IEC
#1: From doc/interview [2011]
Born: 22 February 1941, Dilofo, Greece.
Career: Received an education as an electrician in the construction business. Started as c.asst at Finos Films in 1958. Went to France in 1989.
'I left [Greece] because I wanted to see the world, to come into contact with different people; I wanted to discover things which I didn't know. I was in danger of becoming a cliché in Greece, simply repeating one style of photography. And, I won't hide from you that I had a financial problem. I had three children and was starting to think of their private tuition. As I've said, Greece is a poor country with rich inhabitants, while France is a rich country with poor inhabitants... I was also lucky. I got jobs immediately. I'd been trained within Greek conditions, to work quickly with only a few means, and word of this spread in the French cinema world.'
Ph commercials, e.g. for the 2004 Olympic Games.
Awards: Thessaloniki FF Greek Competition 'Best Cinematography Award' [1970] for 'Anaparastasi'; Thessaloniki FF Greek Competition 'Best Cinematography Award' [1972] for 'Meres tou '36'; Thessaloniki FF Greek Competition 'Best Cinematography Award' [1975] for 'O thiassos'; Thessaloniki FF Greek Competition 'Best Cinematography Award' [1980] for 'O megalexandros'; Thessaloniki FF Greek Competition 'Best Cinematography Award' [1985] for 'Mia toso makrini apousia'; Thessaloniki FF Greek Competition 'Best Cinematography Award' [1987] for 'Doxombous'; Thessaloniki FF Greek Competition 'Best Cinematography Award' [1988] for 'Sti skia tou fovou'; European Film Award nom [1989] for 'Topio stin omichli'; Venice FF 'Golden Osella' [1989] & Flanders IFF 'Joseph Plateau Award' [1990] for 'Australia'; Camerimage 'Golden Frog' nom [1995] for 'To vlemma tou Odyssea'; Namur IFF [1997] for 'Faraw!'; Camerimage 'Golden Frog' nom [1998; shared] for 'Mia aioniothta kai mia mera'; Thessaloniki FF Award [2004] for 'Nyfes'.
Yorgos
Arvanitis: 'My aim is to give the film whatever I can. Because, to be honest, a good film with
bad photography is a good film. A bad film with amazing photography remains a
bad film. I don't "make" the film. I simply help to achieve a
particular aesthetic result. The director of photography transforms the
director's dream into images. He attempts to understand the dream, to walk
alongside the director... The director of photography is not a creator. He takes
part in someone else's creation. He is a co-creator. What I look for is
collaborations, which sometimes I have, sometimes I don't, because many
directors are worried that I'll get my way with them.'
Q: 'On occasion, you have argued and disagreed with directors. With Théo Angelópoulos, Jonathan Nossiter, recently with Amos Gitai.'
A: 'They were different kinds of disputes. With Angelópoulos, they were about the work itself and were creative disputes. With the other two, the arguments were deeper. With Nossiter, I had a completely different idea about the aesthetic of the film; I argued with Gitai because the way he works doesn't suit me. His roots are in documentary and he improvises a lot, with the result that the director of photography doesn't have time to think or to decide what to do. I shot what there was, but I wasn't interested like this.' [From interview by Maria Katsounaki in 'Kathimerini', 2002.]
FILMS | |
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1965 |
Peripeteies me tous Forminx [Kostas Lihnaras & (uncred) Théo Angelópoulos] b&w; cph: Giorgos Panousopoulos |
1965 |
I de gyni na fovitai ton andra [Yorgos Javellas] b&w; 2nd cinematographer; ph: Nikos Gardelis |
1966 |
O xypolytos pringips [Yánnis Dalianidis] c |
1966 |
Dama spathi/Queen of Clubs/Love Cycles [George Skalenakis] b&w; cph: Andrea Anastassatos |
1967 |
Oi thalassies oi hadres [Yánnis Dalianidis] c |
1967 |
Pyretos stin asfalto/The Asphalt Fever [Dinos Dimópoulos] b&w |
1967 |
Kati kourasmena palikaria [Dinos Dimópoulos] c |
1967 |
Gabros ap' to Londino [Yánnis Dalianidis] b&w |
1968 |
I arhontissa kai o alitis [Dinos Dimópoulos] c |
1968 |
Poly arga gia dakrya [Panos Glykofrydis] b&w |
1968 |
O mikes pantrevetai [Yánnis Dalianidis] b&w |
1968 |
Ekpombi/I ekpombi/Broadcast [Théo Angelópoulos] b&w; short/22m |
1968 |
Mia Italida ap' tin Kypseli [Dinos Dimópoulos] c |
1969 |
I neraida kai to palikari [Dinos Dimópoulos] c |
1969 |
I oraia tou kourea [Dinos Dimópoulos] b&w |
1969 |
To levedopaido [Dinos Dimópoulos] c |
1969 |
Otan i polis pethainei [Yánnis Dalianidis] b&w |
1969 |
Panikos/O panikos/Panic [Stavros Tsiolis] b&w |
1969 |
I daskala me ta xantha mallia [Dinos Dimópoulos] c |
1970 |
Mikri spoudi [Fotis Lazaridis] b&w; short/6m |
1970 |
Aftoi pou milisan me to thanato [Yánnis Dalianidis] c |
1970 |
Anaparastasi/Reconstruction [of a Crime] [Théo Angelópoulos] b&w; + small part |
1970 |
Ypolohagos Natassa [Nikos Foskolos] c; cph: Nikos Gardelis & Dimos Sakelariou |
1970 |
O Thanasis, i loulietta kai ta loukanika/I teleftaia trella tou Thanasi [Dinos Katsouridis] b&w |
1970 |
I zougla ton poleon [Stavros Tsiolis] c |
1971 |
Katahrisi exousias/Abuse of Authority [Stavros Tsiolis] c |
1971 |
Eshati prodosia/High Treason [Panos Glykofrydis] c |
1971 |
Ti ekanes ston polemo, Thanasi?/What Did You Do in the War, Thanassi? [Dinos Katsouridis] b&w |
1972 |
I taratsa [Kostas Zirinis] b&w; short/20m; cph: Nikos Petanidis & Christos Triantafillou |
1972 |
I rena einai 'off-side' [Alekos Sakellarios] c |
1972 |
I komissa tis Kerkyras [Alekos Sakellarios] c |
1972 |
I Aliki diktator [Takis Vougiouklakis] c |
1972 |
Meres tou '36/Days of 36 [Théo Angelópoulos] c |
1972 |
Aihmalotoi tou misous/Prisoners of Hate [Nikos Foskolos] b&w |
1972 |
Thanasi, pare t' oplo sou/Thanassi Get Your Gun [Dinos Katsouridis] c |
1973 |
O valtos [Dinos Dimópoulos] c |
1973 |
Thema syneidiseos/A Matter of Conscience [Petros Lykas] c |
1973 |
Topos kraniou [Kostas Aristópoulos] c |
1973 |
Ioannis o viaios/John the Violent [Tonia Marketaki] b&w |
1973 |
O megalos erotikos/The Great Love Songs [Pantelis Voúlgaris] b&w-c; cph: Giorgos Panoussópoulos |
1974 |
O thiassos/The Travelling Players [Théo Angelópoulos] c; filmed 1974-75 |
1975 |
Loukianos Kilaidonis: Apla mathimata politikis oikonomias [Adonis Lykouresis] b&w; doc/45m |
1975 |
Le fils d'Amr est mort/Le mensonge [Jean-Jacques Andrien] c; cph: Georges Barsky, a.o. |
1975 |
Assault on Agathon [László Benedek] c; cph: Aris Stavrou |
1975 |
Iphigeneia/Iphigenia [Michael Cacoyannis] c |
1976 |
Ipnos ke thanatos/Sleep and Death [Konstantinos Aristópoulos] c |
1976 |
Diadikasia/Proceedings [Dimosthenis Théos] c; cph: Aris Stavrou |
1976 |
O Thanasis sti hora tis sfaliaras/Events Hit Thanassi Smack On the Nose [Dinos Katsouridis & Panos Glykofrydis] c |
1976 |
A Dream of Passion/Cri de femmes/Kravgi gynaikon [Jules Dassin] c; + prod |
1976 |
Oi kynigoi/I kynighi/The Hunters [Théo Angelópoulos] c; filmed 1976-77 |
1977 |
Ta tempi [Giannis Prokovas] c; doc/20m |
1978 |
I Athina pou fevgei [Anna Botopoulou] c; doc/35m; + ed |
1978 |
Eleftherios Venizelos, 1910-1927 [Pantelis Voúlgaris] c |
1979 |
O megalexandros/Alexander the Great [Théo Angelópoulos] c |
1980 |
O kotsos kai oi exoghinoi [Dimis Dadiras] c |
1981 |
?/Let Them Be Married [Yánnis Diamantópoulos] ? |
1981 |
To megalo kanoni [Panos Glykofrydis] c |
1982 |
To eftihismeno prosopo tis Leonoras/The Happy Face of Leonora [Dinos Mavroidis] c |
1983 |
To tragoudi tis epistrofis/Homecoming Song [Yánnis Smaragdis] c |
1984 |
Taxidi sta Kythira/Voyage to Cythera [Théo Angelópoulos] c |
1985 |
Mia toso makrini apousia/Such a Long Absence [Stavros Tsiolis] c; + co-prod |
1985 |
Petrina chronia/Stone Years [Pantelis Voúlgaris] c |
1986 |
Eva [Marc & Hara Gastine] 16mm/c; short/22m |
1986 |
O melissokomos/The Beekeeper [Théo Angelópoulos] c |
1987 |
Doxombous/Doxobus [Fotos Lambrinos] c |
1987 |
To kalokairi tis Mideias/Medea's Summer [Babis Plakaikis] c |
1988 |
Topio stin omichli/Landscape in the Mist [Théo Angelópoulos] c |
1988 |
Sti skia tou fovou/In the Shadow of Fear [Yiorgos Karypidis] c |
1989 |
Australia [Jean-Jacques Andrien] c |
1989 |
L'autre/The Other [Bernard Giraudeau] c |
1989 |
Xenia [Patrice Vivancos] c; cph: Yánnis Daskalothanassis |
1990 |
Homo Faber/Voyager [Volker Schlöndorff] c; ph USA/Mexico: Pierre Lhomme; aph USA: Stan McClain; sfx ph: Kay Albrecht |
1990 |
Écrans de sable/Sand Screens [Randa Chahal Sabbag] c |
1990 |
To meteoro vima tou pelargou/Le pas suspendu de la cigogne/The Suspended Step of the Stork [Théo Angelópoulos] c; cph: Andréas Sinanos |
1991 |
Holozän/Holoscene [Heinz Bütler & Manfred Eicher] c |
1991 |
Je pense à vous/I Think of You [Jean-Pierre & Luc Dardenne] c |
1992 |
Le bateau de mariage [Jean-Pierre Améris] c |
1992 |
Poisson-lune/Sunfish [Bertrand Van Effenterre] c |
1993 |
Il sogno della farfalla/The Butterfly's Dream [Marco Bellocchio] c |
1994 |
To vlemma tou Odyssea/Ulysses' Gaze [Théo Angelópoulos] c; cph: Andréas Sinanos |
1994 |
L'Amérique des autres/Someone Else's America [Goran Paskaljević] c; ph Spain: William Diver |
1995 |
Total Eclipse/Rimbaud-Verlaine [Agnieszka Holland] c |
1995 |
Nitrato d'argento/Nitrate Base/Nitrate d'argent [Marco Ferreri] b&w-c |
1996 |
Port Djema [Eric Heumann] c |
1996 |
Bent [Sean Mathias] c |
1996 |
Faraw!/Une mère de sables [Abdoulaye Ascofaré] c; cph: Lionel Cousin |
1996 |
Train de vie/Train of Life [Radu Mihaileanu] scope/c; cph: Laurent Dailland; 2uc: Marian Stanciu |
1996 |
Le silence d'Alexandre [Jean-Jacques Andrien] status unknown; in 2003 still looking for funds |
1997 |
Mia aioniothta kai mia mera/Eternity and a Day [Théo Angelópoulos] c; cph: Andréas Sinanos |
1998 |
Innocent [Costa Natsis] c |
1998 |
Romance [Catherine Breillat] c |
1999 |
Signs & Wonders [Jonathan Nossiter] dv/c; 2uc: Yorgos Giannelis |
2000 |
Liberté-Oléron [Bruno Podalydès] c |
2000 |
À ma soeur!/Fat Girl [Catherine Breillat] c |
2000 |
Après la tempête/Dominique Aubier, portrait d'une femme extraordinaire [Joële Van Effenterre] c; doc/82m |
2001 |
Les amants du Nil [Eric Heumann] c |
2001 |
La dernière lettre/The Last Letter [Frederick Wiseman] b&w; 61m |
2001 |
Kedma [Amos Gitai] c |
2002 |
Kourastika na skotono tous agapitikous sou/I'm Tired of Killing your Lovers [Nikos Panagiotopoulos] c |
2002 |
La boîte magique/The Magic Box [Ridha Behi] c |
2002 |
Anatomie de l'enfer/Anatomy of Hell [Catherine Breillat] c; cph: Guillaume Schiffman |
2003 |
Process [C.S. Leigh] c; filmed in 29 takes |
2003 |
Nyfes/Brides [Pantelis Voúlgaris] c |
2003 |
L'enfant endormi [Yasmine Kassari] c |
2004 |
The Great Ecstasy of Robert Carmichael [Thomas Clay] Cineovision/c |
2004 |
La ravisseuse/De profundis [Antoine Santana] c |
2004 |
Ashes and Snow [Gregory Colbert] c; exp doc/63m; cph: Acacio Almeido, G. Colbert, Koji Nakemura & Philippe Vene |
2005 |
Mon fils à moi/Je t'aime tant/My Son [Martial Fougeron] c |
2005 |
See You at Regis Debray [C.S. Leigh] p/b&w-c; 71m |
2005 |
A Crime/Un crime [Manuel Pradal] c; cph: Frédéric Nicolas |
2005 |
American Widow [C.S. Leigh] b&w-c; 305m; cph: Joachim Hoge & C.S. Leigh; filmed 2005-08 |
2006 |
Une vieille maîtresse/The Last Mistress [Catherine Breillat] c; originally scheduled to start shooting in September 1997 |
2006 |
5 pm/Cinq heures du soir [Caroline Brunner] c; short/11m |
2007 |
Le mort n'entend pas sonner les cloches [Benjamin Mirguet] c; short/27m |
2007 |
Dorothy/Dorothy Mills [Agnès Merlet] tvi/c; 2uc: John Conroy |
2007 |
Sur ta joue ennemie/Welcome Home [Jean-Xavier de Lestrade] cs/c |
2008 |
Emma Blue [Robert MacLean] s16/c |
2008 |
An Organization of Dreams/Guns & Poetry [Ken McMullen] 35mm+HD+mobile phone-to-35mm/c; cph: Elso Roque; 2uc: Grant Wakefield; the script 'Guns & Poetry' developed during shooting into the film 'An Organization of Dreams' |
2008 |
La blonde aux seins nus/The Blonde with Bare Breasts [Manuel Pradal] c |
2009 |
Gigola [Laure Charpentier] c |
2010 |
Dr Nazi [Joan Chemla] c; short/15m |
2010 |
La terre outragée/Land of Oblivion [Michale Boganim] c; cph: Antoine Héberlé |
2011 |
Il a plu sur le grand paysage [Jean-Jacques Andrien] c; doc/100m; filmed 2009-11 |
2011 |
Tom le cancre [Manuel Pradal] c |
2013 |
Fadhma N'Soumer [Belkacem Hadjadj] c |
2013 |
Graziella [Mehdi Charef] HD (Sony PMW-F3)/c |
2014 |
Blind Sun/Heatwave [Joyce A. Nashawati] scope/c |
2015 |
Projection [C.S. Leigh] c |
2016 |
Fanny Lye Deliver'd [Thomas Clay] ts/c; 2uc: Dirk Eichler |
TELEVISION | |
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1981 |
Chorio ena, katikos enas/One Village, One Villager... [Théo Angelópoulos] doc/20m |
1983 |
Athina, epistrofi stin Akropoli/Athens, Return to the Acropolis [Théo Angelópoulos] doc/43m; addph: Andréas Sinanos; ep series 'Capitali culturali d'Europa' |
1987 |
Liban: Le pays du miel et de l'encens/Beirut [Maroun Bagdadi] ep of 6-part series 'Médecins des hommes' |
1988 |
Komitas [Don Askarian] tvm/b&w-c; cph: Martin Gressmann & Eberhard Geick |
2001 |
L'île bleue/The Blue Island [Nadine Trintignant] tvm |