IEC
#1: From interview [2012, Plus Camerimage]
#2: From interview [2011, NZ On Screen]
#3: Shooting a commercial with the RED [2008]
Born: 30 March 1952, London, UK. Moved to New Zealand at age 9 [1961].
Education: University of Auckland [Bachelor of Architecture, 1977].
Career: 'My father gave me my first camera when I was 8 years old. Later, when I was studying architecture at Auckland University, they taught us photography and encouraged us to use the darkroom. Photography became part of my life. In the final year of my degree we were required to submit a major project as a sub-thesis, usually a design project. As I had become interested in moviemaking, I decided that I wanted to make a 16mm film. I had a book in one hand about how to make films all the time I was shooting. The theme was about the energy crisis during the mid-1970s. It dealt with things that are relevant now. I used architecture to help tell the story. With the help of my friend who was a trainee editor and a very good book about editing, I managed to connect the pieces into something that was not a bad looking narrative film. I thought this was magical. I wanted to be an editor. [...] Next, I had an opportunity to work in a P.A. position on a couple of New Zealand films. I ended up helping out in the lighting department. I became very interested in lighting. I was promoted to gaffer almost overnight, with on-the-job training provided by the cinematographers who taught me about lighting. Looking back, I understand that I was privileged to be able to see how different cinematographers approached lighting and what choices they made. As a gaffer, I was at their right hand. If you pay attention, you can really learn. After a while, I got opportunities to light low-budget and no-budget films. […] I went to the commercial directors whom I knew, told them I was just getting started as a director of photography, and asked if they would they give me little jobs. I was gradually accepted. People would say maybe he knows how to light, but can he frame a shot. It took three years for me to get a solid commercial career going in New Zealand. It was a great learning experience, because I was shooting something different every day with decent budgets and professional crews. I also shot some music videos, maybe a dozen or 15.' [From interview with Bob Fisher on the KODAK OnFilm website.]
Moved to the USA [New York City] in 1996.
Ph commercials dir by Doug Liman, a.o. Ph music videos dir by Alison MacLean, Fane Flaws, a.o. Co-dir the music video 'Bleeding Hearts' [1985, a: Everything That Flies].
Member of the ASC since 2009. Member of the NZCS.
One of the subjects in the book 'Shot in New Zealand - The Art and Craft of the Kiwi Cinematographer' [2007, Duncan J. Petrie].
Married to film production manager Carla Raij.
Awards: New Zealand Film Award [1990] for 'An Angel at My Table'; AFI [Aus] Award [1993], Camerimage 'Golden Frog' [1993], BSC Award nom [1993], LAFCA Award [1993, shared], 'Oscar' AA nom [1994], ASC Award nom [1994] & BAFTA Film Award nom [1994] for 'The Piano'; Csapnivalo 'Golden Slate Award' nom [2000] for 'Runaway Bride'; New Zealand Screen Award [2005] & Shanghai IFF 'Golden Goblet Award' [2005] for 'In My Father's Den'.
Website: Stuart Dryburgh
FILMS | |
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1985 |
Drum / Sing [Gregor Nicholas] c; perf (with music-performance group From Scratch)/22m; cph: Alan Locke, Ian Paul & Leon Narbey |
1985 |
Jewel's Darl [Peter Wells] c; short/28m; also ep 7-part tv-series 'About Face' |
1987 |
The Leading Edge [Mike Firth] c; cph: M. Firth |
1988 |
Kitchen Sink [Alison MacLean] b&w; short/14m |
1988 |
Fender Bending [Chris Todd & Chris Williams] 16mm/c; doc/47m; cph: Richard Scott |
1988 |
Rushes [Gregor Nicholas] c; short/12m |
1988 |
Haka/Haka - A Musical and a History [Geoff Steven] b&w-c; doc/36m; cph: Paul Richards |
1989 |
An Angel at My Table [Jane Campion] 16mm-35bu/c; 2uc: Allen Guilford; replaced ph Alun Bollinger, who was unavailable; originally a 3-part tv-miniseries |
1991 |
The Piano [Jane Campion] c; uwph: Rob Hunter |
1992 |
The Invisible Hand [Athina Tsoulis] 16mm/c; short/11m |
1993 |
Once Were Warriors [Lee Tamahori] c |
1993 |
Sense of Place - Robin Morrison Photographer [John Bates] b&w-c; doc/46m; addph: Roland Carati; also ep tv-series 'Work of Art' |
1993 |
Peach [Christine Parker] c; short/16m |
With dir Mira Nair [right] - "The Perez Family"
1994 |
The Perez Family [Mira Nair] c |
1995 |
The Beach [Dorthe Scheffmann] c; short/8m |
1995 |
Lone Star [John Sayles] s35/c |
1995 |
The Portrait of a Lady [Jane Campion] s35/c |
1996 |
The Bar [Dorthe Scheffmann] c; short/13m |
1998 |
Analyze This [Harold Ramis] c |
1998 |
Runaway Bride [Garry Marshall] s35/c; 2uc: Ian Fox |
2000 |
Bridget Jones's Diary [Sharon Maguire] s35/c; addph: Lawrence Gardner; 2uc: Nigel Willoughby |
2001 |
Kate & Leopold [James Mangold] c |
2001 |
The Recruit [Roger Donaldson] s35/c |
2002 |
The Beautiful Country [Hans Petter Moland] s35/c |
2003 |
Joe's Last Chance [Andrew Bergman] announced for September start; status unknown |
2003 |
In My Father's Den [Brad McGann] s35/c |
2004 |
Æon Flux [Karyn Kusama] s35/c; 2uc: Josh Bleibtreu & Anna Foerster; aph: John Trapman |
2005 |
A Doll's House/Et dukkehjem [Liv Ullmann] scheduled to start in June, but postponed due to budget problems |
[Left] with actor Edward Norton - "The Painted Veil"
2005 |
The Painted Veil [John Curran] p (+ D-Cinema)/c; 2uc (+ 2ud): John Mahaffie |
2006 |
No Reservations [Scott Hicks] s35/c; remake of 'Bella Martha/Drei Sterne/Mostly Martha' (2000, Sandra Nettelbeck; ph: Michael Bertl) |
2006 |
The Girl in the Park [David Auburn] scope/c |
2007 |
Nim's Island [Jennifer Flackett & Mark Levin] s35/c; addph: Alun Bollinger (+ 2ud) & John Stokes |
2008 |
Amelia [Mira Nair] Hawk Scope+RED (some aerial shots)-to-35mm scope (+ D-Cinema)/c; 2uc: Jacques Haitkin & (South Africa) Miles Goodall; addph 2u (Toronto): Bill Heath; aph: John Marzano |
2008 |
Bitter Memories [Joshua Marston] s16/c; short/14m; prod for Scenarios USA |
2008 |
The Tempest [Julie Taymor] s35+HD (Phantom)-to-35mm scope (+ D-Cinema)/c; 2uc: Dana Gonzales & (New York) David M. Dunlap |
2010 |
George Harrison: Living in the Material World [Martin Scorsese] b&w-c; doc/208m; co-c.op; ph: Robert Richardson & Martin Kenzie; filming started late 2007; premiered in 2-parts on HBO-tv (2011) |
2010 |
Texas Killing Fields/The Fields [Ami Canaan Mann] HD (Genesis)-to-35mm scope (+ D-Cinema)/c; aph: Steve Cassidy |
2011 |
I Don't Know How She Does It [Doug McGrath] 35mm (+ D-Cinema)/c |
2012 |
Emperor [Peter Webber] Hawk Scope (+ D-Cinema)/c |
2012 |
The Secret Life of Walter Mitty [Ben Stiller] Hawk Scope+s35+p-to-35mm scope (+ D-Cinema)/c; 2uc: Craig Haagensen & (Iceland) Erik Wilson; addph: Gwynn (= Toby) Irwin & (uncred) Lawrence Sher (reshoots in May 2013); Pursuit ph: Greg Baldi; aph: David B. Nowell (Iceland) & (uncred) Brian Heller; uwph (Iceland): Pete Romano; replaced ph Toby Irwin, who quit about a month into filming |
2012 |
Runner Runner [Brad Furman] s35 (+ D-Cinema)/c; Princeton ph; ph: Mauro Fiore |
2013 |
Blackhat/Cyber [Michael Mann] HD (ARRI ALEXA M/Hawk Scope & XT Plus/Hawk Scope + Canon EOS C300 & 5D Mark II + GoPro HD Hero + Phantom Flex)+RED Epic & Scarlet-to-35mm scope (+ D-Cinema)/c; 2uc: Duane Manwiller & John Grillo; aph Hong Kong: Hans Bjerno |
2014 |
Alice Through the Looking Glass/Alice in Wonderland 2 [James Bobin] HD (ARRI ALEXA 65 & XT + Sony F65)/c; 2uc (+ 2ud): Shaun O'Dell |
2015 |
The Great Wall [Zhang Yimou] HD (ARRI ALEXA 65, XT/Master Scope & Mini/Master Scope)+RED Epic Dragon/Master Scope & Weapon Dragon/Master Scope-to-D-Cinema (scope [also 3-D version])/c; cph: Zhao Xiaoding; ph action unit: Duane Manwiller; aph: Dylan Goss |
2015 |
Gifted [Marc Webb] Hawk Scope (+ D-Cinema)/c |
2016 |
The Only Living Boy in New York [Marc Webb] c |
2017 |
The Upside/Untouchable [Neil Burger] HD (ARRI ALEXA XT/Hawk Scope)/c; aph: Jason Aron; remake of 'Intouchables' (2011, Olivier Nakache & Eric Toledano; ph: Mathieu Vadepied) |
2017 |
The Post/The Pentagon Papers [Steven Spielberg] s35-to-35mm (+ D-Cinema)/c; cph Washington D.C.; ph: Janusz Kaminski |
2017 |
Ben Is Back [Peter Hedges] HD (ARRI ALEXA Mini/Hawk Scope)-to-D-Cinema (scope)/c; snow unit ph (addph unit): Anastas Michos; aph (addph unit): Brian Heller; filmed 2017-18 |
TELEVISION | |
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1986 |
The Mighty Civic [Peter Wells] doc/b&w-c/62m/16mm; drama ph; ph seg 'Reunion': Kevin Hayward; addph: Sally Bongers, Bayly Watson & Greg McPherson |
1989 |
The Ray Bradbury Theater [ep #20 'A Miracle of Rare Device' dir by Roger Tompkins, #24 'A Sound of Thunder' dir by Costa Botes & #26 'The Haunting of the New' dir by Roger Tompkins] 65-part series, 1985-86, 1988-90 & 1992 |
1989 |
Space Knights [ep #1 'The Golden Knight' dir by Chris Bailey] 22-part series; sfx ph: Alun Bollinger |
1997 |
Poodle Springs [Bob Rafelson] tvm |
1998 |
Sex and the City [pilot dir by Susan Seidelman] 94-part series/s16, 1998-2004; 1st season, 1998; other ph: Michael Spiller, Michael Barrow & Maryse Alberti |
2000 |
3rd Rock from the Sun [ep #123-124 'Dick'll Take Manhattan, Part 1 & 2' dir by Terry Hughes] 139-part series, 1996-2001; 6th season, 2000-01; other ph: Ronald W. Browne (+ cph ep #123-124) |
2001 |
The Extreme Team/The X-Team [Leslie Libman] tvm; 2uc: Chris Patterson |
2007 |
New Amsterdam [pilot dir by Lasse Hallström] 8-part series, 2008 |
2009 |
Boardwalk Empire [pilot dir by Martin Scorsese] 56-part series/s35-to-HD, 2010-14; 1st season, 2010 (12 ep); 2uc: Charles Libin; other ph: Kramer Morgenthau (5 ep) & Jonathan Freeman (6 ep) |
2010 |
Luck [pilot (s35+HD [Sony F35 + Canon EOS 5D & 7D]-to-HD) dir by Michael Mann & ep #2 'Ace Meets with a Potential Investor' dir by Terry George] 9-part series (ep filmed with the ARRI ALEXA), 2011-12; 2uc (pilot): Duane Manwiller; other ph: Lukas Strebel (#4, 6, 7 & 9), Russell Lee Fine (#3 & 5) & John L. Grillo (#8) |
2014 |
American Odyssey [ep #1 'Gone Elvis' dir by Peter Horton] 13-part series/HD, 2015 |
MISCELLANEOUS | |
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1978 |
Middle Age Spread [John Reid] best boy/runner; ph: Alun Bollinger |
1980 |
Nutcase [Roger Donaldson; short/47m] grip; ph: Graeme Cowley |
1980 |
Queen Street [Martin Blythe; tvm] gaffer; ph: Leon Narbey |
1981 |
Goodbye Pork Pie [Geoff Murphy] gaffer; ph: Alun Bollinger |
1981 |
Smash Palace [Roger Donaldson] gaffer; ph: Graeme Cowley |
1981 |
Battletruck/Warlords of the 21st Century [Harley Cokliss] gaffer; ph: Chris Menges |
1982 |
Savage Islands/Nate and Hayes [Ferdinand Fairfax] best boy; ph: Tony Imi |
1983 |
Bodyspeak [Gregor Nicholas; short/10m] co-gaffer; ph: Alan Locke & Jusin Keen |
1983 |
Strata [Geoff Steven] gaffer; ph: Leon Narbey |
1983 |
Trespasses/Omen of Evil [Peter Sharp] gaffer; ph: Leon Narbey |
1984 |
Vigil [Vincent Ward] gaffer; ph: Alun Bollinger |
1984 |
Pallet on the Floor [Lynton Butler] gaffer; ph: Kevin Hayward |
1984 |
Heart of the Stag [Michael Firth] gaffer; ph: James Bartle |
1985 |
Came a Hot Friday [Ian Mune] gaffer; ph: Alun Bollinger |
2006 |
Shine a Light [Martin Scorsese; mus doc] co-c.op; ph: Robert Richardson |