |
1973 |
Irrigation [: The Ord River Scheme and the M.I.A.] [Meg Stewart & Oliver Howes] c; 17m; ep series 'Australian Geography' |
1973 |
The Fifth Facade [: The Making of the Sydney Opera House] [Donald Crombie] 16mm + 35bu/c; 28m; co-c.op; ph: Bruce Hillyard |
1973 |
Close Your Eyes and Hold Your Stomach [Curtis Levy] c; 38m; cph: Geoff Burton |
1973 |
Muster [Don McAlpine] c; 9m; cph: Geoff Williams; ep #42 of series 'Australian Colour Diary' |
1973 |
A Voice to Be Heard [Greg Reading] c; 51m |
1974 |
Your Voice [Greg Reading] c; ?m; shortened version of 'A Voice to Be Heard' (1973) |
1974 |
Community Health: The Australian Concept [John Sexton] c; 26m; cph: Peter Levy |
1975 |
Health Centres: The Canberra Concept [John Sexton] c; 13m |
1974 |
The Royal Visit: Surf Carnival 1974 [prod: Peter Johnson] 16mm/c; 13m; cph: Frank Hruby |
1974 |
Sacred Heart College for Boys [Chris Noonan] c; 13m; ep series 'A Place Where Books Are Kept' |
1975 |
Penshurst Girls' High School [Chris Noonan] c; 15m; ep series 'A Place Where Books Are Kept' |
1975 |
Sunshine North Technical School [Chris Noonan] c; 21m; ep series 'A Place Where Books Are Kept' |
1975 |
A Balinese Gong Orchestra [Keith Gow] 16mm/c; 17m; ep 10-part series 'Our Asian Neighbours - Indonesia' |
1975 |
Marvel - A Jakarta Boy [Keith Gow] c; 17m; ep 10-part series 'Our Asian Neighbours - Indonesia' |
1975 |
Mastri - A Balinese Woman [Keith Gow] c; 18m; cph: Gajah Soepardi; ep 10-part series 'Our Asian Neighbours - Indonesia' |
1975 |
Pak Menggung - A Javanese Aristocrat [Keith Gow] c; 21m; cph: Gajah Soepardi; ep 10-part series 'Our Asian Neighbours - Indonesia' |
1975 |
Sinaga's Family - A Batak Village [Keith Gow] c; 18m; ep 10-part series 'Our Asian Neighbours - Indonesia' |
1975 |
Penang - Malaysia [John Morris] ?; ?m |
1975 |
Alpha [Theo van Leeuwen] ?; ?m; prod AFTRS |
1977 |
Models and Methods [Donald Ham] 16mm/c; ?m |
1977 |
The Near Edge - Three Families of the Global Village [Donald Ham] 16mm/c; 26m |
1980 |
Jim [Donald Crombie] ?; ?m |
2011 |
[100 Days in the Jungle:] Project Borneo 3D [Cathy Henkel] a teaser film was prod in 2010; scheduled to start shooting in June, but prod was delayed and Ismail Fahmi Lubish was announced as ph |
TELEVISION | |
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1975 |
The Norman Gunston Show [John Eastway] 25-part variety parody series, 1975-76; cph film seg 1st season (May-July); for ABC (Australia)-tv |
1980 |
The Children of An Lac [John L. Moxey] tvm |
1982 |
Now and Forever [Adrian Carr (replaced Richard Cassidy)] tvm |
1986 |
Bob Dylan in Concert/Hard to Handle: Bob Dylan with Tom Petty and the Heartbreakers [Gillian Armstrong] mus special/56m; filmed in Sydney, Australia; for HBO-tv |
FILMS AS DIRECTOR | |
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1973 |
Muster [doc] see Documentaries |
1976 |
The Crew [: On the Set of Storm Boy] [dir] 16mm/c; making-of doc/21m; ph: Mick Clark; on the making of 'Storm Boy' |