"Russian Ark" [2001] - photo by Alexander Belenkiy |
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Born: 22 January 1961 [or 1964], East Germany [DDR].
Education: Hochschule für Film und Fernsehen 'Konrad Wolf', Potsdam-Babelsberg [graduated in 1988].
Career: Started as Steadicam op and ph for East German tv.
Ph commercials dir by Stephan Hadjam, a.o. Ph music videos.
Awards: European Film Award nom [2002], The Village Voice Film Critics Poll '2nd place' [2002], DKP 'Lobende Erwähnung' [2003] & Málaga International Week of Fantastic Cinema 'Best Cinematography' [2003] for 'Russian Ark'.
Note: There is a director named Tilman Büttner who dir e.g. the tv-series 'Le petit gnome/Der kleine Gnom' for SWR-tv Schulfernsehen. It's not our Tilman Büttner.
"Sokurov's 'Russian Ark' is a vast philosophical achievement that came about through an exhaustive two years of preparation involving 867 actors, three live orchestras and a Steadicam shot that covers 4,265 feet of Hermitage floor space. The project would have been impossible without the Sony HDW-F900 24p High Definition camera, which provides mobility, a gorgeous visual palette, and flexibility in low-light situations. While video will never be film, this new technology has become an art form in its own right - a fitting metaphor for 'Russian Ark's old leading into the new. The man behind the camera that weaves us through 'Russian Ark' is Tilman Büttner.
'One big issue was that there were main halls of the museum that had absolutely no daylight at all, and then there would be other rooms containing huge windows. Since 'Russian Ark' was a film done entirely in one shot, without cuts, we were unable to use any filters on the camera to compensate for the different rooms. I wouldn't be able to change the filters once we started shooting. Most of the color matching was done later, in postproduction. But while filming, it was most important to provide a basic look for the project. All of the information had to be there in the image, and we went warmer because it's easier to lose the warm tones in postproduction than to recreate them. [...] We were in preparation for 'Russian Ark' two years before shooting, and I met with Sokurov about seven times in St. Petersburg. He and I walked the course we would take through The Hermitage, but only with a little MiniDV camera - not the Steadicam. I was blinded by the beauty that was all around me, all of those works of art, and it was a fascinating experience even then. We would do little rehearsals of the camera movement, just the two of us. Only much later in pre-production did we work on special transitions with the main actors. Actually, that was only in the last week right before shooting began. We were only able to rehearse with about half of the actors and extras performing the waltz, planning out the choreography and where they would go. But we never had a full run through. I must tell you, everything came together only on the shooting day. In a sense, it was a filmed rehearsal. I remember, after working so hard the night before, we were already very tired at the moment we started shooting. [...] We only had one shooting day, and one day before shooting for preparing the lights for the 35 different rooms there. For my crew, I had 40 lighting men with only 36 hours to prepare. There was absolutely no possibility to rehearse for lighting at all. All of that was conceptualized theoretically on blueprints of the museum.
For me, of course, it was an artistic challenge to do a feature-length project in one shot. I suppose you can make a one-take movie with a camera on a tripod or table, but it's less adventurous to do it that way. To do it in motion is far more daring. But it is a dream for any cinematographer when given the chance, to do everything I did on 'Russian Ark'. That made this a special project for me. It would have been much too complicated to divide the responsibilities among three people: Steadicam operator, director of photography, and lighting designer. And I wanted to prove that I was not just a Steadicam operator, but a full photographer as well.'" [From interview by Jeremiah Kipp in 'Filmmaker', 2002.]
FILMS & TELEVISION |
1991 Stalin-Allee [Sven Boeck] BetaSP/c; doc/29m
200? Berlin Robots [Claus Dowie] HD/c; short/?m
[Holding camera] with dir Aleksandr Sokurov [right] - "Russian Ark" |
2001 Russkij kovcheg/Russian Ark [Aleksandr Sokurov] HD-to-35mm/c; shot on 23 December 2001
2002 Ten Minutes Older: The Cello [seg 'The Enlightenment' dir by Volker Schlöndorff] b&w-c; 8 seg; cph: Andreas Höfer
2003 Hinter der Tür [Neco Çelik] c; short/15m
2004 Große Lügen/Frequenzbaby [Jany Tempel] c; cph: Helmfried Kober; 2uc: Oliver Köppel & Yoliswa Gärtig
2005 Kabale und Liebe/Love and Intrigue [Leander Haußmann] tvm/DigiBeta
2006 Holt Bubinski [Leander Haußmann] tv-pilot
2007 Warum Männer nicht zuhören und Frauen slecht einparken können [Leander Haußmann] c; 2uc: István Imreh
FILMS & TELEVISION AS STEADICAM OPERATOR |
Was Steadicam op on several tv-shows for ZDF-tv [e.g. 'ZDF Hitparade'], RTL-tv & ARD-tv. |
1988 Polizeiruf 110 [ep #131 'Drei Flaschen Tokajer' dir by Udo Witte] tv-series, 1971-91 (in the DDR) & 1993-present;
Steadicam op; ph: Rolf Laskowski
1989 Polizeiruf 110 [ep #136 'Tödliche Träume' dir by Thomas Jacob] Steadicam op; ph: Wolfram Huth; see 1988
1992 Vater Mutter Mörderkind [Heiner Carow; tvm] Steadicam op; ph: Martin Schlesinger
1995 Reis zonder einde/Journey Without End [Ruud Keers; tv-doc] Steadicam op; ph: Fred Tammes
1995 Sexy Sadie/Komm zurück, sexy Sadie [Matthias Glasner] Steadicam op; ph: Sonja Rom
1996 Berlin Babylon [Hubertus Siegert; doc] Steadicam op; ph: Thomas Plenert & Ralf Dobrick; prod 1996-2000
1997 Turandot at the Forbidden City of Beijing [Hugo & Ruth Käch; tv-opera] Steadicam op; ph: Cristiano Pogany
1997 Lola rennt/Run Lola Run [Tom Tykwer] co-Steadicam op; ph: Frank Griebe
1997 Babyraub - Kinder fremder Mächte [Elodie Keene; tvm] Steadicam op; ph: Carl Finkbeiner
1997 mammamia [Sandra Nettelbeck; tvm] co-Steadicam op; ph: Michael Bertl
1998 Polizeiruf 110 [ep #204 'Discokiller' dir by Marco Serafini & #209 'Mörderkind' dir by Matti Geschonneck] Steadicam op;
ph: Sebastian Richter; see 1988
1998 Der Brief/The Letter [Jan Sasse; short] prod; ph: István Imreh; prod: HFF Potsdam-Babelsberg
1998 Absolute Giganten/Gigantics [Sebastian Schipper] Steadicam op; ph: Frank Griebe
1999 Alphamann [Thomas Jauch; 2-part tvm] Steadicam op; ph: Jörg Widmer ('Amok') & Uli Kudicke ('Die Selbstmörderin')
1999 Die Männer vom K3 [ep #36 'Tyrannenmord' dir by Jan Ruzicka; tv-series] co-Steadicam op; ph: Michael Tötter
1999 Otto - Der Katastrofenfilm [Edzard Onneken] Steadicam op; ph: Hagen Bogdanski
1999 Gripsholm [Xavier Koller] c.op 'a' cam + Steadicam op; ph: Pio Corradi
1999 Glückliches Ende [Jochen Alexander Freydank; short] Steadicam op; ph: Michael Mieke
1999 Nick Knatterton - Der Film [Niki List] co-Steadicam op; ph: Hagen Bogdanski
2000 Die Verhaftung des Johann Nepomuk Nestroy [Dieter Berner; tvm] Steadicam op; ph: Carl Finkbeiner
2000 Emil und die Detektive [Franziska Buch] co-Steadicam op; ph: Hannes Hubach
2000 Viktor Vogel - Commercial Man/Advertising Rules! [Lars Kraume] Steadicam op; ph: Andreas Doub
2000 Vaya con dios [Zoltan Spirandelli] Steadicam op; ph: Dieter Deventer
2000 Heidi M. [Michael Klier] Steadicam op; ph: Sophie Maintigneux
2000 Was tun, wenn's brennt?/What to Do in Case of Fire [Gregor Schnitzler] Steadicam op; ph: Andreas Berger
2000 Null Uhr 12 [Bernd Michael Lade] Steadicam op; ph: Michael Heiter
2001 Tattoo [Robert Schwentke] co-Steadicam op (Berlin); ph: Jan Fehse
2001 Große Mädchen weinen nicht/Big Girls Don't Cry [Maria von Heland] co-Steadicam op; ph: Roman Osin
2001 Highway [Xavier Koller; simulator film for Volkswagen Autostadt, Wolfsburg, Germany] Steadicam op; ph: David B.
Nowell
2001 Nitschewo [Stefan Sarazin] co-Steadicam op; ph: Jan Fehse
2001 Nackt/Naked [Doris Dörrie] Steadicam op; ph: Frank Griebe
2002 Anatomie 2/Anatomy 2 [Stefan Ruzowitzky] Steadicam op; ph: Andreas Berger
2002 Ten Minutes Older: The Cello [seg 'Ten Minutes After' dir by István Szabó] Steadicam op; ph: Lajos Koltai
2002 Prisoner of Paradise [Malcolm Clarke & Stuart Sender; doc] Steadicam op; ph: Michael Hammon
2002 Baltic Storm [Reuben Leder] Steadicam op; ph: Robert Nordström & Nicolas Joray
2003 Workingman's Death [Michael Glawogger; doc] Steadicam op Indonesia; ph: Wolfgang Thaler; prod 2002-05
2003 Irgendwas ist immer/Wie man seinen Ex verlässt/How to Leave Your Ex/Push and Pull [Péter Palátsik; tvm]
Steadicam op; ph: Peter von Haller
2003 Soloalbum [Gregor Schnitzler] Steadicam op; ph: Gero Steffen
2003 Männer wie wir/Guys and Balls [Sherry Horman] co-Steadicam op; ph: Hanno Lentz
2003 Yugotrip [Nadya Derado] Steadicam op; ph: Benjamin Dernbecher
2003 Stauffenberg/Operation Valkyrie [Jo Baier; tvm] Steadicam op; ph: Gunnar Fuss
2003 Der Untergang/Downfall [Oliver Hirschbiegel] co-Steadicam op; ph: Rainer Klausmann
2003 Beyond the Sea [Kevin Spacey] Steadicam op; ph: Eduardo Serra
2004 Gespenster [Christian Petzold] Steadicam op; ph: Hans Fromm
2004 NVA [Leander Haußmann] Steadicam op; ph: Frank Griebe
2004 Die Bluthochzeit/De bloedbruiloft [Dominique Deruddere] Steadicam op; ph: Danny Elsen
2005 Die Luftbrücke - Nur der Himmel war frei [Dror Zahavi; 2-part tvm] co-Steadicam op; ph: Gero Steffen
2005 Das verhangene Bild [Henri Steinmetz; short] Steadicam op; ph: Robert Oberrainer; prod Filmakademie Wien
2005 Elementarteilchen [Oskar Roehler] co-Steadicam op; ph: Carl-Friedrich Koschnick
2005 Meine Mutter tanzend [Jan Ruzicka; tvm] Steadicam op; ph: Gunnar Fuss
2006 Beutolomäus und der geheime Weihnachtswunsch [Karl Heinz Käfer; tvm] Steadicam op; ph: Michael Wiesweg
2006 Herrliches, närrisches Thüringen [2006] [Michael Becker; tv-show] co-Steadicam op; electronic camera: Thomas
Höfer, a.o.
2006 Hedda Gabler [Hannes Rossacher (tv) & Thomas Ostermeier (stage); theatre perf] co-Steadicam op; ph: Martin
Baer, a.o.
2006 Yella [Christian Petzold] co-Steadicam op; ph: Hans Fromm
2006 Die Gipfelstürmerin [Dirk Regel; tvm] Steadicam op; ph: Peter Ziesche
2006 Max Raabe & Palastorchester - In der Berliner Waldbühne [Henning Kasten; mus perf] Steadicam op; ph: Andreas
Naumann
2006 Polizeiruf 110 [ep #284 'Tod in der Bank' dir by Dirk Regel] Steadicam op; ph: Stephan Wagner; see 1988
2006 Ein fliehendes Pferd/Runaway Horse [Rainer Kaufmann] co-Steadicam op; ph: Klaus Eichhammer
2007 Herrliches, närrisches Thüringen [2007] [Michael Becker; tv-show] co-Steadicam op; electronic camera: Thomas
Höfer, a.o.
2007 Kleine Gartenmusik [Henning Möller; show series] Steadicam op
2007 Stopping Power [Jan de Bont] Steadicam op + c.op 'b' cam; ph: Óttar Guðnason; cancelled after 2 days of shooting
2007 Die Frau des Frisörs [Jan Ruzicka; tvm] Steadicam op; ph: Michael Tötter
2007 Effi Briest [Hermine Huntgeburth] co-Steadicam op; ph: Martin Langer
2007 The Reader [Stephen Daldry] Steadicam op 'a' cam; ph: Roger Deakins (2007) & Chris Menges (2008); filmed 2007-08
2008 Herrliches, närrisches Thüringen [2008] [Michael Becker; tv-show] Steadicam op
2008 The Countess [Julie Delpy] co-Steadicam op; ph: Martin Ruhe
2008 Jerichow [Christian Petzold] Steadicam op; ph: Hans Fromm
2008 Jenseits der Mauer [Friedemann Fromm; tvm] Steadicam op; ph: Hanno Lentz
2008 Pandorum [Christian Alvart] Steadicam op; ph: Wedigo von Schultzendorff
2008 Hoffnung für Kummerow [Jan Ruzicka; tvm] Steadicam op; ph: Gunnar Fuss
2008 Das weisse Band - Eine deutsche Kindergeschichte [Michael Haneke] co-Steadicam op; ph: Christian Berger
2009 Shahada [Burhan Qurbani] co-Steadicam op; ph: Yoshi Heimrath
2009 Goethe! [Philipp Stölzl] Steadicam op; ph: Kolja Brandt
2010 Zimmer 205 [Rainer Matsutani] c.op + Steadicam op; ph: Jan Fehse