IEC
#1: "The Sand Pebbles" [1965-66]
#2: Edward Dmytryk - Marlon Brando - ? - JM - "The Young Lions" [1957]
Born: 15 December 1906, Mexico City, Mexico, as Joseph [Joe] Patrick MacDonald.
Died: 26 May 1968, Woodland Hills, Los Angeles, Calif., USA.
Education: University of Southern California [mining engineering].
Career: Joined First National as c.asst in 1921. Was under contract to Fox Film and Twentieth Century Fox for most of his career.
Was a member of the ASC.
Awards: 'Oscar' AA nom [1958; b&w] for 'The Young Lions'; 'Oscar' AA nom [1960; color] for 'Pepe'; 'Oscar' AA [1966; color] for 'The Sand Pebbles'.
FILMS | |
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1935 |
Te quiero con locura/I'm Crazy About You [John J. Boland] b&w |
1935 |
Rosa de Francia/Rose of France [Gordon Wiles] b&w; the last of Fox's Spanish language films |
1935 |
Everybody's Old Man [James Flood] b&w; cph: Barney McGill; filmed 1935-36 |
1941 |
The Articles of War [Eugene Forde] b&w; short/?m; prod by Twentieth Century Fox for the Research Council of the Academy of Motion Picture Arts and Sciences |
1941 |
Charlie Chan in Rio [Harry Lachman] b&w; 60m; replaced ph Virgil Miller |
1942 |
The Man Who Wouldn't Die [Herbert I. Leeds] b&w; 65m |
1942 |
The Postman Didn't Ring [Harold Schuster] b&w; 68m |
1942 |
Little Tokyo, U.S.A. [Otto Brower] b&w; 64m |
1942 |
That Other Woman [Ray McCarey] b&w |
1942 |
Quiet Please Murder [John Larkin] b&w |
1943 |
Roger Touhy, Gangster [Robert Florey] b&w; 65m; uncred cph; ph: Glen MacWilliams; spec pfx: Fred Sersen; retakes and add seq filmed in September 1943 and March 1944 |
1943 |
Wintertime [John Brahm & (fill-in ice skating seq) Archie Mayo] b&w; uncred cph: Charles G. Clarke; fill-in ph: James Van Trees (when J. MacDonald fell ill); mus seq ph: Glen MacWilliams; spec pfx: Fred Sersen |
1943 |
In the Meantime, Darling [Otto Preminger] b&w; spec pfx: Fred Sersen; filmed 1943-44 |
1944 |
The Big Noise [Mal St. Clair] b&w; spec pfx: Fred Sersen |
1944 |
Sunday Dinner for a Soldier [Lloyd Bacon] b&w; loc ph: Harry Jackson; spec pfx: Fred Sersen |
1944 |
Captain Eddie [Lloyd Bacon] b&w; spec pfx: Fred Sersen; filmed 1944-45 |
1945 |
Wake Up and Dream [Lloyd Bacon] c; cph: Harry Jackson; spec pfx: Fred Sersen |
1945 |
Behind Green Lights [Otto Brower] b&w; 64m |
1945 |
Shock [Alfred Werker] b&w; cph: Glen MacWilliams; spec pfx: Fred Sersen |
1945 |
The Dark Corner [Henry Hathaway] b&w; spec pfx: Fred Sersen; filmed 1945-46 |
1946 |
My Darling Clementine [John Ford] b&w; spec pfx: Fred Sersen |
1946 |
Moss Rose [Gregory Ratoff] b&w; spec pfx: Fred Sersen; add scenes and retakes filmed February/March 1947 |
1947 |
Call Northside 777 [Henry Hathaway] b&w; spec pfx: Fred Sersen |
1947 |
The Street with No Name [William Keighly] b&w; spec pfx: Fred Sersen; filmed 1947-48 |
1948 |
Yellow Sky [William A. Wellman] b&w; spec pfx: Fred Sersen |
1948 |
Down to the Sea in Ships [Henry Hathaway] b&w; spec pfx: Fred Sersen & Ray Kellogg |
1948 |
It Happens Every Spring [Lloyd Bacon] b&w; spec pfx: Fred Sersen; filmed 1948-49 |
1949 |
Pinky [Elia Kazan] b&w; spec pfx: Fred Sersen |
1949 |
Panic in the Streets [Elia Kazan] b&w; spec pfx: Fred Sersen; filmed 1949-50 |
1950 |
Stella [Claude Binyon] b&w; spec pfx: Fred Sersen |
1950 |
Fourteen Hours [Henry Hathaway] b&w; spec pfx: Fred Sersen & Ray Kellogg; add seq filmed January 1951 |
1950 |
You're in the Navy Now/U.S.S. Teakettle [Henry Hathaway] b&w; spec pfx: Fred Sersen & Ray Kellogg |
1950 |
As Young as You Feel [Harmon Jones] b&w; spec pfx: Fred Sersen; filmed 1950-51 |
1951 |
Viva Zapata! [Elia Kazan] b&w; spec pfx: Fred Sersen |
1951 |
O. Henry's Full House/Full House [seg 'The Gift of the Magi' dir by Henry King] b&w; 5 seg (also version with 4 seg); filmed November; other ph: Lloyd Ahern (1 seg), Milton Krasner (1 seg) & Lucien Ballard (1 seg); see 1952 |
1951 |
Diplomatic Courier [Henry Hathaway] b&w; 2uc; ph: Lucien Ballard |
1951 |
What Price Glory [John Ford] c; spec pfx: Ray Kellogg; filmed 1951-52 |
1952 |
O. Henry's Full House/Full House [seg 'The Last Leaf' dir by Jean Negulesco] b&w; filmed February; see 1951 |
1952 |
The Snows of Kilimanjaro [Henry King & Roy Baker] c; uncred cph; ph: Leon Shamroy; loc ph: Charles G. Clarke & Harry Jackson |
1952 |
Niagara [Henry Hathaway] c; spec pfx: Ray Kellogg |
1952 |
Pickup On South Street [Samuel Fuller] b&w; spec pfx: Ray Kellogg |
1952 |
Titanic [Jean Negulesco] b&w; spec pfx: Ray Kellogg |
1952 |
White Witch Doctor [Henry Hathaway & (African backgrounds) Roy Baker] c; uncred fill-in ph (for 5 days while L. Shamroy was ill); ph: Leon Shamroy; loc ph: Charles G. Clarke; filmed 1952-53 |
1953 |
How to Marry a Millionaire [Jean Negulesco] cs/c; spec pfx: Ray Kellogg |
1953 |
Hell and High Water [Samuel Fuller] cs/c; spec pfx: Ray Kellogg |
1954 |
The New Venezuela [Robert D. Webb] c; doc/?m |
1954 |
Broken Lance [Edward Dmytryk] cs/c; spec pfx: Ray Kellogg |
Joseph MacDonald, ASC [left] shows actress Arlene Dahl the mysteries of the CinemaScope Technicolor camera on the set of the drama "Woman's World". Born in Mexico City, the versatile cinematographer worked equally well with black-and-white and color, and in every genre - from film noir to westerns to musicals. [Courtesy of the American Society of Cinematographers]
1954 |
Woman's World [Jean Negulesco] cs/c; spec pfx: Ray Kellogg |
1954 |
The Racers/Such Men Are Dangerous [Henry Hathaway] cs/c; spec pfx: Ray Kellogg |
1955 |
House of Bamboo [Samuel Fuller] cs/c; spec pfx: Ray Kellogg |
1955 |
The View from Pompey's Head/Secret Interlude [Philip Dunne] cs/c; spec pfx: Ray Kellogg |
1955 |
On the Threshold of Space [Robert D. Webb] cs/c; spec pfx: Ray Kellogg |
1956 |
Hilda Crane [Philip Dunne] cs/c; spec pfx: Ray Kellogg |
1956 |
Bigger Than Life [Nicholas Ray] cs/c; spec pfx: Ray Kellogg |
1956 |
Teenage Rebel [Edmund Goulding] cs/b&w; spec pfx: Ray Kellogg |
1956 |
The True Story of Jesse James/The James Brothers [Nicholas Ray] cs/c; spec pfx: Ray Kellogg |
1957 |
A Hatful of Rain [Fred Zinnemann] cs/b&w; spec pfx: L.B. Abbott |
1957 |
Will Success Spoil Rock Hunter?/Oh! For a Man! [Frank Tashlin] cs/c; spec pfx: L.B. Abbott |
1957 |
The Young Lions [Edward Dmytryk] cs/b&w; spec pfx: L.B. Abbott |
1957 |
Ten North Frederick [Philip Dunne] cs/b&w; spec pfx: L.B. Abbott; filmed 1957-58 |
1958 |
The Fiend Who Walked the West [Gordon Douglas] cs/b&w; spec pfx: L.B. Abbott |
1958 |
Warlock/Shoot Out at Warlock [Edward Dmytryk] cs/c; spec pfx: L.B. Abbott |
1959 |
The Gallant Hours [Robert Montgomery] b&w |
1960 |
Pepe [George Sidney] p/c |
1960 |
The Last Time I Saw Archie [Jack Webb] b&w |
1961 |
Walk on the Wild Side [Edward Dmytryk] b&w |
1962 |
Taras Bulba [J. Lee Thompson] p (+ 70bu)/c; spec pfx: Howard A. Anderson |
1962 |
40 Pounds of Trouble [Norman Jewison] p/c |
1962 |
The List of Adrian Messenger [John Huston] b&w; Europe ph: Ted Scaife |
1963 |
Kings of the Sun [J. Lee Thompson] p/c |
1963 |
Flight from Ashiya [Michael Anderson] p/c; cph: Burnett Guffey |
1963 |
The Carpetbaggers [Edward Dmytryk] p (+ 70bu)/c; spec pfx: Paul K. Lerpae; process ph: Farciot Edouart |
1964 |
Where Love Has Gone [Edward Dmytryk] ts/c; spec pfx: Paul K. Lerpae; process ph: Farciot Edouart |
1964 |
Invitation to a Gunfighter [Richard Wilson] c |
1964 |
Rio Conchos [Gordon Douglas] cs/c |
1964 |
Mirage [Edward Dmytryk] b&w |
1965 |
The Reward [Serge Bourguignon] cs/c; spec pfx: L.B. Abbott & Emil Kosa Jr. |
With actress Claudia Cardinale - "Blindfold"
Photo Thys Ockersen Archive
1965 |
Blindfold [Philip Dunne] p/c |
1965 |
The Sand Pebbles [Robert Wise] p (+ 70bu)/c; 2uc: Richard Johnson; spec pfx: L.B. Abbott & Emil Kosa Jr.; filmed 1965-66 |
1966 |
Alvarez Kelly [Edward Dmytryk] p/c |
1967 |
A Guide for the Married Man [Gene Kelly] p/c; spec pfx: L.B. Abbott, Art Cruickshank & Emil Kosa Jr.; filmed 1966-67 |
1968 |
Mackenna's Gold [J. Lee Thompson] p/c; addph: Don Glouner, John Mackey & Richard Moore; 2uc: Harold Wellman |
TELEVISION | |
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1959 |
Five Fingers [ep #1 'Station Break' dir by Andrew McCullough (AM), #2 'Dossier' dir by Montgomery Pittman, #3 'The Moment of Truth' dir by Lamont Johnson (LJ), #4 'The Unknown Town' dir by LJ, #5 'The Men with Triangle Heads' dir by AM, #8 'The Emerald Curtain' dir by Allen Reisner (AR) & #10 'The Final Dream' dir by AR] 17-part (2 unaired on NBC-tv) series/b&w, 1959-60; other ph: Wilfrid Cline |
1964 |
Who Has Seen the Wind? [George Sidney] tvm/b&w; part of a series of TV productions intended to celebrate the 20th anniversary of the founding of the United Nations; aired by ABC-tv (1965) |
MISCELLANEOUS | |
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1925 |
We Moderns [John Francis Dillon] c.asst; ph: Ted McCord; prod John McCormick Productions |
1931 |
Sob Sister [Alfred Santell] co-2nd cam; ph: Glen MacWilliams |
1932 |
Too Busy to Work [John Blystone] c.op; ph: Charles G. Clarke |
1932 |
Rebecca of Sunnybrook Farm [Alfred Santell] c.op; ph: Glen MacWilliams |
1932 |
The Big Stampede [Tenny Wright] co-c.op; ph: Ted McCord |
1932 |
Hat Check Girl/Embassy Girl [Sidney Lanfield] c.op; ph: Glen MacWilliams |
1932 |
Second Hand Wife [Hamilton MacFadden] c.op; ph: Charles G. Clarke |
1933 |
Sailor's Luck [Raoul Walsh] co-c.op; ph: Arthur Miller |
1933 |
The Devil's in Love [Wilhelm Dieterle] ?; ph: Hal Mohr |
1933 |
Adorable [Wilhelm Dieterle] 2nd cam; ph: John F. Seitz |
1934 |
All Men Are Enemies [George Fitzmaurice] co-c.op; ph: John F. Seitz |
1934 |
She Was a Lady [Hamilton MacFadden] c.op; ph: Bert Glennon |
1934 |
Marie Galante [Henry King] c.op; ph: John F. Seitz |
1934 |
Dante's Inferno [Harry Lachman] c.op; ph: Rudolph Maté; filmed 1934-35 |
1937 |
Thin Ice [Sidney Lanfield] c.op; ph: Robert Planck & Edward Cronjager |
1939 |
Heaven with a Barbed Wire Fence [Ricardo Cortez] c.op; ph: Edward Cronjager |
1940 |
Western Union [Fritz Lang] c.op; ph: Edward Cronjager & Allen M. Davey |
1941 |
Sun Valley Serenade [H. Bruce Humberstone & (2ud + fill-in) Malcolm St. Clair] c.op; ph: Edward Cronjager |