IEC
GREAT CINEMATOGRAPHERS
#1: "The Doctor Takes a Wife" [1940] - Courtesy of the ASC
#2: [At camera] with dir William Wellman [1932]
#3: [Left] with dir Robert Florey [seated] - "I Am a Thief" [1934]
SIDNEY HICKOX
Born: 15 July 1895, New York City, N.Y., USA, as Sidney 'Sid' Barnett Hickox.
Died: 16 May 1982, La Cañada Flintridge, Calif., USA.
Career: Became c.asst at the [American Mutoscope and] Biograph Company in 1915. Chief ph in the US Naval Air Service in 1917. Moved to Los Angeles joining the staff of First National Pictures. After the studio was bought by Warner Bros. in 1928, he remained there until his retirement from feature films in 1954.
Was a member of the ASC.
Played the role of cameraman in ep #186 'The Foster Lady' [d: Alan Rafkin] of 'The Andy Griffith Show' [6th season, 1965-66].
'In the 1930s, Warner Bros. was, by reputation, a studio renowned for cheese-paring and corner-cutting of every kind. That this is often not blatantly apparent on the screen is a tribute to the skills of Sidney Hickox and his pals Tony Gaudio, Ernest Haller, etc. In the financially better-upholstered wartime and post-war projects, Hickox made vital contributions to some of the best films of Howard Hawks and [especially] Raoul Walsh, as well as to the prevailing crime pictures and Westerns generally.' [Bob Baker in 'Film Dope', #24, March 1982.]
| FILMS [1 reel = c. 10m] | |
|---|---|
|
1916 |
Gloria's Romance [Colin Campbell & Walter Edwin] b&w; 20-part serial; cph: ?; prod Kleine Productions |
|
1921 |
School Days [William Nigh] b&w + color title cards; cph: Jack Brown; prod Harry Rapf Productions |
|
1922 |
Your Best Friend [William Nigh] b&w; cph: Jack Brown & James Diamond; prod Harry Rapf Productions |
|
1923 |
Marriage Morals [William Nigh] b&w; cph: Jack Brown & Jo Moran; prod Weber & North Productions |
|
1925 |
The Little Giant [William Nigh] b&w; prod Universal Pictures |
|
1927 |
The Private Live of Helen of Troy/Helen of Troy [Alexander Korda (replaced George Fitzmaurice)] b&w; cph: Lee Garmes; prod First National Pictures (FN) |
|
1927 |
Sailors' Wives [Joseph Henabery] b&w; 6 reels; prod FN |
|
1928 |
Happiness Ahead [William A. Seiter] b&w; prod FN |
|
1928 |
Oh Kay! [Mervyn LeRoy] b&w; 6 reels; prod FN |
|
1928 |
Lilac Time/Love Never Dies [George Fitzmaurice & (uncred) Frank Lloyd] b&w; aph: Alvin Knechtel; silent & silent + sound seq versions; prod FN |
|
1928 |
Synthetic Sin [William A. Seiter] b&w; silent & silent + sound seq versions; prod FN |
|
1929 |
Why Be Good?/That's a Bad Girl [William A. Seiter] b&w; silent & sound versions; prod FN |
|
1929 |
Hot Stuff [Mervyn LeRoy] b&w; spph: Alvin Knechtel; silent & silent + sound seq versions; prod FN |
|
1929 |
Two Weeks Off [William Beaudine] b&w; silent & silent + sound seq versions; prod FN |
|
1929 |
Smiling Irish Eyes [William A. Seiter] b&w; cph: Henry Freulich; silent & sound versions; prod FN |
|
1929 |
Footlights and Fools [William A. Seiter] b&w-c; cph: Henry Freulich; prod FN |
|
1929 |
The Love Racket/Such Things Happen [William A. Seiter] b&w; silent & sound versions; prod FN |
|
1930 |
Strictly Modern [William A. Seiter] b&w; 63m; prod FN |
|
1930 |
Those Who Dance [William Beaudine] b&w; silent & sound versions; prod Warner Bros. Pictures |
|
1930 |
Contre-enquête [Jean Daumery] b&w; French version of 'Those Who Dance' |
|
1930 |
Der Tanz geht weiter/The Dance Goes On [Wilhelm (William) Dieterle] b&w; German-language version of 'Those Who Dance' |
|
1930 |
The Flirting Widow [William A. Seiter] b&w |
|
1930 |
Sweet Mama/Conflict [Edward Cline] b&w; 54m |
|
1930 |
Top Speed [Mervyn LeRoy] b&w |
|
1930 |
The Way of All Men/The Sin Flood [Frank Lloyd] b&w; 69m |
|
1930 |
Die Maske fällt [William Dieterle] b&w; German-language version of 'The Way of All Men' |
|
1930 |
The Gorilla [Bryan Foy] b&w |
|
1930 |
The Naughty Flirt [Edward Cline] b&w; 56m |
|
1930 |
Kismet [William Dieterle] b&w; German-language version of 'Kismet' (d: John Francis Dillon; ph: John F. Seitz) |
|
1930 |
Dämon des Meeres [Michael Curtiz & (uncred) William Dieterle] b&w; German-language version of 'Moby Dick' (d: Lloyd Bacon; ph: Robert Kurrle) |
|
1930 |
Party Husband [Clarence Badger] b&w; filmed 1930-31 |
|
1931 |
Too Young to Marry/Broken Dishes [Mervyn LeRoy] b&w; 67m |
|
1931 |
Broadminded [Mervyn LeRoy] b&w; 65m |
|
1931 |
The Last Flight [William Dieterle] b&w |
|
1931 |
Pleasure [Otto Brower] b&w |
|
1931 |
Convicted [Christy Cabanne] b&w; 63m |
|
1931 |
Blonde Crazy/Larceny Lane [Roy Del Ruth] b&w; cph: Ernest Haller |
|
1931 |
The Sea Ghost/U-67 [William Nigh] b&w; 64m |
|
1931 |
Safe in Hell/The Lost Lady [William A. Wellman] b&w |
|
1931 |
The Hatchet Man/The Honourable Mr. Wong [William A. Wellman] b&w |
|
1931 |
The Crowd Roars [Howard Hawks] b&w; cph: John Stumar, Carl Akeley & Ray Ramsey; aph: Elmer Dyer; filmed 1931-32 |
|
1932 |
So Big! [William A. Wellman] b&w |
|
1932 |
Love Is a Racket/Such Things Happen [William A. Wellman] b&w |
|
1932 |
The Purchase Price [William A. Wellman] b&w; 68m |
|
1932 |
A Bill of Divorcement [George Cukor] b&w; prod RKO Radio Pictures |
|
1932 |
Central Park [John G. Adolfi] b&w; 58m |
|
1932 |
Frisco Jenny [William A. Wellman] b&w |
|
1933 |
The Little Giant [Roy Del Ruth] b&w |
|
1933 |
Grand Slam [William Dieterle] b&w; 67m |
|
1933 |
Central Airport [William A. Wellman & (uncred fill-in) Alfred E. Green] b&w; aph: Elmer Dyer |
|
1933 |
Mary Stevens M.D. [Lloyd Bacon] b&w |
|
1933 |
The Avenger [Edwin L. Marin] b&w; prod Monogram |
|
1933 |
Sensation Hunters [Charles Vidor] b&w |
|
1933 |
Female [Michael Curtiz (finished film); (uncred) William Dieterle (started film) & William A. Wellman (17 scenes)] b&w; 60m |
|
1933 |
The Big Shakedown [John Francis Dillon] b&w; 64m |
|
1933 |
Bedside [Robert Florey] b&w; 63m |
|
1933 |
Heat Lightning [Mervyn LeRoy] b&w; 63m |
|
1933 |
Twenty Million Sweethearts [Ray Enright & (mus seq) Busby Berkeley] b&w; filmed 1933-34 |
|
1934 |
Registered Nurse [Robert Florey] b&w; 63m |
|
1934 |
The Circus Clown [Ray Enright] b&w; 63m |
|
1934 |
Dames [Ray Enright & (mus numbers) Busby Berkeley] b&w; cph: George Barnes & Sol Polito |
|
1934 |
A Lost Lady/Courageous [Alfred E. Green & (uncred) Phil Rosen] b&w; 61m |
|
1934 |
I Sell Anything [Robert Florey (replaced Ray Enright)] b&w |
|
1934 |
The St. Louis Kid/A Perfect Weekend [Ray Enright] b&w; 67m |
|
1934 |
O, Sailor Behave! [Ralph Staub] b&w; short/?m |
|
1934 |
Living on Velvet [Frank Borzage] b&w |
|
1934 |
I Am a Thief [Robert Florey] b&w; 64m |
|
1934 |
The Right to Live/The Sacred Flame [William Keighley] b&w |
|
1935 |
Stranded [Frank Borzage] b&w |
|
1935 |
Bright Lights/Funny Face [Busby Berkeley] b&w |
|
1935 |
The Goose and the Gander [Alfred E. Green] b&w; 65m |
|
1935 |
Special Agent [William Keighley] b&w |
|
1935 |
I Found Stella Parish [Mervyn LeRoy] b&w; sfx ph: Fred Jackman & Willard Van Enger |
|
1935 |
Freshman Love/Rhythm on the River [William McGann] b&w |
|
1935 |
Brides Are Like That [William McGann] b&w |
|
1936 |
The Law in Her Hands [William Clemens] b&w; 58m |
|
1936 |
Two Against the World/The Case of Mrs. Pembroke [William McGann] b&w; 64m; sfx ph: Fred Jackman & Rex Wimpy |
|
1936 |
Trailin' West/On Secret Service [Noel Smith] b&w; 59m; cph: Ted McCord |
|
1936 |
The Case of the Velvet Claws [William Clemens] b&w; 63m |
|
1936 |
Give Me Your Heart/Sweet Aloes [Archie Mayo] b&w |
|
1936 |
Stolen Holiday [Michael Curtiz] b&w; spec pfx: Fred Jackman |
|
1936 |
San Quentin [Lloyd Bacon] b&w; sfx ph: H.F. Koenekamp & James Gibbons |
|
1936 |
Slim [Ray Enright] b&w; spec pfx: Byron Haskin; filmed 1936-37 |
|
1937 |
The Singing Marine [Ray Enright] b&w; uncred cph; ph: Arthur Todd |
|
1937 |
Confession [Joe May] b&w; remake of 'Mazurka' (1935; d: Willi Forst; ph: Konstantin Irmen-Tschet) |
|
1937 |
First Lady [Stanley Logan] b&w |
|
1937 |
Missing Witnesses/Missing Witness [William Clemens] b&w; 60m |
|
1937 |
Women Are Like That [Stanley Logan] b&w |
|
1937 |
A Slight Case of Murder [Lloyd Bacon] b&w |
|
1937 |
Men Are Such Fools [Busby Berkeley] b&w; filmed 1937-38 |
|
1938 |
Secrets of an Actress [William Keighley] b&w |
|
1938 |
My Bill [John Farrow] b&w; 64m |
|
1938 |
King of the Underworld [Lewis Seiler] b&w |
|
1938 |
Blackwell's Island [William McGann & (uncred) Michael Curtiz] b&w |
|
1938 |
Women in the Wind [John Farrow] b&w; 63m |
|
1938 |
The Kid From Kokomo/Orphan of the Ring [Lewis Seiler] b&w; filmed 1938-39 |
|
1939 |
Indianapolis Speedway/Devil on Wheels [Lloyd Bacon] b&w |
|
1939 |
British Intelligence/Enemy Agent [Terry Morse] b&w; 61m |
|
1939 |
Everybody's Hobby [William McGann] b&w; 54m |
|
1939 |
The Return of Doctor X [Vincent Sherman] b&w; 62m |
|
1939 |
Tear Gas Squad/State Cop [Terry O. Morse] b&w; 55m |
|
1939 |
King of the Lumberjacks [William Clemens] b&w; 58m; sfx ph: Edwin B. DuPar & Byron Haskin |
|
1940 |
Alex in Wonderland [Charles F. Reisner] b&w; short/14m |
On the set of the Columbia comedy "The Doctor Takes a Wife", director Alexander Hall [seated, center] and cinematographer Sidney Hickox, ASC [standing, center, wearing the fedora], and their crew look on as actors Loretta Young [seated], Ray Milland, and Gail Patrick rehearse. [Courtesy of the American Society of Cinematographers]
|
1940 |
The Doctor Takes a Wife [Alexander Hall] b&w |
|
1940 |
The Man Who Talked Too Much/Broadway Lawyer/The Sentence [Vincent Sherman] b&w |
|
1940 |
Flowing Gold [Alfred E. Green] b&w; sfx ph: Byron Haskin & Willard Van Enger |
|
1940 |
East of the River/Mama Raviola [Alfred E. Green] b&w |
|
1940 |
The Wagons Roll at Night [Ray Enright] b&w; sfx ph: Byron Haskin & H.F. Koenekamp |
|
1941 |
Thieves Fall Out [Ray Enright] b&w |
|
1941 |
Hal Kemp and His Orchestra [Jean Negulesco] b&w; mus short/9m |
|
1941 |
Underground [Vincent Sherman] b&w |
|
1941 |
Law of the Tropics [Ray Enright] b&w |
|
1941 |
All Through the Night [Vincent Sherman] b&w; sfx ph: Edwin B. DuPar |
|
1941 |
Always in My Heart [Jo Graham] b&w; sfx ph: Byron Haskin & Edwin B. DuPar |
|
1942 |
The Big Shot [Lewis Seiler] b&w |
|
1942 |
Gentleman Jim [Raoul Walsh] b&w |
|
1942 |
Edge of Darkness [Lewis Milestone] b&w; sfx ph: Lawrence Butler (dir) & Willard Van Enger |
|
1943 |
The Voice That Thrilled the World [Jean Negulesco] b&w; doc/18m |
|
1943 |
Northern Pursuit [Raoul Walsh] b&w; sfx ph: E. Roy Davidson |
|
1943 |
Uncertain Glory [Raoul Walsh] b&w; sfx ph: E. Roy Davidson |
|
1943 |
The Horn Blows at Midnight [Raoul Walsh] b&w; sfx ph: Robert Burks, Lawrence Butler, Warren E. Lynch & William McGann; filmed 1943-44 |
|
1944 |
To Have and Have Not [Howard Hawks] b&w; sfx ph: E. Roy Davidson (dir) & Rex Wimpy |
|
1944 |
I Am an American [Crane Wilbur] b&w; short/16m |
|
1944 |
God Is My Co-Pilot [Robert Florey] b&w; aph: Charles Marshall; sfx ph: E. Roy Davidson (dir), Edwin B. DuPar & Robert Burks |
|
1944 |
The Big Sleep [Howard Hawks] b&w; sfx ph: E. Roy Davidson (dir), Warren E. Lynch, William McGann, Robert Burks & Willard Van Enger; filmed 1944-45; add scenes and retakes were ph in January 1946; 2 versions: 1945 (no general release) & 1946 (re-edited + add scenes) |
|
1945 |
The Man I Love [Raoul Walsh] b&w; sfx ph: Harry Barndollar & Edwin B. DuPar |
|
1946 |
Cheyenne/The Wyoming Kid [Raoul Walsh] b&w; sfx ph: H.F. Koenekamp & William McGann |
|
1946 |
Possessed [Curtis Bernhardt] b&w; uncred cph (replaced after 38 days at the request of actress Joan Crawford); ph: Joseph Valentine; sfx ph: Robert Burks & William McGann |
Cinematographer Sidney Hickox, ASC [center, in trench coat] looks on as Clifton Young and Humphrey Bogart duke it out for director Delmer Daves while shooting the film noir thriller "Dark Passage" on location in San Francisco. [Courtesy of the American Society of Cinematographers]
|
1946 |
Dark Passage [Delmer Daves] b&w; sfx ph: H.F. Koenekamp; filmed 1946-47 |
|
1947 |
Silver River [Raoul Walsh] b&w; sfx ph: William McGann (dir) & Edwin DuPar |
|
1948 |
One Sunday Afternoon [Raoul Walsh] c; cph: Wilfred M. Cline |
|
1948 |
Fighter Squadron [Raoul Walsh] c; cph: Wilfred M. Cline; sfx ph: E. Roy Davidson, John Holden & H.F. Koenekamp |
|
1948 |
Colorado Territory/North of the Rio Grande [Raoul Walsh] b&w; sfx ph: William McGann (dir) & H.F. Koenekamp |
|
1949 |
White Heat [Raoul Walsh] b&w; sfx ph: E. Roy Davidson & H.F. Koenekamp |
|
1949 |
The Great Jewel Robber [Peter Godfrey] b&w |
|
1949 |
Three Secrets [Robert Wise] b&w; sfx ph: Edwin B. DuPar & William McGann |
[Right] having breakfast with actress Ruth Roman
"Lightning Strikes Twice" - photo by Ed Clark [LIFE magazine]
On location shooting the Warner Bros. drama "Lightning Strikes Twice", director King Vidor, [seated front] observes actors Ruth Roman and Richard Todd. Cinematographer Sidney Hickox, ASC [standing right behind the operator, wearing glasses and a fedora] was a noted action specialist, yet perhaps best know for his atmospheric work in "To Have and Have Not", "The Big Sleep", "Dark Passage" and "White Heat". [Courtesy of the American Society of Cinematographers]
|
1950 |
Lightning Strikes Twice [King Vidor] b&w |
|
1950 |
The West Point Story/Fine and Dandy [Roy Del Ruth] b&w; sfx ph: Edwin B. DuPar |
|
1950 |
Along the Great Divide/The Travelers [Raoul Walsh] b&w |
|
1950 |
Fort Worth [Edwin L. Marin] c; sfx ph: H.F. Koenekamp & William McGann; filmed 1950-51 |
|
1951 |
Distant Drums [Raoul Walsh] c |
|
1951 |
The Winning Team [Lewis Seiler] b&w; sfx ph: H.F. Koenekamp; filmed 1951-52 |
|
1953 |
So You Want to Learn to Dance [Richard Bare] b&w; short/10m |
|
1953 |
So You Want a Television Set [Richard Bare] b&w; short/10m |
|
1953 |
Blowing Wild [Hugo Fregonese] b&w |
|
1953 |
Them! [Gordon Douglas] b&w (+ title in color) |
|
1953 |
Lucky Me [Jack Donohue] cs/c; 2uc; ph: Wilfred M. Cline; filmed 1953-54 |
S. Hickox - Van Heflin - Raoul Walsh - "Battle Cry"
|
1954 |
Battle Cry [Raoul Walsh] cs/b&w-c; uncred 2uc: Ted McCord |
|
1954 |
Drum Beat [Delmer Daves] cs/c; 2uc; ph: J. Peverell Marley |
|
1954 |
Helen of Troy [Robert Wise] c; co-2uc; ph: Harry Stradling Sr. |
| TELEVISION | |
|---|---|
|
1954 |
The Web [Tim Whelan] unsold & unaired pilot/b&w; followed live dramatic anthology series, 1950-54 (CBS-tv) |
|
1955 |
Just Off Broadway [George M. Cahan] unsold & unaired pilot/b&w; prod by Desilu |
|
1955 |
The Life and Legend of Wyatt Earp [pilot/ep #1 'How Wyatt Earp Became a Marshal/Mr. Earp Becomes a Marshall' dir by Lewis R. Foster] 226-part western series/b&w, 1955-61 (ABC-tv); 1st season, 1955-56 |
|
1955 |
Our Miss Brooks [e.g. ep #103 'Burnt Picnic Basket' dir by Al Lewis] 130-part sitcom series/b&w, 1952-56 (CBS-tv); 4th season, 1955-56 |
|
1955 |
My Favorite Husband [ep #3.1 'The Perfect Maid/The Maid' dir by Edward Buzzell, #3.9 'The Painting' dir by William A. Seiter (WAS) & #3.10 'The Statue' dir by WAS] 78 (?)-part sitcom series/b&w, 1953-55 (live) & 1955 (filmed) (CBS-tv); 3rd season, 1955 (13 ep) |
|
1955 |
December Bride [e.g. ep #51 'The Texas Show: Part 1' dir by Jerry Thorpe (JT) & #62 'The Beauty Pageant' dir by JT] 157-part sitcom series/b&w, 1954-59 (CBS-tv); 2nd season, 1955-56 |
|
1956 |
The Fountain of Youth [Orson Welles] tvm/b&w/27m; pilot for a new Desilu series, but not picked up; shown in September 1958 as part of the 'Colgate Theatre' (NBC-tv) |
|
1956 |
December Bride [e.g. ep #66 'The Rory Calhoun Show' dir by Jerry Thorpe (JT), #69 'The Prize Fighter' dir by JT & #81 'The Budget Show' dir by JT] 3rd season, 1956-57; see 1955 |
|
1956 |
The 'I Love Lucy' Christmas Show [James V. Kern] special (aired 24 December) |
|
1956 |
I Love Lucy/The Lucy Show [ep #162 'The Ricardos Visit Cuba' dir by James V. Kern (JVK), #163 'Little Ricky's School Pageant' dir by JVK, #164 'Lucy and the Loving Cup' dir by JVK, #165 'Lucy and Superman' dir by JVK, #166 'Little Ricky Gets a Dog' dir by JVK, #167 'Lucy Wants to Move to the Country' dir by William Asher (WA), #168 'Lucy Hates to Leave' dir by WA, #169 'Lucy Misses the Mertzes' dir by WA, #170 'Lucy Gets Chummy with the Neighbors' dir by WA, #171 'Lucy Raises Chickens' dir by WA, #172 'Lucy Does the Tango' dir by WA, #173 'Lucy's Ragtime Band' dir by WA, #174 'Lucy's Night in Town' dir by WA, #175 'Lucy's Housewarming' dir by WA, #176 'Building a Barbecue' dir by WA, #177 'Country Club Dance' dir by WA, #178 'Lucy Raises Tulips' dir by WA & #179 'The Ricardos Dedicate a Statue' dir by WA] 179-part sitcom series/b&w, 1951-57; 6th season, 1956-57 |
|
1957 |
The Lucy-Desi Comedy Hour/The Lucille Ball-Desi Arnaz Show/We Love Lucy [ep #1 'Lucy Takes a Cruise to Havana' dir by Jerry Thorpe (JT), #2 'The Celebrity Next Door' dir by JT, #3 'Lucy Hunts Uranium' dir by JT, #4 'Lucy Wins a Racehorse' dir by JT & #5 'Lucy Goes to Sun Valley' dir by JT] 13-part series of full-hour sitcom specials/b&w, 1957-60; 1st season, 1957-58 |
|
1957 |
December Bride [e.g. ep #96 'Vallee's Protege' dir by Frederick De Cordova] 4th season, 1957-58; see 1955 |
|
1957 |
Date with the Angels [ep #26 'The Christmas Show: Santa's Helper' dir by James V. Kern] 33-part sitcom series/b&w, 1957-58 (ABC-tv); other ph: Nicholas Musuraca |
|
1958 |
The Texan [ep #1 'Law of the Gun/Texan in Town' dir by Jerry Thorpe (or Earl C. Kenton)] 79-part western series/b&w, 1958-60 (CBS-tv); 1st season, 1958-59; other ph: Paul Ivano & Charles Straumer |
|
1958 |
The Lucy-Desi Comedy Hour/The Lucille Ball-Desi Arnaz Show/We Love Lucy [ep #6 'Lucy Goes to Mexico' dir by Jerry Thorpe (JT), #7 'Lucy Makes Room for Danny' dir by JT, #8 'Lucy Goes to Alaska' dir by JT & #9 'Lucy Wants a Career' dir by JT] 2nd season, 1958-59; other ph: Nicholas Musuraca; see 1957 |
|
1959 |
The Red Skelton Show [ep #8.18 'Clem in Miami Beach' dir by Seymour Berns] 622-part comedy variety series/b&w-c, 1951-53 (NBC-tv), 1953-70 (CBS-tv) & 1970-71 (NBC-tv); 8th season/b&w, 1958-59 |
|
1959 |
December Bride [e.g. ep #152 'The Texan, Rory Calhoun' dir by Frederick De Cordova] 5th season, 1958-59; see 1955 |
|
1959 |
The Lucy-Desi Comedy Hour/The Lucille Ball-Desi Arnaz Show/We Love Lucy [ep #11 'Milton Berle Hides Out at the Ricardos' dir by Desi Arnaz (DA), #12 'The Ricardos Go to Japan' dir by DA & #13 'Lucy Meets the Mustache' dir by DA] 3rd season, 1959-60; see 1957 |
|
1959 |
The Jack Benny Program/The Jack Benny Show/The Lucky Strike Program [e.g. ep #112 'Mr. and Mrs. Jimmy Stewart Show/The Jimmy Stewart Show' dir by Seymour Berns] 258-part comedy series/b&w, 1950-64 (CBS-tv) & 1964-65 (NBC-tv); 10th season, 1959-60 |
|
1959 |
Sunday Showcase [ep #7 'The Milton Berle Special' dir by Desi Arnaz] 36-part series of specials (incl. episodes of 'Our American Heritage', a.o.), 1959-60 (NBC-tv) |
|
1959 |
Westinghouse Desilu Playhouse [ep #41 'The Man in the Funny Suit' dir by Ralph Nelson] 43-part dramatic anthology series/b&w, 1958-60 (CBS-tv); 2nd season, 1959-60 |
|
1960 |
The Andy Griffith Show/Andy of Mayberry (reruns title) [31 ep dir by various] 249-part sitcom series/b&w-c, 1960-68 (CBS-tv); 1st season/b&w, 1960-61 |
|
1961 |
The Jack Benny Program/The Jack Benny Show/The Lucky Strike Program [e.g. ep #153 'Jack Goes to an Auction/Jack Takes the Stewarts to a Play' dir by Frederick De Cordova] 12th season, 1961-62; see 1959 |
|
1961 |
The Andy Griffith Show/Andy of Mayberry [29 ep dir by various] 2nd season/b&w, 1961-62; see 1960 |
|
1962 |
The Andy Griffith Show/Andy of Mayberry [32 ep dir by various] 3rd season/b&w, 1962-63; see 1960 |
|
1962 |
The Jack Benny Program/The Jack Benny Show/The Lucky Strike Program [e.g. ep #186 'Jack Referees a Wrestling Match' dir by Frederick De Cordova (FDC), #188 'The Story of the New Talent Show' dir by FDC & #201 'A Dummy Replaces Jack' dir by FDC] 13th season, 1962-63; see 1959 |
|
1963 |
The Andy Griffith Show/Andy of Mayberry [30 ep dir by various] 4th season/b&w, 1963-64; see 1960 |
|
1964 |
The Andy Griffith Show/Andy of Mayberry [27 ep dir by various] 5th season/b&w, 1964-65; see 1960 |
#2: [Right/hat] - "The Foster Lady"
|
1965 |
The Andy Griffith Show/Andy of Mayberry [30 ep (e.g. #186 'The Foster Lady') dir by various] 6th season/c, 1965-66; + part as cameraman in ep #186; see 1960 |
|
1965 |
I Spy [ep #14 'Affair in T'Sien Cha' dir by Sheldon Leonard] 82-part espionage series, 1965-68 (NBC-tv); loc ph: Fouad Said; ep #14 was originally the series pilot |
|
1966 |
The Andy Griffith Show/Andy of Mayberry [30 ep dir by various] 7th season/c, 1966-67; see 1960 |
|
1967 |
The Andy Griffith Show/Andy of Mayberry [30 ep dir by various] 8th season/c, 1967-68; see 1960 |
|
1968 |
Mayberry R.F.D. [26 ep dir by various] 78-part sitcom series, 1968-71 (CBS-tv); 1st season, 1968-69 |
|
1969 |
Mayberry R.F.D. [26 ep dir by various] 2nd season, 1969-70; see 1968 |
|
1970 |
Mayberry R.F.D. [26 ep dir by various] 3rd season, 1970-71; see 1968 |
