IEC
#3: 2004
Born: 25 January 1945, Katowice, Poland, as Slawomir Andrzej Idziak.
Education: PWSFTviT, Lódz, Poland [graduated in 1968].
Career: Started as c.op at Studio Malych Form Filmowych 'Semafor' in Lódz.
Also active as director.
Book: 'Ein Architekt der Sinnlichkeit - Die Farbwelten des Kameramanns Slawomir Idziak' [2007, Schüren Verlag].
Appeared in the doc's 'Das Auge der Erinnerung - Ansichten von Slawomir Idziak' [2000, Hans Steinbichler & Florian Vogel; 25m; prod HFFM] & 'Zawód operator' [2007, Grzegorz Skurski; 30m].
Awards: As doph: Gdansk-Gdynia Polish FF TV Award [1974] for 'Odejscia, powroty' [part 3: 'Tak bardzo zmeczeni']; Gdansk-Gdynia Polish FF [1976] for 'Partita na instrument drewniany'; Venice FF 'Osella d'oro' [1993] & 'César' nom [1994] for 'Trois couleurs: Bleu'; Camerimage 'Golden Frog' nom [1996] for 'Lilian's Story'; Berlin IFF 'Special Mention' [1998] & Camerimage 'Golden Frog' nom [1998] for 'I Want You'; Camerimage 'Golden Frog' nom [1999] for 'The Last September'; 'Oscar' AA nom [2002], BAFTA Film Award nom [2002] & AFI [USA] Film Award nom [2002] for 'Black Hawk Down'; Special 'Orzel' Award [2002]; Marburger Kamerapreis [2004]; Camerimage 'Special Award' [2004]; Plus Camerimage 'Lifetime Achievement Award' [2013].
As dir: Awards for 'Nauka latania' [1978 & 1979, Poznan], 'Seans' [1979] & 'Enak' [1992, Gdansk-Gdynia Polish FF].
Slawomir Idziak: 'Our country was for so many years in seclusion, so somehow we had to use a different system... it was first of all grounded in the film schools, in which we had only two departments: the director department and the cinematographer department, so these two people were at the head of the productions. In Poland the cinematographer is number two, and starts work on the project very early. The director is expecting a collaborator in terms of translating the story he has in mind to a kind of visual work. So it was something very unusual when I all of a sudden realized that here in the West it was the director who was telling the cinematographer 'put the camera here'. I mean it's two different professions and I really don't believe, with some exceptions of course as usual, that it's possible to have total control of the actors and the flow of the story and deciding about a single particular take and the lens and the visual part of it. In being a director you shouldn't be too close because very quickly you are losing the sense of the wholeness, the most important element of the profession [and I am someone who has directed as well]. As cinematographer I should be one who observes what happens on the location from the seat of the average spectator. So I really believe in creative group work, and somehow our example in the Polish cinema, where we are really creative partners of the director, is a very good example. It works.'
'Dekalog/Decalogue' [Television, 1987] is a very interesting story because in a way I didn't want to do 'A Short Film About Killing'. Kieslowski approached me and gave me [the choice] of all ten films. The problem was it was planned as a 16mm television series and for a Polish cinematographer doing 16mm is a nightmare because the quality of our laboratories is very low and I decided to do number 9, a very simple story about love and jealousy. Then Kieslowski told me, "I know your trick, the moment I'm ready to do number 9, you'll be abroad and have no time to do it. And now when I'm ready to do 'A Short Film About Killing' [number 5] you won't do it!" I said to Kieslowski, "Listen why do I have to do it; after half an hour one person gets killed, after another half an hour another person gets killed in prison. It's a terrible story! Why do I have to do it?" But he's a very stubborn person and he persuaded me to do it. I told him, "O.K. I will do the film on the condition that I do it green and using all my filters and I have an idea to do it very strong," and Kieslowski was very angry and he says, "I don't want to have it green! I'm doing ten films; I can't have all of a sudden one green!" So I said, "It's up to you. Either I do it green, or I don't do it." The next day he came to me and said, "I'm doing ten films, O.K. If one has to be green, let it be shit green. It's your decision. Do it green." And, you know, it's the first time in my life that it happened: a director telling me, do what you want. [From article by Lindsay Amos in 'Cinema Papers', Australia, August 1995.]
FILMS AT THE PWSFTviT | |
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1965 |
Pilot Station [Marek Piestrak; doc] c.asst; ph: Andrzej Jaroszewicz |
1965 |
Wyjscie/Sen [Grzegorz Królikiewicz] b&w; short/4m |
1966 |
Dzien zwyciestwa [Marek Piestrak; short] c.asst; ph: Edward Klosinski |
1966 |
Kazdemu to, czego mu wcale nie trzeba/Kapiel [Grzegorz Królikiewicz] b&w; short/12m |
1966 |
Niebo [Juan Manuel Torres; short] c.asst; ph: Edward Klosinski |
1966 |
Wygrana, przegrana/Park [Raszko Uzunow] b&w; short/8m; cph: Edward Klosinski |
1967 |
Wagary [Jacek Butrymowicz] b&w; short/23m |
1967 |
Zawal serca/Heart Attack [Wojciech Wiszniewski] b&w; short/7m |
1969 |
Wino mszalne [Witold Orzechowski] co-scrpl only; ph: Zdzislaw Kaczmarek |
FILMS | |
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1968 |
Wesola Ludwika [Teresa Badzian] c; anim/10m |
1970 |
Franciszek Leczycki [Henryk Rewkiewicz] b&w; doc/398mtr |
1970 |
To trud zrodzil urode [Edmund Z. Szaniawski] c; doc/435mtr |
1971 |
Jeszcze slychac spiew. I rzenie koni... [Mieczyslaw Waskowski] b&w-c |
1974 |
Bilans kwartalny/Quarterly Balance [Krzysztof Zanussi] c |
1974 |
Profile [Krzysztof Rogulski] ?; doc/?m |
1975 |
Partita na instrument drewniany/Partita for a Wooden Instrument [Janusz Zaorski] c |
1976 |
Blizna/The Scar [Krzysztof Kieslowski] c |
1976 |
Klaps/Slate [Krzysztof Kieslowski] c; doc/6m; cph: Stanislaw Igar, Leszek Pieszko, a.o. |
1978 |
Nauka latania/Flying Lessons/Learning to Fly [Slawomir Idziak] c; cph: Andrzej Poplawski & Janusz Zachwajewski; + scrpl |
1979 |
Dyrygent/Orchestra Conductor/The Conductor [Andrzej Wajda] c |
1980 |
Constans/The Constant Factor [Krzysztof Zanussi] c; see 2009 |
1980 |
Kontrakt/The Contract [Krzysztof Zanussi] c |
1983 |
Jagger und Spaghetti [Karsten Wichniarz] c |
1983 |
Der Fall Bachmeier - Keine Zeit für Tränen [Hark Bohm] c |
1984 |
Rok spokojnego slonca/The Year of the Quiet Sun/Das Jahr der ruhenden Sonne [Krzysztof Zanussi] c |
1985 |
Wie ein freier Vogel [Hark Bohm] 16mm/c |
1985 |
Harmagedon [Juha Rosma] c |
1985 |
Sarah [Reginald Puhl] c; cph: Klaus Beckhausen, Michael Marszalek & Dragan Rogulj |
1986 |
Erloschene Zeiten/Wygasle czasy [Krzysztof Zanussi] c; dram doc/60m |
1986 |
Gute Nacht [Gerhard Schmidt] c; short/15m |
1987 |
Krótki film o zabijaniu/A Short Film About Killing [Krzysztof Kieslowski] c; expanded (84m) ep #5 of tv-series 'Dekalog/Decalogue' |
1987 |
Yasemin [Hark Bohm] c |
1988 |
Wherever You Are.../Gdzieskolwiek jest, jeslis jest… [Krzysztof Zanussi] c; cph: William Lubtchansky |
1989 |
Stan posiadania/Inventory/Liebesfesseln [Krzysztof Zanussi] c |
1990 |
La double vie de Véronique/Podwójne zycie Weroniki [Krzysztof Kieslowski] c |
1992 |
Trois couleurs: Bleu/Trzy kolory: Niebieski [Krzysztof Kieslowski] c |
1994 |
Traumstreuner [Erwin Michelberger] c; cph: Paul Ellmerer |
1994 |
The Journey of August King [John Duigan] c |
1994 |
Tár úr steini/Tears of Stone [Hilmar Oddsson] c; action ph; ph: Sigurdur Sverrir Pálsson |
1995 |
Lilian's Story [Jerzy Domaradzki] c |
1995 |
Männerpension/Jailbirds [Detlev W. Buck] c; 2uc: Sophie Maintigneux |
1995 |
Commandments [Daniel Taplitz] c |
1996 |
Gattaca [Andrew Niccol] s35/c |
1997 |
Men with Guns/Hombres armados [John Sayles] c |
1997 |
I Want You/Beloved [Michael Winterbottom] p/c; uwph: Mark Silk |
1997 |
Love and Rage [Cathal Black] c |
1998 |
The Last September [Deborah Warner] c |
1999 |
Paranoid [John Duigan] c |
1999 |
LiebesLuder/Bundle of Joy [Detlev W. Buck] c |
2000 |
Proof of Life [Taylor Hackford] s35/c; 2uc: Lukasz Jogalla; aph: John Marzano |
2000 |
Sass [Carlo Rola] announced as doph, but replaced by Martin Langer |
2001 |
Black Hawk Down [Ridley Scott] s35/c; 2uc: Alexander Witt; aph: John Marzano |
2003 |
King Arthur [Antoine Fuqua] s35 (+ D-Cinema)/c; 2uc: Daniele Massaccesi; aph: John Marzano |
2004 |
Klaps/Clap Project [idea: Krzysztof Kieslowski] exp film (6m) with scenes submitted by several doph & dir; shot, ed & shown during Camerimage FF, 2004 |
2006 |
Harry Potter and the Order of the Phoenix [David Yates] s35 (+ IMAX-70bu)/c; 2uc: Mike Brewster; aph: Adam Dale; model unit ph: Nigel Stone |
2009 |
Rewizyta/Revisited [Krzysztof Zanussi] c; co-archive ph ('Constans', 1980); ph: Dariusz Kuc |
With Jerzy Hoffman [left] - "1920 Bitwa Warszawska"
2010 |
1920 Bitwa Warszawska/Battle of Warsaw 1920 [Jerzy Hoffman] HD (Sony HDC-P1)-to-D-Cinema (also 3-D version)/b&w-c; 2uc: Lukasz Kosmicki |
2011 |
Die Vermessung der Welt/Measuring the World [Detlev Buck] HD (ARRI ALEXA + Sony F3)-to-D-Cinema (also 3-D version)/c; 2uc: Jana Marsik; filmed 2011-12 |
2014 |
A Tale of Love and Darkness [Natalie Portman] HD (ARRI ALEXA) scope/b&w-c |
TELEVISION | |
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1969 |
Podrózni jak inni [Wojciech Marczewski] tvm/b&w/24m |
1970 |
Cicha noc, swieta noc [Marek Piestrak] tvm/b&w/24m; + co-scrpl |
1970 |
Góry o zmierzchu [Krzysztof Zanussi] tvm/b&w/28m; spec ph: Andrzej Galinski & Jerzy Surdel |
1971 |
Pizama [Antoni Krauze] tvm/b&w/29m |
1971 |
Meta/The Pad [Antoni Krauze] tvm/b&w; cph: Edward Klosinski |
1971 |
Papierowy ptak/Paper Bird [Slawomir Idziak] tvm/50m; + scrpl |
1973 |
Odejscia, powroty [ep #3 'Tak bardzo zmeczeni' dir by Wojciech Marczewski] 3-part series; other ph: Jacek Prosinski |
1973 |
Przejscie podziemne/Pedestrian Subway [Krzysztof Kieslowski] tvm/b&w/28m |
1976 |
Krótka podróz [Krzysztof Rogulski] tvm/43m |
1977 |
Powrót [Filip Bajon] tvm/56m |
1981 |
Da un paese lontano - Papa Giovanni Paolo II/From a Far Country: Pope John Paul II/Z dalekiego kraju [Krzysztof Zanussi] tvm |
1981 |
Versuchung/Pokuszenie [Krzysztof Zanussi] tvm |
1981 |
Imperativ/Imperatyw [Krzysztof Zanussi] tvm/b&w-c |
1982 |
Die Unerreichbare/The Unapproachable [Krzysztof Zanussi] tvm/16mm; also released theatrically |
1982 |
Città del Vaticano [Krzysztof Zanussi] ?; doc/55m; ep series 'Capitali culturali d'Europa' |
1983 |
Blaubart/Sinobrody [Krzysztof Zanussi] tvm/16mm |
1987 |
Dekalog/Decalogue [ep five/piec (57m) dir by Krzysztof Kieslowski] 10-part series; other ph: Wieslaw Zdort, Witold Adamek, Dariusz Kuc, Piotr Sobocinski, a.o.; ep #5 was expanded into the feature film 'Krótki film o zabijaniu'; see Films (1987); see above |
"Napoléon et l'Europe"
1990 |
Napoléon et l'Europe [ep #3 (52m) 'Maria Walewska' dir by Krzysztof Zanussi & #5 (49m) 'Moskwa' dir by Janusz Majewski] 6-part miniseries/16mm; other ph: Grzegorz Kedzierski, Elso Roque, a.o. |
1990 |
Das lange Gespräch mit dem Vogel/Dluga rozmowa z ptakiem [Krzysztof Zanussi] tvm/16mm |
1993 |
Weltmeister [Zoran Solomun] tvm/16mm |
1993 |
Ein Bett für drei [Bettina Woernle] tvm/60m |
MISCELLANEOUS | |
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1966 |
Trzynaste pietro/13 pietro [Edward Etler; tvm/13m] actor; ph: Jan Laskowski |
1967 |
Jowita [Janusz Morgenstern; feature] actor; ph: Jan Laskowski |
1968 |
Gra [Jerzy Kawalerowicz] co-c.asst (+ small part); ph: Jan Laskowski |
1969 |
Nie ma powrotu Johnny [Kaveh Pur Rahnama] 2nd op; ph: Kazimierz Wawrzyniak |
1969 |
Zbrodniarz, który ukradl zbrodnie/The Criminal Who Stole a Crime [Janusz Majewski] co-c.asst; ph: Antoni Nurzynski |
1972 |
Wesele/The Wedding [Andrzej Wajda] co-c.op; ph: Witold Sobocinski |
1985 |
Paradigma/Le pouvoir du mal/Il potere del male [Krzysztof Zanussi] ph cons; ph: Pierluigi Santi |
2005 |
Lou [Séverine Cornamusaz, Barbara Müller, Pascal Verdosci, Anja Ehrhardt, Carla B. Guttmann & Karim Patwa] mdv/c; short/23m; as artistic adv & FilmSpring's Godfather; ph: Adrian Cranage, Hasan Gazi, Matthias Bolliger, Mauro Boscarato & Ariel Manuel Salati; also 17m version called 'Hel'; filmed in October; prod Kölner Filmhaus, FilmSpring & Focal; edited with 'Anniken' into 'Crossing Paths' (2008; 37m); FilmSpring is a unique event in the professional world of filmmaking. With Polish doph Slawomir Idziak as a mentor, a group of 6 directors and 5 dp's have shot a short film based on a screenplay previously developed through a collective process on an Internet forum. This initiative was born of Slawomir Idziak's concern with having young filmmakers break new grounds in the filmmaking process in Europe. |
2007 |
Anniken [Jorge Navarro Fica, Jochen Bechler, Miika Soini, Andreas Wuttke + 5 others] digital/c; short/31m; as artistic adv & FilmSpring's Godfather; ph: Birdy-Birgitte Heneide, Hans Jørgen Ersvik, Jennifer Günther, Daniel Lindholm, Diego Wettstein & Martin Wittlich; prod FilmSpring; edited with 'Lou' into 'Crossing Paths' (2008; 37m) |
With actors - "Hell Hotel"
2009 |
Hell Hotel [8 directors] HD/c; short/45m; as artistic adv & FilmSpring's Godfather; ph: Martin Demmer, Tilo Hauke, a.o.; prod Kunsthochschule für Medien Köln & FilmSpring |
FILMS AS DIRECTOR | |
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1970 |
Spojrzenie/Look [doc/9m/b&w; + co-scrpl] ph: Edward Klosinski |
1971 |
Papierowy ptak/Paper Bird [+ scrpl/ph] see Television |
1971 |
Z kregu czarów sztuki/Inside Art's Magic Circle [doc/14m] ph: Jacek Prosinski |
1972 |
Pan... dziad z lira/Master Beggar with a Lyre [co-d: Andrzej Kotkowski; doc/18m; + co-scrpl] ph: Maria Wituska |
1973 |
Z czterech stron [doc/1084mtr] ph: Michal Bukojemski, Jacek Zygadlo & Krzysztof Langda |
1977 |
Seans/Seance [tvm/73m; + co-scrpl] ph: Michal Bukojemski |
1978 |
Nauka latania/Flying Lessons/Learning to Fly [+ scrpl/cph] see Films |
1979 |
Debiut/Debut [short/22m; + scrpl] ph: Jacek Zygadlo |
1980 |
Bajki na dobranoc [tvm/73m; + scrpl] ph: Piotr Kwiatkowski |
1982 |
La piste [16mm/c; short/15m] ph: Gil Moizon |
1992 |
Enak [tvm/b&w-c; + scrpl] ph: Andrzej Jaroszewicz |